Roger Dodger Page #2

Synopsis: Set against the bright lights of Manhattan, a tale which takes a comic, urbane look at the modern male ego at war in the singles scene trenches. Roger Swanson is a hopelessly cynical advertising copywriter with a razor-sharp wit who believes he has mastered the art of manipulating women. But Roger's seemingly foolproof world of smooth talk and casual sex begins to unravel when he is paid a surprise visit by his teenager nephew, Nick. Hoping to settle, once and for all, the issue of his virginity, Nick begs Roger to school him in the art of seducing women. Welcoming the challenge, Roger guides Nick through the city's wild nightlife for an all-night crash course, only to realize that he--the adult--still has something to learn about what women, and men, really want.
Genre: Comedy, Drama
Director(s): Dylan Kidd
Production: Artisan Entertainment
  12 wins & 14 nominations.
 
IMDB:
7.0
Metacritic:
75
Rotten Tomatoes:
88%
R
Year:
2002
106 min
$1,169,941
446 Views


First you took pride in being alone.

Wanna make a name foryourself|in the big city.

After a while, you started thinking|how it might be nice to meet somebody.

Winter's not far off,|and it gets lonely sometimes.

Okay. And?.

And so you develop a crush|on your supervisor...

even though the other women|in the office tell you...

" Keep clear. He's bad news."

- Why is he bad news?.|- Because he's a player.

He's a guy who collects trophies.

Every woman who takes a job there|ends up in bed with him.

And ifyou give in to temptation...

you'll end up the punch line|to a sordid joke by the water cooler.

Am I hot or cold?.

- It's a good story.|- It's a cliche.

So what do you do|when you're not reducing the world?.

What's wrong with reduction,|boiling things down to their essence?.

What's wrong with...|seeing what's really going on?.

And what's really going on?.|What's the big revelation?.

Why should I tell you?.

Telling you|isn't going to change anything.

For instance, I could tell you that|what you think of as your personality...

is nothing but a collection|of Van aarticles.

I could tell you your choice|of sexual partners this evening...

was decided months ago by some|account executive at Young Rubicam.

I could tell you that|given a week to study your father...

and the ways|in which he ignores you...

I could come up with a schtick|you'd be helpless to resist. Helpless.

I could tell you all that, but what|would you do with the information?.

Are there women|who fall for this stuff?.

I'm telling the truth as I see it.

You wanna go fuckyour boss?.|What business is it of mine.

He's not Daddy.|He's just a guy in a suit.

You feel compelled to contribute|to the pathetic...

heartbreaking predictability of it all,|by all means--

- Hi.|- Hi.

- You waiting for someone?.|- Yeah, my fiance.

- Hey, congratulations.|- Thanks.

All right. Congratulations.

Is he a kind man,|your fiance?.

Does he treat you with respect?.

Not that it's any ofyour business,|but, yes, he does.

- That must make you nervous.|- Why would that make me nervous?.

Oh, come on.

Look at the time.|Let's do the math together.

What are you talking about?.

Let me guess, low self-esteem...

and premenopausal... concern|led you to pursue a series of--

semiabusive relationships?.

But a recent dose of therapy|has convinced you...

that inner-beauty|is what really matters, and...

you really deserve that perfect partner|who treats you with such respect.

Do you want me to call|the bartender?.

Unless you're an idiot--|which I don't thinkyou are--

unless you're some kind|of pathetic, self-help junkie...

you and I know your guy's gonna|wake up one morning, and--

he's gonna look around,|figure out how old you are...

and what you're really like,|and that's the day he's gonna go out...

for a pack of smokes|and never come back.

By that time--|How you doing?.

If she doesn't see what's coming,|I f***ing weep for her.

- Can I help you, sir?.|- Hey. No, thanks. I'm good.

I said, "Can I help you, sir?'

- Where's that other guy?. The--|- He's home sleeping.

Okay. Well, it's very important that|I see Joyce Maynard right away, so--

Okay. I understand.|Why don't I just leave her a note?.

It's important|that I see her in person.

That's not gonna work,|so why don't I...

call you a cab and you go home|and sleep it off?.

Why don't you go f***ing home?.

Okay. You know what?.|We don't understand each other.

I'm her boy. I'm her boy, okay?.|Who are you?. Who are you?.

I am the man who's gonna call the police|ifyou don't get out of my lobby!.

an| a an an a

n |- Who is it?.

an n aan|-Which new campai gn?. Get a name, please.

an|- T ell her I'm out.

a an|- T ell her I'm out.

Yeah. This is, like, surly.|That's like, "What is that?. "

- And this is, like--|- You want surly?.

-This is like '90s, adorable normal guy.|-I am that.

- That's your problem.|- That's your nightmare.

Hey, |You going to Joyce's tonight?.

What?.

- Didn't you get the E-mail?.|- What E-mail?.

About the party?.

You going?.

Joyce throws a party,|I don't ask questions. I just show up.

She's on a conference call.

Ted, there's someone|in my office.

- Bye, Ted.|- It's okay, Donna, you can--

- Bye, Donna.|- I'll call you back in five minutes.

"Five minutes"?.|This is a five-minute situation?.

Sit down.

I don't wish to sit down.|I wish to stand.

Did you try to get|into my building last night?.

Why am I not invited tonight?.|Everyone will be there except me.

What is that going to look like?.

- Let's reestablish some boundaries.|- Let's not.

I'm your boss.|You work for me.

You write very good copy.

But I have a hundred resumes|on my files for guys just like you.

But do those guys|do that thing that I do?.

The thing that you like?.

I have explained to you that I do not|wish to see you socially any longer.

Find a way to deal with it.

What's that supposed to do?.

Nick?.

Uncle Roger.|How's it going?.

What are you doing here?.

What?. Oh.|I wanted to see where you work.

- Yes. No. What are you doing here?.|- What?.

- You mean here in New York here?.|- Yes.

I had an interview at Columbia,|so Mom said I should lookyou up.

- Sit down.|- Okay.

That's what all the phone calls|were about.

- The phone calls?.|- Yeah. Your mom's been calling me.

- Did you speak to her?.|- We're playing phone tag.

She said you could|show me what you do here.

She did?.

Well, there's not a whole lot|to show you, Nick.

Really?. Like, what do you do all day?.

What do I do all day?.

I sit here and think ofways|to make people feel bad.

- I thought you wrote for commercials.|- I do...

but you can't sell a product|without first making people feel bad.

Why not?.

Because it's a substitution game.

You have to remind them that they're|missing something from their lives.

Everyone's missing something, right?.

- Well, yeah. I guess.|- Trust me.

And when they're feeling|sufficiently incomplete...

you convince them that your product is|the only thing that can fill the void.

So, instead of taking steps|to deal with their lives...

instead ofworking to root out|the real reason for their misery...

they run out and buy|a stupid-looking pair of cargo pants.

- So... is it fun?.|- It can be.

Look, I actually was about|to call it a day.

That's cool.|We can go get something to eat.

- Fine. Let's get out of here.|- Great.

You gave me a scare. I thought you|were having a narcoleptic episode.

- What?. When?.|- Back at the office, you know?.

That's standing meditation.|It calms me down. Thanks.

Why should you calm down?.|You're a teenager. Thankyou.

My brain gets all sloppy|when I'm stressed...

so the meditation helps me focus|and block out the bad stuff.

- Bad stuff?.|- Like fear and pain, you know?.

It's a visualization. I picture|a blue triangle, and that's me.

I put all the other stuff outside|the triangle in a red field. It works.

So, how's your folks?.

- They got divorced.|- What?.

Yeah. My dad moved out.

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Dylan Kidd

Dylan Kidd (born August 30, 1969) is an American film director, producer and screenwriter best known for directing and writing the 2002 American film Roger Dodger. more…

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Submitted on August 05, 2018

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