Samurai Wolf II Page #3

Synopsis: The second and final installment in Gosha's Samurai Wolf carries on many on the hallmarks as the original: the same freeze-frame battle cry opening montage, the same awesome harmonica theme music, another title sequence in which Kiba is enjoying a snack. Kiba's trademark scissors are once again employed as a key plot device, and Kiba continues to demonstrate his honesty and honor in a corrupt and dirty world.

Genre: Action, Adventure, Drama

Director(s): Hideo Gosha

Actors: Isao Natsuyagi, Ichirô Nakatani, Bin Amatsu, Yûko Kusunoki


IMDB:: 7.2

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Year:: 1967
: 72 min
: 40 Views

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You're a good girl.
I don't blame you for
being afraid of this watermill
because you were
abused in here,
weren't you?
I looked all over for you!
Get out here!
Oteru, go over there!
It cannot be helped!
Let's go.
I feel sorry for you,
an honorable man that,
I will send to Heaven!
Why? Oteru!
I don't want to die!
Father...
I want to see my father...
Your father?
Do you want your father?
Okay. I'll take you to him.
Father!
B*tch!
If you want to kill me, do it quickly!
I am Oni-Azami Oren
I want to die a beautiful death.
You know what'll
happen to you, don't you?
Damn you!
Magobei, stop!
If you move, this woman
will end up in a bottomless pit!
Mago-san!
Mago-san, save me!
I want to live!
Don't leave me!
I want to live!
Help me!
I want to live!
I want to live!
Oteru!
Wait!
I brought Oteru.
Please take care of her injury!
But in exchange,
please let that woman go!
Oteru, what happened to you?
Magobei, it's not like you!
Do you think that you
can beat all these men?
Jinroku, in exchange for returning Oteru,
please postpone this
fight until another time.
Just you and Magobei!
Don't shed anymore innocent blood.
How about it?
Mago-san...
You always show up just in time.
How about it?
Let's fight some other
day just the two of us!
- Son of a b*tch!
- Wait!
Alright! Please give me back Oteru!
- Dear!
- She's my daughter.
Drop your sword
and bring Oteru over here!
I will take her there.
Let go of your sword!
It cannot be helped.
Hey, let that woman go!
Come here and I'll let her go.
On my word as a man.
Father!
Father!
Oteru! Magobei!
Wait, Magobei!
Father!
Wait, Magobei!
Oteru!
Don't kill Oteru!
Did you fall in love
with this crazy woman?
Magobei, don't kill Oteru!
Oteru!
Damn you!
Go to Hell!
Magobei.
Why?
Why did you kill Oteru?
What did she do to you?
Kiba, help me with this!
There's a lot of gold buried here.
- Magobei, why did you
kill Oteru and Kihachi too?
Shut up!
How can we live if we worry about that?
Hurry up and help me!
No, I won't!
Come on Magobei!
Do you want to fight?
I can't forgive you!
Ronin like us, don't need sympathy...
Don't you agree?
This world is money!
Money can buy everything!
It can even buy people's hearts!
So, wake up!
I won't go easy on you because
you're injured. It's how I fight!
Kiba...
one day...
...You'll be like me...
Oteru!

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Hideo Gosha

Hideo Gosha (五社英雄, Gosha Hideo, February 26, 1929 – August 30, 1992) was a Japanese film director. Born in Arasaka, Tokyo Prefecture, Gosha graduated from high school and served in the Imperial Navy during the Second World War. After earning a business degree at Meiji University, he joined Nippon television as a reporter in 1953. In 1957 he moved on to the newly founded Fuji Television and rose through the ranks as a producer and director. One of his television shows, the chambara Three Outlaw Samurai, so impressed the heads of the Shochiku film studio that he was offered the chance to adapt it as a feature film in 1964. Following this film's financial success, he directed a string of equally successful chambara productions through the end of the 1960s. His two most critical and popular successes of the period are Goyokin and Hitokiri (also known as Tenchu), both released in 1969 and both considered to be two of the finest examples of the chambara genre. During the 1970s Gosha abandoned pure chambara and turned his productive energies toward films in the yakuza genre but he still produced period sword films such as The Wolves (1971 film) (1972), Bandits vs. Samurai Squadron (1978), and Hunter in the Dark (1979). His films Three Outlaw Samurai and Sword of the Beast (1965) have been released by Criterion.By the early 1980s, Gosha began making period films that featured prostitutes as protagonists that were renowned for their realism, violence, and overt sexuality. They were critically panned for those very reasons, but they were also all box office successes. In 1984 he was awarded the Japan Academy Prize for Director of the Year for The Geisha.Gosha’s films have influenced directors including Chang Cheh, Takashi Miike, and Yoshiaki Kawajiri. more…

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Submitted on August 05, 2018

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Samurai Wolf II Page #3

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