Road to Rio Page #5
- APPROVED
- Year:
- 1947
- 100 min
- 220 Views
She's not on the boat.
What do you mean?
She's not on the boat.
She must've gotten off
with those two musicians.
What two musicians?
Two men she met on the boat.
What about
the wedding?
There'll be a wedding.
They just left the pier.
Follow them
and you'll find Lucia.
And then take care
of those two.
I hope you had a pleasant
trip, Captain Harmon.
Ah, Mr. Rodrigues.
Tell me, captain, have you
seen Senhorita Lucia de Andrade?
Lucia? Didn't she get off with her aunt?
No, I didn't see her.
Then she must've left with
those two American musicians.
Two American musicians?
I wonder how
I can find them.
That shouldn't be very
difficult. One of them has...
Thank you very much,
captain. Thank you!
What is this, another lobby?
Don't be silly. This is our suite.
Our suite?
Who pays?
Drop it, yes.
Hey, hey! Who's getting
married? This is two men!
Compliment of the hotel, senhor.
Oh, on the cuff!
Keep it coming!
Tip the boys, huh?
We're down to our last buck.
How do you say "give me
some change" in Portuguese?
It's too late. There they go. They're off.
Check back, men, huh?
Check back!
We're down to the burlap.
Give me a hand with this thing.
Hurry up. Just take it right there
by the end. That's a good man! Up!
Don't strain yourself there!
There's another handle, you know!
What are you,
the head of the union?
You're always beefing. You'd holler
if you were hung with a new rope.
Here we are, living in a wonderful
suite. The most expensive in the hotel.
And there'd better be
a fire escape.
You all right?
You keep asking me.
I'm all right!
Okay. Then put this
over in the corner, will you?
Why don't you get a whip?
You're not
a little stiff, are you?
Stiff? I haven't had a drink
since I left the boat.
Nice setup, a suite! What
do we need two bedrooms for?
You can't expect Lucia
to sleep on the sofa.
No, sir. If anybody sleeps
on the sofa, I'm... Huh?
Aha! Aha!
Hello, Hot Lips.
Oh, no, no! You're a mirage. It can't be.
It's just a figment
of my imagination.
A soft figment.
A bull fiddle, huh?
Wait a minute. The bull
fiddle, those two gorillas...
If they'd have known what was
going on, they'd have killed us.
didn't know? Come on!
Take it easy!
Take it easy!
So long, sister. If we don't get
in touch, it's nothing personal.
It's just that we're
prejudiced against dying young.
He's right, Scat.
This is my problem.
Hold it, now, wait!
This gal's in a lot of trouble,
and you got to help her.
Like any guy would,
with red blood in his veins!
I got news for you,
I'm anemic.
She stays with us.
Nothing doing.
If you think I'll let a
beautiful doll like this
live in the same apartment
that I'm living in...
If you think...
If you...
lf...
Yes, Hot Lips.
I'll give you just 72 hours
to get out of here.
Grand! Now we're promoting. Come one, what
are we waiting for? Let's live a little!
I'd like to, if you'd only let me!
Open this up.
I'll have mine straight.
Happy grapes!
Are you ready to bubble?
The Guanabara Club, please. Yes...
I'd like to speak
to Senhor Cardoso.
Who's Cardoso?
One of the band gave me a lead on him.
He goes for jump music in a big way.
We're going to pick up a little
bread. Now we're moving.
Hello, Cardoso?
This is Scat Sweeney of Scat
Sweeney & His Dixie Hotshots.
Featuring Hot Lips Barton.
Featuring Hot Lips Barton, yeah.
Zoot Shapiro told me to look
you up when we landed down here.
He said you might have a spot
for our band in your club.
If you're any good,
Mr. Cardoso!
Our group is gone! Really gone!
I've also got a great gal singer
with us, Ginger O'Roark.
Great singer?
Hell, if she looks like Lamour,
she can sing like Lamour, can't she?
Oh! Tell him she plays
bull fiddle from the inside.
Also plays the... No!
The rest of the band?
Well, there's, uh...
Well, there's me and Hot Lips Barton.
That's two.
Three, four, five pieces.
Five pieces
in the band, yes.
Say...
Shh! Yes, Mr. Cardoso?
That's a little soon, don't you
think? How about tomorrow night?
Fine, fine. You got
yourself a band, brother!
How's that for
operating, huh?
Don't put away your scalpel, doc.
Where are the other pieces? Let's...
You mean, you're
going to hire those guys?
Why not?
Let's talk to them.
I'll be back in a minute.
But they're on key.
Come on, break open
the happy brew.
Let's go.
Thank you.
Oh!
To the Dixie Hotshots?
Yes, right!
Not so hard!
I must go on a diet.
That grape must be a little
grumpy. Shall we go again?
Put it right in there.
That's pretty
athletic stuff.
That might've happened
to my stomach.
Ready, boys?
I guess so. We're though here.
How about that?
Don't miss this time.
What are you looking for?
A light.
Well, you've got a light.
They don't call me
Hot Lips for nothing, you know.
Hey, let's get out of here.
This joint is haunted.
Just what we need, huh?
We'll never get away with it. We
want Dixie Hotshots not Hot Tamales.
It's simple. We'll get five
snappy, zooty uniforms.
Using what for money?
Hock something we don't need.
Like your head?
Wait a minute.
I think I can help. I know a
store where we can get credit.
Great. I'll clinch the deal. Hey, fellas!
Tell them.
What did you say?
They're joining up!
Wait, Shorts!
Let's not be that grateful.
That's our racket.
Lead us to the store.
Here we go, come along.
Wait.
What's your problem?
Lobster Ear, don't you
want to think this over?
Come along, we're set.
You're happy, huh?
Gee, things grow fast
in this country!
Tropics, you know.
Come along.
Scat Sweeney was one
of those men on the boat.
And Ginger O'Roark is Lucia.
Good evening.
Mrs. Vail's reservation.
Yes. Right this way, please.
I don't like it. These stripes
look too good on us.
You would know.
I get a funny feeling about this
whole deal. It's too perfect.
Stop worrying. You want to get
wrinkles over you wrinkles?
They look more like Americans than we
do. They could be the Andrews Brothers.
Yeah, Patty, La Verne
and Pancho!
Wait. Hold everything.
What's your problem?
We're supposed to be Americans.
They don't understand English!
I got that licked! We
teach them a little help
talk, and Cardoso will
never know the difference.
Now, break it up
for us foreigners.
Wilco.
"You're telling me."
"You're telling me."
You telling me.
You're telling me.
"You're in the groove, Jackson."
You're in the groove, Jackson.
You're in the groove,
Jackson.
You're telling me.
You're in the groove,
Jackson.
You're telling me.
What do you think?
"What do you...?" What do
I think? This is murder!
This is murder.
This is murder.
You're in the groove...
You're telling me.
What do I think?
What do I...?
Time! Time! Drag!
You better rehearse.
Right.
When I hold up one finger...
You're telling me.
You're in the groove, Jackson.
This is murder.
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"Road to Rio" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/road_to_rio_17023>.
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