Roman Holiday Page #2

Synopsis: Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her
Genre: Comedy, Romance
Director(s): William Wyler
Production: Paramount Pictures
  Won 3 Oscars. Another 7 wins & 15 nominations.
 
IMDB:
8.1
Metacritic:
76
Rotten Tomatoes:
98%
NOT RATED
Year:
1953
118 min
7,947 Views


Is this the elevator?

It's my room.

I'm terribly sorry|to mention it, but...

the dizziness is getting worse.

Can I sleep here?

Well, that's the general idea.

Can I have a silk nightgown|with rosebuds on it?

I'm afraid you'll have to|rough it tonight...

in these.

Pajamas.

Sorry, honey, but I haven't|worn a nightgown in years.

Will you help me|get undressed, please?

Okay.

There you are.|You can handle the rest.

May I have some?

No.

Now, look...

This is very unusual.

I've never been alone|with a man before...

even with my dress on.

With my dress off,|it's most unusual.

I don't seem to mind.

Do you?

I think I'll go out|for a cup of coffee.

You'd better get to sleep.

On this one.

Terribly nice.

These are pajamas.

They're to sleep in.|You're to climb into them.

- You understand?|- Thank you.

Then you do your sleeping|on the couch, not on the bed.

Not on the chair.|On the couch. Is that clear?

- Do you know my favorite poem?|- You already recited that for me.

"Arethusa arose|from her couch of snows...

in the Acroceraunian Mountains."

- Keats.|- Shelley.

You just keep your mind off the poetry|and on the pajamas.

Everything will be all right.

- Keats.|- Shelley. I'll be back in ten minutes.

Keats.

You have my permission...

to withdraw.

Thank you very much.

- Well?|- No trace, Your Excellency.

- Have you searched the grounds?|- From the attics to the cellar, sir.

I must put you on your honor|not to speak of this to anyone.

I must remind you that the princess|is the direct heir to the throne.

This must be classified|as top crisis secret.

Have I your pledge?

- Yes, sir.|- Very well.

Now we must notify|Their Majesties.

So happy.

The pleasure's mine.

Screwball.

Holy smoke.|The princess interview.

Hi, Joe.

- Good morning, Joe.|- Hello, honey.

Mr. Hennessy|has been looking for you.

Uh-oh.

Thanks a lot, hon.

Come in!

- You been looking for me?|- Just coming to work?

Who, me?

We start our days at 8:30|in this office.

- We pick up our assignments...|- I picked mine up last night.

- What assignment was that?|- The princess, 11:45.

You've already been|to the interview?

Sure.|I just got back.

Well, well, well.

All my apologies.

- It's all right.|- Very interesting.

- Just routine.|- She answered the questions on the list?

Well, of course she did.

- I've got them right here somewhere.|- Don't disturb yourself.

I have a copy here.

How did Her Highness react to the idea|of a European federation?

She thought it was just fine.

She did?

Well, she thought|there would be two effects.

Two.

The direct and the indirect.

Remarkable.

Naturally, she thought that|the indirect would not be as direct...

as the direct.

At least not right away.

Later on, of course,|well, nobody knows.

Well, well, well.

That was a shrewd observation.

They fool you, these royal kids.

They've got a lot more on the ball|than we suspect.

How did she feel about|the future friendship of nations?

Youth.

She felt that|the youth of the world...

must... lead the way...

to a better...

world.

Original.

By the way,|what was she wearing?

Oh, you mean|what did she have on?

Well, that's usually|what it means.

What's the matter?|Little warm for you?

No, I just hurried over here.

Naturally, with a story|of these dimensions.

Did you say|she was wearing gray?

- No, I didn't say that.|- Well, she usually wears gray.

Oh. Well, it was|a kind of a gray.

I think I know the dress you mean.|It has a gold collar.

That's the one. I didn't know exactly|how to describe it, but that's it.

I think you described it|very well...

in view of the fact that Her Highness|was taken violently ill at 3:00 a.m. ...

put to bed with a high fever...

and has had all her appointments|for today cancelled in toto!

In toto?

Yes, Mr. Bradley.

In toto.

That's certainly|pretty hard to swallow.

In view of the fact|that you just left her, of course.

But here it is, all over the front page|of every newspaper in Rome.

All right, all right, I overslept.|It could happen to anybody.

If you ever got up early enough|to read a morning paper...

you might discover|little news events...

little items|of general interest...

that might prevent you in the future|from getting immersed...

in such a gold-plated, triple-decked,|star-spangled lie as you just told me.

If I were you, I'd try some other line|of business, like mattress testing.

Is this the princess?

Yes, Mr. Bradley,|that is the princess.

It isn't Annie Oakley, Dorothy Lamour|or Madame Chiang Kai-shek.

Take a good look at her. You might be|interviewing her again someday.

Am I fired?

No, you're not fired.

When I want to fire you,|you won't have to ask.

You'll know you're fired.

The man's mad.

Giovanni, it's Joe Bradley.

Now listen carefully.

I want you to hurry up to my place and|see if there's somebody there asleep.

"S", Mr. Joe.

I look... "subito".

You wait... "aspetta".

Mr. Joe?

Yeah... Yeah, yeah.|Tell me, tell me.

Giovanni, I love you.|Now, listen...

Yes, Mr. Joe.

A gun?

No!

Yes, a gun, a knife, anything!

But nobody goes in,|and nobody goes out.

Okay.

You still here?

How much would a real interview|with this dame be worth?

You mean Her Highness?

I don't mean Annie Oakley,|Dorothy Lamour or Madame... How much?

What do you care?|You got as much chance...

I know, but if I did,|how much would it be worth?

Oh, just a plain talk on|world conditions might be worth 250.

Her views on clothes, of course, would|be worth a lot more. Maybe a thousand.

- Dollars?|- Dollars.

I'm talking about her views|on everything.

The private and secret longings...

of a princess.

Her innermost thoughts, as revealed|to your Rome correspondent...

in a private, personal...

exclusive...

interview.

Can't use it, huh?

I didn't think you'd like it.

Come here.

Love angle too, I suppose.

Practically all love angle.

With pictures.

Could be. How much?

That particular story would be worth|five grand to any news service.

But tell me, Mr. Bradley,|if you are sober...

just how you are going to obtain|this fantastic interview.

I plan to enter her sick room|disguised as a thermometer.

You said five grand?|I want you to shake on that.

You realize Her Highness is in bed today|and leaves for Athens tomorrow.

I'd like to make|a little side bet with you.

Five hundred says|you don't come up with the story.

- What are you looking at that for?|- I just want to see what time it is.

What day it is.

- It's a deal.|- Now I'd like you to shake.

You're into me|for about 500 now.

When you lose this bet,|you'll owe me a thousand.

Why, you poor sucker.|I'll practically own you.

You have practically owned me for|a couple of years, but that's all over.

I'm gonna win that money, and I'm gonna|buy a one-way ticket back to New York.

Go on.|I love to hear you whine.

And when I'm back in a real newsroom,|I'll enjoy thinking about you...

sitting here with an empty leash in|your hands and nobody to twitch for you.

Rate this script:5.0 / 1 vote

Ian McLellan Hunter

Ian McLellan Hunter (August 8, 1915 – March 5, 1991) was an English screenwriter, most noted for fronting for the blacklisted Dalton Trumbo as the credited writer of Roman Holiday in 1953. Hunter was himself later blacklisted. more…

All Ian McLellan Hunter scripts | Ian McLellan Hunter Scripts

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Submitted on August 05, 2018

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