Saraband Page #2

Synopsis: Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle.
Genre: Drama, Music
Director(s): Ingmar Bergman
Production: Sony Pictures Classics
  2 wins & 2 nominations.
 
IMDB:
7.8
Metacritic:
80
Rotten Tomatoes:
91%
R
Year:
2003
107 min
$478,554
Website
613 Views


I'm Marianne. I was your granddads|wife. I'm visiting.

- I know.|- Come on, sit down.

If you want, you can help me|clean out these mushrooms.

Here's a knife.

If you want to talk, we'll talk.|If not, we can just be together.

You must know Henrik,|my dad.

Can't say I do. I've just greeted him,|but I don't know him.

- Mom is dead.|- I know.

- She died two years ago.|- Your granddad told me.

- Dad retired and is spending his time|with music now. - The cello, right?

He's writing about|St John's Passion.

- You also play the cello?|- I hope to get into the conservatory.

- Your father is the teacher|and you are the student. -Yes.

What's wrong?

Do you know Hindemith's|cello sonata, opus 25?

I don't know anything about music.

Dad wants me to play it|for the audition.

- It's too hard!|- And doesn't he think so?

How were you in the days|before your period?

A premenstrual monster.

I would go to sleep as an angel,|and wake up as a demon.

My mind gets shattered.|And it's very hard for me to get up.

Dad is a morning person.

And I yawned.

We were working on|the fourth movement.

That damned Hindemith wrote:

"Lebhafte Viertel ohne jeden|Audsdruck und stets Pianissimo"

- You know?|- It looks difficult anyhow.

So I sat there with my|shattered mind and I tried.

I begged him to let me off|the hook, to no avail.

He made me play the same part|at least twenty times!

Finally I said. quietly:|"I don't give a damn about this".

I said that it wasn't a class,|it was animal torture.

Henrik was also angry,|but he laughed and said that I should...

try from the beginning, where it says:

"Lebhaft, sehr markiert...|mit festen Bogenstrichen."

I was so angry that I couldn't.|He said I was doing it on purpose.

I said that he didn't have the|skills to teach: I was unfair.

Dad is the most patient, sensitive and|courteous teacher there is.

He said it had nothing to|do with the teaching,

but rather with willpower|and discipline...

and that I was lazy.|That I was lazy!

Then I got up and left the|cello because I was trembling.

I said that it was enough for the day|and that I was going out for a walk.

He turned pale.|I'd never seen him like that.

And he said:
|"You're not leaving".

I put my boots on and|headed for the door.

I didn't hear him approach,|but he grabbed me by the shoulders...

You're not leaving!

You're not leaving!

I sat and cried.

And I said:
"Never again,|never again,

...never again".

And kept crying|until I felt empty.

Then I thought of coming over to see|granddad and begging him to help me...

leave that lunatic.|It was too much for me.

Now the old man can take|care of his crazy son:

send him to the farm,|go to the police...

or kill him.

Then I became aware that|from now on, I know nothing.

I know nothing about my life,|what I'll do or become.

Then I realized|that mom is dead,

and I can't ask her anything.

I was overcome with sorrow for|myself and cried again.

You must think I'm a very|nervous person, but I'm not.

- Do you think Henrik is suicidal?|- If he'd kill himself?

In an extreme situation like|the one you're describing...

could he hurt himself?

You know, to be honest,|I don't know my father very well.

I only know that deep|inside he's... good.

If not, mom never...

Mom loved him, you know?|They loved each other.

And I suppose I was|out of that love.

That's what I think when I'm feeling sorry for|myself and I get tired of my boyfriends.

Why can't I feel love|like mom did?

Were you afraid your dad would|kill himself after her death?

I never gave his|tragedy much thought.

But I tried to take care of mom,|as much as he'd let me.

Mom was never very talkative.

But on one of her last days...

She was always drowsy|from the morphine...

On one of her last days,|I was sitting beside her,

she looked at me and said clearly:

"You know I love you".

"You know I love you, Karin".

My mother never spoke that way.

Dad once said as a joke,|this was a long time ago,

"Anna never says I love you, but|her actions are always full of love".

- What if grandfather comes back?|- It's OK, I've got another bottle.

- Were you really married to grandpa?|- Is that so strange?

It's hard to imagine it.|What kind of person is he?

Good question.

- Did you love him? - I've asked myself|the same question all my life.

- Was he so difficult?|- We were married for 16 years.

Then we got divorced.|He had met another woman,

an idiot named Paula.

I got married again to|a boring glider pilot.

One day, he just flew away.

They never found him.

For some reason, Johan and I|got together several times.

Then I found out|he was servicing...

another lady,|a real whore.

I was angry and hurt|and finished with him.

I suddenly realized,

that I was the most cheated on|wife and lover in the world.

Johan was remarkably and|compulsively unfaithful.

- You mean that my grand father|-...was a real liar.

And he used to write poems. A volume got|published, but it wasn't successful.

- My grandfather used to write verses?|- Yes, even love poems for me.

- Did you keep them?|- No.

But did you love him?

I was terribly naive.

Nowadays, I suppose it's just|not possible to be so, so childish...

and so know-it-all like I was.

I think I loved him.|Utterly.

- You never suspected?|- Not for an instant.

- What made you come here|suddenly? - I don't know.

You still love him!|Don't you?

If you had to be honest,|Marianne...

I hear people say Johan|is this or that,

not very kind things usually.

But I don't know the Johan|they're talking about.

I always thought he was a good man.|Very, very good.

It was so easy to hurt him,|he could never defend himself.

I believe that Johan...

is a moving person.

He's moving.

- Are you crying?|- Yes, a little.

Are you crying for granddad?

- I'm crying for Johan|and Marianne. - I understand.

This is strange.

Dear...

- What will you do?|- Return to Henrik.

- Is that intelligent?|- It has nothing to do with that.

I'll stay here a few more days.|Let me know what happens.

I will.

THREE|About Anna

It can't happen again.

- Never again.|- Never.

We must have a serious talk.

We both know how things are.|There's nothing to sort out.

I'm glad it's so simple!

I was scared to death.

There's no other way to put it:|I was scared to death.

- Do you understand? - I'm very|tired. I'm going to sleep.

- Are you asleep?|- No.

Once I had a similar|situation with Anna.

We weren't married yet,|but we lived together.

Maybe I was a little drunk.|I said nasty things about...

the damned university,

my colleagues,|our work environment.

And then about my father,|that old bastard.

Anna didn't say a word.|And that upset me even more.

I remember thinking...

"What's on Anna's mind,|while she's sewing that skirt?"

"What's she thinking? Maybe|that Henrik is unbearable".

And then she said it.

"When you're like this,

I start thinking that you're|not the man I planned to marry".

Then she went to the living|room and started to pack.

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Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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