Roman Holiday Page #4

Synopsis: Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her
Genre: Comedy, Romance
Director(s): William Wyler
Production: Paramount Pictures
  Won 3 Oscars. Another 7 wins & 15 nominations.
 
IMDB:
8.1
Metacritic:
76
Rotten Tomatoes:
98%
NOT RATED
Year:
1953
118 min
7,551 Views


Well, I'll tell you what. You don't|tell your folks, and I won't tell mine.

- It's a pact.|- What would you like to drink?

Champagne, please.

Champagne?

Well, champagne "per la signorina"|and cold coffee for me.

Must be quite a life you have|in that school. Champagne for lunch.

- Only on special occasions.|- For instance?

The last time|was my father's anniversary.

- Wedding?|- No. It was the 40th anniversary of...

of the day he got his job.

What does he do?

Well, mostly you might call it|public relations.

Oh, well, that's hard work.

- Yes. I wouldn't care for it.|- Does he?

- I've heard him complain about it.|- Why doesn't he quit?

Well, people in that line of work|almost never do quit...

unless it's actually unhealthy|for them to continue.

Well, here's to his health, then.

You know,|that's what everybody says.

- It's all right?|- Yes, thank you.

What is your work?

Oh, I'm, uh,|in the selling game.

Really? How interesting.|What do you sell?

Fertilizer.

Chemicals. You know, chemicals.|Stuff like that.

Irving!|Well, am I glad to see you!

Why?|Did you forget your wallet?

- Pull up a chair. Sit down with us.|- So you're gonna introduce me?

Yes. This is a good friend of mine,|Irving Radovich. Anya, Irving.

Yes. This is a good friend of mine,|Irving Radovich. Anya, Irving.

- Anya...|- Smith.

- Hiya, Smitty.|- Charmed.

Hey, anybody ever tell you|you're a dead ringer for...

Well, I guess I'll be going.

Don't do anything like that, Irving.|Sit down. Join us. Join us.

Well, just till Francesca gets here.

- Tell me, Mr. Radovich...

- what is a ringer?|- Waiter?

It's an American term,|and it means...

anyone who has|a great deal of charm.

Oh. Thank you.

You're welcome.

Cousins.

Mr. Bradley's just been telling me|all about his work.

- I'd like to have heard that.|- What do you do?

I'm in the same racket as Joe,|only I'm...

I'm awfully sorry, Irving.

- For the love of... What are you...|- I'm sorry, Irving.

I can take a hint.|I'll see you around.

- Your drink's here. Please sit down.|- Here's your drink. Take it easy.

I'm sorry about that.|Sit down. That's a good fellow.

That's a boy.

- You're twisting my arm, you know.|- Just be more careful not to spill.

Spill? Who's been doing|the spilling?

- You.|- Me?

Yeah.

Where did you find this loony?

You're okay.|Here's to you, huh?

Here's hoping for the best.

If it wasn't for that hair,|I'd swear that...

Thanks.

You slipped, Irving.|Slipped and almost hurt yourself.

I slipped?|I almost hurt myself?

- Joe, I didn't slip!|- You've got a bad sprain.

- Never mind I got a sprain.|- We'd better go and get it fixed up.

- Excuse us for a minute.|- Yes, of course. I'm so sorry.

Joe, now wait a minute.|What are you trying to do?

- Have you got your lighter?|- What's that got to do with it?

- Have you got it?|- Yeah, but what are you trying to do?

Listen. What would you do|for five grand?

Five grand?

She doesn't know|who I am or what I do.

Look, Irving, this is my story.|I dug it up. I gotta protect it.

She's really the...

Your tintypes are gonna make|this little epic twice as valuable.

- "The princess goes slumming."|- You're in for 25% of the take.

- The take's five G's.|- Minimum. Hennessy shook hands on it.

- That's $ 1,500.|- It's 1,250.

- Okay. Now you shake.|- Okay, now lend me 30,000.

That's 50 bucks.|You gonna buy the crown jewels?

She's out there now drinking|champagne that I can't pay for.

We got to entertain her, don't we?

We can't go running around town|with a hot princess.

Do you want in on this deal|or don't you?

This I want back Saturday.

Now where's your lighter?|Let's go to work.

- Better now?|- Huh?

- Your ear.|- My ear?

Oh, yeah. Joe fixed it.

Would you care for a cigarette?

Yes, please.

You won't believe this,|but it's my very first.

Your very first?

No smoking in school, hmm?

Your first cigarette.

There. The gizmo works.

Well, what's the verdict?|Okay?

Nothing to it.

That's right. Nothing to it.

I'll stretch my legs a little here.

- I'll pick this one up, Irving.|- Yeah. You can afford it.

Well, what shall we do next?|Shall we make out a little schedule?

Oh, not that word, please.

Oh, I didn't mean a work...|school schedule.

I meant a fun schedule.

- Oh, yes. Let's just go.|- How about you, Irving? Are you ready?

- Yeah.|- Let's go.

This is...

- Smitty.|- She's a grand girl, Irving. Grand.

Five grand, Irving.

Where are you going now?

Honey, I got to work.|I'll call you tonight.

Look at those men!

They were supposed to be|inconspicuous.

You asked for plainclothes.

Stop! Come back!

- Let me take it.|- No. Let go. I can do it.

I'm going straight from now on.

American news service?|What did he mean?

Well, you say you're with the press,|you can get away with anything.

Go to church to get married|on a scooter. That's a hot one.

Joe's a wonderful liar.

Congratulations. Congratulations.

You don't have to look so worried.|I won't hold you to it.

Thank you very much.

You don't have to be too grateful.

Okay, I won't.

I'm a good liar, too, aren't I?

- The best I ever met.|- Uh-huh.

Thank you very much.

Say!

Come with me.

The mouth of truth. The legend is|that if you're given to lying...

and put your hand in there,|it'll be bitten off.

- Oh, what a horrid idea.|- Let's see you do it.

Let's see you do it.

Sure.

Hello.

You beast!|It was perfectly all right!

- I'm sorry. It's just a joke.|- Oh, you never hurt your hand.

- I'm sorry. You okay?|- Yes.

All right. Let's go.|Look out!

I'll park at the corner.

What do they mean,|all these inscriptions?

Well, each one represents|a wish fulfilled.

It all started during the war when|there was an air raid right out here.

A man with his four children|was caught in the street.

They ran over against the wall|right there for shelter...

and prayed for safety.

Bombs fell very close,|but no one was hurt.

Later on, the man came back and|he put up the first of these tablets.

Since then,|it's become sort of a shrine.

People come, and whenever|their wishes are granted...

they put up another one|of these little plaques.

Lovely story.

Read some of the inscriptions.

Make a wish?

Tell the doctor?

Anyway, the chances of it|being granted are very slight.

Well, what now?

I've heard of a wonderful place|for dancing on a boat.

- The barges down by Sant'Angelo.|- Yes. Couldn't we go there tonight?

- Why not?|- Anything you wish.

Then at midnight,|I'll turn into a pumpkin...

and drive away in my glass slipper.

And that'll be|the end of the fairy tale.

- Well, I guess Irving has to go now.|- I do?

That big business development of yours|that you have to attend to.

- Oh, the development.|- Can't afford not to take care of that.

Yeah. I'll see you later, Smitty.

- Good luck with the big development.|- Thanks.

Two, please.

Hello.

Hello.

Mr. Bradley, if you|don't mind my saying so...

- I think you are a ringer.|- A what?

Oh, thanks very much.

You've spent the whole day doing things|I've always wanted to. Why?

Rate this script:5.0 / 1 vote

Ian McLellan Hunter

Ian McLellan Hunter (August 8, 1915 – March 5, 1991) was an English screenwriter, most noted for fronting for the blacklisted Dalton Trumbo as the credited writer of Roman Holiday in 1953. Hunter was himself later blacklisted. more…

All Ian McLellan Hunter scripts | Ian McLellan Hunter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Roman Holiday" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/roman_holiday_17116>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Roman Holiday

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "The Social Network"?
    A Charlie Kaufman
    B William Goldman
    C Aaron Sorkin
    D Christopher Nolan