Roman Holiday Page #3

Synopsis: Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her
Genre: Comedy, Romance
Director(s): William Wyler
Production: Paramount Pictures
  Won 3 Oscars. Another 7 wins & 15 nominations.
 
IMDB:
8.1
Metacritic:
76
Rotten Tomatoes:
98%
NOT RATED
Year:
1953
118 min
7,889 Views


So long, pigeon.

- Everything okay, Giovanni?|- "S", Signore Joe.

Nobody she's come,|nobody she's go.

- Absolutely nobody.|- Swell.

Thanks a lot.

How would you like|to make some money?

That's the stuff.

I've got a sure thing.

Double your money back|in two days.

Double my money?

Well, I need a little|investment capital to swing the deal.

Now, if you'll just|lend me a little cash...

You...

owing me two months rent.

And you want me|to lend you money?

Tomorrow you'll be sorry.

Your Highness?

Your Royal Highness?

Yes? What is it?

Dear Dr. Bonnachoven.

Oh, sure, yes.

Well, you're fine.|Much better.

Is there anything you want?

So many things.

Yes?|Well, tell the doctor.

Tell the good doctor everything.

I dreamt and I dreamt.

Yes?|Well, what did you dream?

I dreamt I was asleep|in the street...

and a young man came.

He was tall and strong...

and he was so mean to me.

He was?

It was wonderful.

Good morning.

Where's Dr. Bonnachoven?

I'm afraid I don't know anybody|by that name.

- Wasn't I talking to him just now?|- Afraid not.

Have I had an accident?

Quite safe for me to sit up?

Oh, perfectly.

Thank you.

Are these yours?

Did you lose something?

Would you be so kind|as to tell me...

where I am?

Well, this is what is|laughingly known as my apartment.

Did you bring me here by force?

Quite the contrary.

Have I been here all night...

alone?

If you don't count me, yes.

So I've spent the night here...

with you.

Well, now, I don't know|that I'd use those words exactly.

But...

from a certain angle...

yes.

How do you do?

How do you do?

- And you are?|- Bradley. Joe Bradley.

Delighted.

You don't know|how delighted I am to meet you.

You may sit down.

Thank you very much.

What's your name?

You may call me...

Anya.

Thank you... Anya.

- Would you like a cup of coffee?|- What time is it?

About 1:
30.

- I must get dressed and go.|- Why?

What's your hurry?|There's lots of time.

Oh, no, there isn't. And I've been|quite enough trouble to you as it is.

Trouble?

You're not|what I would call trouble.

I'm not?

I'll run a bath for you.

There you are.

Here we go now.

There you are.|That does it.

Give me a little slack,|will ya.

Irving! Why don't you answer the phone?|Look, this is Joe.

Can you get here|in five minutes?

Oh, no, I can't come now, Joe.|I'm busy.

Joe, I'm up to my ears in work.

Get into your next outfit, honey.|The canoe.

What kind of scoop?

I can't talk over the telephone.

One word in the wrong quarter, and|this whole thing might blow sky high.

It's front page stuff.|That's all I can tell you.

It might be political, it might be a|sensational scandal. I'm not sure which.

But it's a big story.|It's gotta have pictures.

But I can't come now.|I'm busy...

I'm busy now, and I'm meeting Francesca|at Rocca's in half an hour.

Don't understand.

There you are.

I was looking at|all the people out here.

It must be fun|to live in a place like this.

It has its moments.

I can give you a running commentary|on each apartment.

I must go.

- I only waited to say good-bye.|- Good-bye?

But we've only just met.

- How about breakfast?|- I'm sorry. I haven't time.

Must be a pretty important date|to run off without eating.

It is.

Well, I'll go along with you|wherever you are going.

That's all right, thank you.|I can find the place.

Thank you for letting me|sleep in your bed.

Oh, that's all right.

- Think nothing of it.|- It was very considerate of you.

You must've been awfully|uncomfortable on that couch.

No. Do it all the time.

Good-bye, Mr. Bradley.

Good-bye.

Go right through there,|down all the steps.

Well... small world.

Yes. I almost forgot.

Can you lend me some money?

Oh. Yeah.

That's right.|You didn't have any last night.

How much was it|that you wanted?

Well, I don't know how much I need.|How much have you got?

Suppose we split this 50-50.|Here's a thousand lira.

A thousand?

- You can spare all that?|- It's about a dollar and a half.

Oh.

Well, I'll arrange for it|to be sent back to you.

What is your address?

Via Margutta 51.

Via Margutta 51.

Joe Bradley.

Good-bye. Thank you.

Double my money, eh?

- Tell me how I double my money that way?|- Tomorrow. Tomorrow.

Yeah, tomorrow.

What wonderful hair you have.

Just cut, thank you.

Just cut?

Well, then...

cut so?

Higher.

Higher?

- Here?|- More.

- Here?|- Even more.

Where?

There.

There.

- Are you sure, miss?|- I'm quite sure, thank you.

All off?

All off.

Off.

- Are you sure?|- Yes.

Off!

Off!

Off.

Off!

That's a nice little camera|you have there. It's nice.

You don't mind|if I just borrow it, do you?

- Miss Weber!|- Just for a couple of minutes.

Let go. It's my camera.

You musician, maybe?

You artist?

Painter?

I know! You "modella"!

- Model, huh?|- Thank you.

It's perfect.

You be nice without long hair.

Now it's cool.

Yes. It's just what I wanted.

Now, why you not come|dancing tonight with me?

You should see. It's so nice.

It's on a boat on the "Tevere"...

Tiber. The river by Sant'Angelo.

Moonlight, music.

It's very, very... Very.

- Please? You come?|- I wish I could.

But... But your friend,|I not think they recognize you.

No, I don't think they will.

- Oh, thank you very much.|- Thank you.

After 9:
00, I'll be there|dancing on river.

Remember Sant'Angelo.|All my friends...

If you come, you will be|most pretty of all girl.

Thank you.

- Good-bye.|- Good-bye.

- Gelato?|- Gelato.

Thank you.

A thousand lire.

No money.

I'm sorry.|I've really no money.

Look.

I'm sorry.

Well, it's you.

- Yes, Mr. Bradley.|- Or is it?

- Do you like it?|- Yeah. Very much.

So that was your|mysterious appointment.

- I have a confession to make.|- Confession?

Yes. I ran away last night...|from school.

Oh, what was the matter,|trouble with the teacher?

No, nothing like that.

You don't just run away|from school for nothing.

I only meant it to be|for an hour or two.

They gave me something last night|to make me sleep.

Oh, I see.

Now I'd better get a taxi|and go back.

Look, before you do...

why don't you take|a little time for yourself?

Maybe another hour.

Live dangerously.|Take the whole day.

I could do some of the things|I've always wanted to.

- Like what?|- Oh, you can't imagine.

I'd like to do just whatever I like|the whole day long.

You mean things like having|your hair cut, eating gelato?

Yes. I'd like to sit at a sidewalk cafe|and look in shop windows...

walk in the rain...

have fun and|maybe some excitement.

Doesn't seem much to you, does it?

It's great.

Tell you what. Why don't we|do all those things together?

- Don't you have to work?|- Work?

No. Today's gonna be a holiday.

You don't want to do|a lot of silly things.

Don't I? First wish,|one sidewalk cafe coming right up.

I know just the place.|Rocca's.

What will the people at school say|when they see your new haircut?

They'll have a fit.

What would they say if they knew|I'd spent the night in your room?

Rate this script:5.0 / 1 vote

Ian McLellan Hunter

Ian McLellan Hunter (August 8, 1915 – March 5, 1991) was an English screenwriter, most noted for fronting for the blacklisted Dalton Trumbo as the credited writer of Roman Holiday in 1953. Hunter was himself later blacklisted. more…

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Submitted on August 05, 2018

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