Romancing the Stone Page #5

Synopsis: Joan Wilder, a mousy romance novelist, receives a treasure map in the mail from her recently murdered brother-in-law. Meanwhile, her sister Elaine is kidnapped in Colombia and the two criminals responsible demand that she travel to Colombia to exchange the map for her sister. Joan does, and quickly becomes lost in the jungle after being waylayed by Zolo, a vicious and corrupt Colombian cop who will stop at nothing to obtain the map. There, she meets an irreverent soldier-of-fortune named Jack Colton who agrees to bring her back to civilization. Together, they embark upon an adventure that could be straight out of Joan's novels.
Director(s): Robert Zemeckis
Production: Twentieth Century Fox Home Entertainment
  Nominated for 1 Oscar. Another 8 wins & 3 nominations.
 
IMDB:
6.9
Metacritic:
63
Rotten Tomatoes:
86%
PG
Year:
1984
106 min
4,470 Views


RALPH:
It's time I had a chauffeur, Miss Wilder.

JACK:
Hey, back off me, creep!

Oh, I'm the creep, huh?

Well, at least I'm honest. I'm stealing this

stone.

I'm not trying to romance it out from under her.

JOAN:
Wait a minute. Going for the stone was my

idea.

RALPH:
That's what the good con artists want you

to think.

He made you think you needed it, you sap!

Get in and drive! Come on! Move it!

Move it!

See how you like being stuck--

Holy sh*t!

- Aah!

Get in!

JOAN:
Which way do we go?

Follow that stone!

RALPH:
Mounties!

JACK:
Hit it!

[Jack laughs]

ZOLO:
.Vamos! .Tras ellos! .Vamos!

JACK:
Where the hell you going?

Where am I going?

How about Lupe's Escape?

Where you going? Quit steering. You're not going

anywhere.

JACK:
Oh, no!

JOAN:
What are we gonna do now?

JACK:
Jump!

[Jack coughing]

JACK:
Hey!

Joan Wilder! Hey! What a comeback!

Ha ha ha ha! Whoo!

JOAN:
Yeah.

- Man, I thought you drowned!

- I did!

JACK:
You OK?

JOAN:
Oh, sure. I'm great.

I'm fine! Only you're on that side!

There's no way across this sucker!

You did this on purpose!

What are you talking about? We just went over a

waterfall!

Admit it! You planned this all along!

I knew I couldn't depend on you! I knew it!

What's the name of that hotel in Cartagena?

Hotel Cartagena! What do you care?

All right. You just head towards the sunset...

and you'll make it! And I'll be there!

Oh, yeah, sure. With El Corazon in your pocket.

What about my sister?

They don't have to know about this. You got the

map!

- Well, you've got the stone!

- Yeah, but--

[Gunshots]

JACK:
I'll meet you there! Trust me!

- What?

- I'll be there!

[Bell ringing]

[Marimba playing]

IRA:
So you made it finally.

Got the map?

Yes, I brought it. I want to talk to Elaine.

No. You can't talk to her till I get it.

All right, now look out your window.

See the fort across the bay? The tower?

JOAN:
Yes.

You take a water taxi right outside your hotel.

You meet me there in two hours--

all by yourself.

[Click]

CLERK:
Hello?

JOAN:
Has Jack Colton checked in?

CLERK:
In the last two minutes, no.

[Thunder]

IRA:
Over here.

Stop right there.

IRA:
Let me see the map.

Where are you?

IRA:
Let me see the map.

Let me see Elaine.

ELAINE:
Joanie?

IRA:
Drop the map and back off.

If this isn't genuine...

If you've pulled a fast one...

Joan Wilder, you...

and your sister...

can go!

[Laughs]

ELAINE:
Hey.

JOAN:
It's OK. It's all right.

Let's go home tonight.

[Machine gun fires]

I missed you at the hotel.

We all did.

IRA:
You brainless broad, you let him follow you

here.

Come on.

This map is nothing.

They already have the stone.

RALPH:
Aah!

I had it in my hands, Ira.

These hands that are gonna break every bone in

your body.

Later.

Where is it?

I don't know.

Where is the stone?

We dug. We didn't find anything.

.Traigala!

ZOLO:
Crocodiles shed tears while they eat their

prey.

You have heard of these tears, I am sure.

But have you seen them?

- Aah!

- Stop it!

JOAN:
Oh, no! No!

IRA:
Look at those snappers.

ZOLO:
You can forego this agony.

Simply tell me, where is El Corazon?

Where is the heart?

Where is the stone?

JACK:
All right! Just let her go, will you?

She doesn't know where it is. I've got it.

Where is it?

It's in a safe place.

Where is it?

[Clunk]

Choke on it.

Thank you.

[Screaming]

JACK:
Get down!

JOAN:
All right, honey. Come on.

[Groans]

ELAINE:
Hurry. Hurry.

IRA:
Boys! .Muchachos!

Bring the boat around! Hold them down!

Let me get to the boat!

[Coughs]

JOAN:
Just a little more. Come on.

.Muchachos!

.Andale!

IRA:
.Vamonos!

RALPH:
Ira!

Ira!

Come back here, Ira!

IRA:
Jump, Ralph, jump!

RALPH:
I can't swim. You know that, Ira.

- I'll come back for you!

- You promise?

IRA:
I'll send the boat back for you, Ralph!

- When?

- Soon!

- How soon?

- Very soon!

JACK:
No.

No! No!

Where do you think you're going, huh, pal?

Come on, cough it up.

ELAINE:
Wait, wait!

ELAINE:
Joanie?

How will you die, Joan Wilder?

Slow like a snail...

or fast like a shooting star?

Oh, my.

[Gasps]

JOAN:
Jack!

Jack!

Jack!

JACK:
Come on, you bastard. Give me a break.

[Growls]

JACK:
Damn it!

[Click]

[Cigar sizzling] ZOLO: Aah!

Aah!

[Zolo shrieking]

Oh, Jack.

JACK:
It's OK. It's OK.

Come on back, Ira!

You're my cousin, Ira! Don't you remember?

Your mother, my mother!

[Siren]

That way!

That way! He's getting away!

He's got it all! Go that way!

ELAINE:
Joanie?

JACK:
OK. All right. Here's what we got to do.

Get to the American Consulate. Just tell them

everything.

JOAN:
Where are you going?

JACK:
They might believe you, but just one thing:

don't mention my name.

Cartagena cops and I go way back.

Elaine, it's been a pleasure.

JOAN:
You're leaving?

You're leaving me?

You're gonna be all right, Joan Wilder.

Yeah.

Jack Colton!

Damn.

GLORIA:
Oh.

[Sniffles]

Well, that is far and away your best book.

I can't believe how fast you cranked this out.

JOAN:
So, you really like it?

GLORIA:
Like it? Look at me. I'm a mess. It made

me cry.

You tell anybody, I'll cut your heart out.

I love the end where he dives off the wall and

swims away.

Then he meets her at the airport.

They sail off around the world together.

God, I can't believe how this got to me.

JOAN:
Well...

I was, uh, inspired.

GLORIA:
Joanie, you are now a world-class

hopeless romantic.

No. Hopeful.

Hopeful romantic.

JOAN:
No, thank you.

Nope.

MAN:
Name-brand. Name-brand.

JOAN:
Never wear 'em.

MAN:
You can wear it right now. Five dollars.

JOAN:
Hey!

JOAN:
I like your boots.

JACK:
Yep. That poor old yellow-tailed guy...

developed a fatal case of indigestion.

He died right on my arms.

I can't blame him.

If I were to die...

there's nowhere else on earth I'd rather be.

I couldn't stop thinking about you.

I even read one of your books.

Then you know how they all end

Yeah

Hi

Hi

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Diane Thomas

Diane Renee Thomas (January 7, 1946 – October 21, 1985) was a screenwriter. She was working as a waitress while writing scripts and then had the opportunity to pitch the script for Romancing the Stone to customer Michael Douglas who then bought, produced, and starred in the film with Kathleen Turner and Danny DeVito. She was born January 7, 1946 in Sault Ste. Marie, Michigan. Her family moved to Long Beach, California when she was 12 years old. She attended the University of Southern California and majored in business. Then, according to her obituary, "She worked as an advertising copywriter, wrote travel brochures, took acting classes and worked toward a degree in psychology."In 1978, while working "every spare hour for a year" on Romancing the Stone, Thomas was a waitress at Coral Beach Cantina on the Pacific Coast Highway. It took less than a week for her agent, Norman Kurland, to sell the script. Kurland had sent it to several major studios. Actor/producer Michael Douglas and Columbia Pictures bought the script, though the film would later be made by 20th Century Fox. According to other accounts, the sale of the screenplay was a Cinderella story in itself: Thomas pitched the story directly to Douglas herself, when the actor happened to come into her cafe as a customer. This account, however, is disputed."It just had a spontaneity about the writing," Douglas said of the screenplay that would launch Thomas' career. "She was not cautious. The script had a wonderful spirit about it. . . . There was a total lack of fear to the writing. It worked." The screenplay for Romancing the Stone sold for $250,000. In addition to Thomas, "at least three" uncredited script doctors revised the screenplay.After Romancing the Stone, Thomas wrote another screenplay titled either Blonde Hurricane or Blond Hurricane.Diane Thomas died in a car accident in October 1985, only six weeks before the sequel to Romancing the Stone, The Jewel of the Nile, was released. At the time, Thomas was busy writing for the movie Always for Steven Spielberg and was not available to write The Jewel of the Nile.In an interview in the Special Edition DVD of Romancing the Stone, Michael Douglas stated that he had purchased a Porsche for Thomas as a present for her work with him on Romancing and help with scenes on Jewel of the Nile. On October 21, 1985, she, her boyfriend and another friend had attended classes at Pepperdine University and had stopped for drinks on the way home. Because her boyfriend had the least to drink, he told police, he was driving late that night when the car, traveling about 80 miles per hour, spun around on the rain-slick Pacific Coast Highway and struck a telephone pole just south of Coastline Drive. Thomas was a back seat passenger in the Porsche Carrera, and was killed instantly. The other friend died at the hospital later. Thomas' boyfriend was hospitalized with internal injuries and "was arrested for investigation of driving under the influence of alcohol," though no further legal action about the matter was reported in the local newspaper. Thomas was also working on a sequel to Raiders of the Lost Ark before she died. Details of what would have been the third Indiana Jones film are sketchy, other than that it was set in a haunted mansion. Steven Spielberg, however, was reportedly resistant to the haunted mansion approach, feeling it too closely resembled his earlier film Poltergeist. At the time of her death, Thomas had completed the first draft.Following her death, the UCLA Extension Writers' Program created the Diane Thomas Screenwriting Awards in her honor. Original judges included Steven Spielberg, Michael Douglas, James Brooks and Kathleen Kennedy. more…

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