Sayonara Page #2

Synopsis: Major Lloyd Gruver, a Korean War flying ace reassigned to Japan, staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices... and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos.
Genre: Drama, Romance
Director(s): Joshua Logan
Production: MGM Home Entertainment
  Won 4 Oscars. Another 4 wins & 18 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
100%
NOT RATED
Year:
1957
147 min
539 Views


really is three cities running together.

There`s Kobe, Osaka, and Kyoto.

-They got kabuki there.

-What`s kabuki?

You never heard of kabuki theater?

-No.

-All men, no dames.

-That`s going to be dull, isn`t it?

-l don`t know.

lf it`s all dames you want,

l think we`re going to get there in about....

Yep. Look down there.

See that little park with the little lakes

around it? That`s Matsubayashi.

-Where?

-Right down there.

-You see it?

-Yeah.

The Matsubayashi girls

are the most famous girls in Japan.

You know, they sing, they dance,

they act all the parts, no men.

Katsumi knows all the actresses.

She`s a movie fan or something.

Listen, you`re just blowing your top

about seeing Katsumi, aren`t you?

-Carrying on.

-She`s my girl, Major.

-Well, G.G., good to see you.

-So long, Lloyd.

-Lots of luck to you.

-Good enough. Thank you. Bye-bye.

Lloyd, here we are!

-Come on.

-Hey, there!

-Don`t forget to act surprised.

-Yeah.

Hi, there! Hot dog!

Won`t he be surprised!

-Major?

-Yeah.

How about being my best man?

Now, listen, Kelly,

l told you that l`m against this marriage.

lt would mean a lot to me.

What do you say, Major?

Okay.

Consul`s office, 10:00, Saturday.

Well, come on, honey. Hurry up.

Well, hello! Come here, you!

-You`re good--

-Bless your heart!

Certainly good to see you.

Hi, sir. Nice to see you.

l was getting off the plane.

l said, ``There`s General Webster.

``But who is that good-looking woman?``

Listen, tell me about Eileen. How is she?

She finds Tulsa terribly dull

without you, Lloyd.

Well, you know,

l wish she could have come along.

-You couldn`t expect us to bring her here.

-l know that--

You`ll stay at the hotel with us at first.

Later, you`ll be stationed at the field.

l see.

Come on, let`s go. You get in first.

-No, you go ahead.

-You get in.

-No, you got--

-Go on. Get in!

Ladies first. What`s the matter with you?

Hi, Lloyd.

You devil.

Come here.

l`m glad to see you, darling.

l forgot what an ugly girl you got here.

Lloyd, she`s not ugly. She`s a beautiful girl.

What are you saying? She`s the ugliest girl

l ever saw. Come here, you.

And that dress, l think it`s terrible.

lt just goes in and out....

-That`s awful.

-lt`s meant to go in and out.

l go in and out.

Well, we`ll talk about that later.

Send Maj. Gruver`s luggage

up to his room, will you?

That`s beautiful, isn`t it?

-Are there any rules against it?

-There are no rules against it.

-lt`s understood--

-l thought the club would be honored!

Please, Mike, let`s go.

-What`s she doing here?

-Mother!

lsn`t she with that young officer?

You know, Kobe`s a recreation center.

That`s right, dear.

lt degrades the uniform.

lt`s out-and-out fraternization.

-Mother, she`s beautiful.

-All the more reason. Mark?

-Col. Crawford?

-Yes, sir?

-Let`s get out of this clip joint.

-Just a minute, Capt. Bailey.

What`s the trouble?

l didn`t mean to bother you

with this, General.

But Capt. Bailey here

is wanting to take her into the club.

General Webster, sir.

This young lady

is one of Japan`s most famous dancers.

She`s no ordinary....

Yes, l understand.

Even so, don`t you realize

this club is only for American personnel?

Now...

we`ve been pretty easy

about fraternization in this area...

even though there are

very strict orders against it.

But when an officer

who should be an example....

Am l to understand, sir...

that you personally refuse to allow me

to take this young lady into the club?

l understand how you feel, Captain,

and l`m very embarrassed.

-But l`m sorry.

-Thank you.

Thank you, sir!

Don`t you know that there`s such a thing

as insolence through manner?

Thank you, sir.

Well, come on in, boys.

Eileen has to change.

-Eileen`s taking you to the kabuki tonight.

-Good.

We met Mr. Nakamura, the head actor,

and he invited her to come.

lsn`t that the place

where there are no dames...

-and the men play all the women`s parts?

-That`s right.

The way they do at Princeton.

Come on, Mark.

Gonna be fun. Come on, baby.

You bring your lunch?

Miss Eileen Webster.

Who`d you find there?

That`s Nakamura. He`s the one l met.

He`s very famous.

-That Nakamura?

-Yeah.

lt`s about a lady who turns into a lion.

He`s going....

She`s going to turn into a lion right here?

l want to see that.

l love you, Lloyd. l love you terribly.

l always have, and l guess l always will.

l love you, honey.

Awful glad you`re here, too.

Everybody acting like

nobody ever kisses a woman.

She wouldn`t be half so ugly if she didn`t

stick her face in that flour barrel.

She?

Well, whatever it was.

You got me.

He`s a male actress.

lt says here

they`ve been trained since childhood...

to have the grace of a woman,

and yet the power of a man.

My word.

My lord, that`s my father!

ls he man enough now for you, Lloyd?

ls that the same fellow?

All right, boy.

l am sure it must be very difficult...

to enjoy theater so different from your own.

-We found it fascinating.

-l am glad.

Kabuki is very old, isn`t it?

Some 300 years.

l find myself becoming intrigued

by everything in Japan.

l should be happy to help you

know my country better...

if at any time l can.

You did not enjoy the evening so much,

l fear, Maj. Gruver.

Yeah, l thought it was a fine play.

l thought you could use a Marilyn Monroe

here and there, you know.

Unfortunately, Miss Monroes were barred...

from kabuki in the 1 7th century.

l didn`t mean to sound corny.

l just didn`t know what to say about it.

Please, do not apologize.

l am great admirer of Miss Monroe...

myself.

That`s two of us. That`s you and me, boy.

No, don`t do it to me. l did real good.

Thank you very much.

-Fine art.

-Let`s go and see the garden.

Okay, you go on. l`ll take this.

That`s fine. Fine cooking. Very good.

Here you are, honey.

-No, thank you.

-Don`t care for any?

-Sit down, darling.

-You look awful pretty.

l`ve been doing a lot of thinking

with you away, Lloyd.

Answer me one thing.

-What`s that, honey?

-Why aren`t we married now?

-lsn`t that a silly question?

-No, not really.

You do a lot of wondering in Tulsa.

l suppose the Korean War

might have a little something to do with it.

Wasn`t Korea maybe convenient, Lloyd?

-Convenient?

-What l really mean is...

do l mean everything to you,

as you do to me?

Of course you do--

You see, l went to visit your mother

before l came here, there in Richmond.

My mother?

l was appalled at the loneliness

in which she lives...

and the way your father is content

to go off...

and leave her walled up within a circle

of friends while he plunges off to the war--

Honey, now, you just hold on a second.

You got to remember something.

My father`s a general, honey.

And besides that,

my mother wants to live that way.

-Don`t be ridiculous.

-What do you mean? Don`t tell me--

No woman wants to live any way except

body and soul with the man she loves.

You`ll never tuck me away

in the corner of some little town.

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Paul Osborn

Paul Osborn (September 4, 1901 – May 12, 1988) was an American playwright and screenwriter. Osborn's notable original plays are The Vinegar Tree, Oliver Oliver, and Morning's at Seven and among his several successful adaptations, On Borrowed Time has proved particularly popular. Counted among his best-known screenplays would be the adaptation of John Steinbeck's East of Eden and Wild River for his friend Elia Kazan, South Pacific and Sayonara directed by Joshua Logan, as well as Madame Curie, The Yearling, and Portrait of Jennie. more…

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Submitted on August 05, 2018

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