Sayonara Page #5

Synopsis: Major Lloyd Gruver, a Korean War flying ace reassigned to Japan, staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices... and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos.
Genre: Drama, Romance
Director(s): Joshua Logan
Production: MGM Home Entertainment
  Won 4 Oscars. Another 4 wins & 18 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
100%
NOT RATED
Year:
1957
147 min
539 Views


how come you go out with Mike on dates

and fool around?

lt is very bad of me...

but l cannot help myself.

He`s so tall!

He`s a big boy, all right.

l mean, there`s no fooling about that.

But listen...

what l really want to know is...

does this Hana-ogi ever go out on dates,

like you and Mike and....

No.

She is number-one girl.

Must be specially careful.

l want you to do me a favor. Will you do it?

When you go back

to the dormitory tonight...

l want you to tell Hana-ogi...

that Maj. Gruver would like

to meet her and....

Wait. Just a minute.

l just want to talk to her for a little while.

Will you do that for me?

Never happen!

Hana-ogi-san never speak men...

and with American, never happen.

Well, honey, l am here to tell you...

that it`s going to happen.

Pardon me, Miss Ogi.

l wonder if l could have your autograph?

Thank you very much.

How do you do, Miss Ogi?

Hi, Major.

l`ve been looking for you.

Hello, Mr. Kelly.

Wife says to be at the house tonight.

Now listen, l`ll tell you, boy, l`ve got a....

l have an engagement this evening

with a friend of mine.

Be there, bub. Hana-ogi`s coming.

Sir.

-Kelly!

-Be there early.

Hello.

You know where Joe Kelly lives?

Over there? You show me, will you?

How do you do?

-Hi, Ace.

-Kelly, is that you?

How are you, Alice?

How are you, Ace?

Nice to see you. Come in the house.

Wait a second.

Let me just take a check here.

-Did she come yet?

-No, not yet.

What did she say?

-Don`t ask me, son.

-Off with the shoes.

-You don`t wear shoes in a Japanese house.

-Okay, coming off. What about pants?

The room on your right.

-Where, here?

-That`s it.

Watch your head, Ace. This is it.

Listen, this is all right, boy.

This is cute. This is nice.

Sit down here. That`s the place of honor

in a Japanese house.

What`s this thing?

-This is an armrest.

-Armrest?

lt will be even better

when the rest of the chair gets here.

Hi, Katsumi darling. How are you?

Yeah.

lt is very nice to have you...

among us.

lt`s very nice to be among you, too.

l brought you a little couple of things

you can stick around the house.

Yeah, flowers.

You`ve made her very happy, Ace.

What has she got here?

We going to eat this or wear it? What is it?

This is a little towel that they serve

before a meal or a drink...

just a little refresher

for your hands and face.

That`s a good idea.

Wash them up.

Okay, clean ears. Do l pass, teacher?

Just dump it in the basket.

Yes, sir.

What`s this, an eyecup?

We`ve got to wash our eyes out, too?

No, that`s a cup for sake.

That`s a wine made out of rice.

-Rice? No fooling?

-Yeah, no fooling.

-Okay, l`ll try it.

-Taste it, you`ll see.

Feels warm.

That`s right, we heat it up before we serve it.

Katsumi, here`s to your health.

And Kelly, the very best to you.

-That`s all right, boy. Not bad.

-Told you, it`s wonderful.

-Aren`t you going to have anything?

-l was just going to say, you know...

there`s kind of a polite thing you do.

You take the cup

and you swish it around in the water...

and you pour some sake in it for her.

-Okay.

-That`s right.

-lt means, ``A little bit.``

-Little bit, all righty.

Hold on now, wait.

See? Didn`t hurt.

She`s going to get me under the table here

in five minutes, if she`s going like this.

She`ll keep pouring all night.

Katsumi, l pour for Gruver-san now.

You excuse me? l finish cooking.

You go ahead, darling. Go right ahead.

Okay.

-Present. Whiskey.

-Whiskey?

All right, darling.

Listen, boy, she`s just as cute as a bug.

You ain`t going to lose with her.

See what l mean, Ace?

l`m the happiest guy in the world.

You want to see the rest of the house?

Come on, l`ll show you.

This is the garden. Katsumi,

l`m showing him around the house.

The bathroom is back there.

We got a couple of extra rooms in here.

Would you like to see them?

What have you got here, boy? Oh, Lord.

We haven`t done anything with these yet,

but maybe someday, if we expand.

Listen, it`s really working out for you,

isn`t it, boy?

Everything perfect, except for

that rat of a colonel l`m assigned to.

You wouldn`t be talking about

a fellow named Crawford, would you?

That`s the guy.

He rides every guy around here...

who`s married to a Japanese girl.

Extra duty, everything.

He`s a rough carver.

There`s no getting around that.

So what do l care?

l come home to my girl and l forget it.

-Let`s go.

-Wait, listen, l forgot to ask you.

Does this Hana-ogi speak any English?

Because l`m going to be--

l don`t know.

Those girls sing in a lot of languages.

l guess she`ll be able to catch your drift.

You nasty boy, you.

Wait a minute, l`ve just got

to take a look at my grass, now.

l want to know. Are we going to be....

Are all four of us going to be together

all evening long?

Take it easy, Ace.

You`re going to blow a fuse.

Might be.

-Lord, what is wrong here?

-Watch your head, Ace.

Wonderful house, Kelly.

-Katsumi, you ready?

-Stoop-shouldered.

ln here? You`re going to have to change....

Hana-ogi-san.

This is a great day for our house.

How do you do, Miss Ogi?

Where are you going?

l`ve got to help Katsumi with the....

lt looks as though everybody`s run off

and left us alone here.

lt certainly was nice of you

to come over here this evening, Miss Ogi.

l was just tickled to death

when they told me you were coming over.

l`ll just sit down here.

Miss Ogi...

let me fix you a little drink.

To you.

That`s good.

Now, don`t tell me.

l know you`ve

got to slosh this around a little...

and get the dribble off,

and give it right back to you.

See, now you take that. Skoshi?

All right.

You know, l was surprised to find

they make that stuff out of rice.

We have rice back home in America.

Of course...

we just make rice pudding out of it.

We don`t drink it.

This is the first liquid rice l ever ran into.

Did anyone ever tell you, Miss Ogi,

that you`re a fine-looking woman?

l mean, real fine.

You`re even better looking

off the stage than you are on.

That`s true.

You get up there,

sing, dance, act, everything.

You`re all-around great.

l wonder, where did him and Katsumi....

l`m getting kind of hungry in here.

Look, Miss Ogi...

l`m not up too good

on Japanese ways of doing things...

and maybe l`m saying the wrong thing.

l mean, maybe my American manners

are embarrassing.

But l figure,

if you`ve come over here tonight...

maybe you were interested a little bit

in meeting me, too.

Now, maybe l`m wrong, but if l`m wrong...

then you`ve got to tell me.

Where do we go from here?

Because l don`t know what to say.

l`m running out of things to say.

My father was killed...

by American bomb dropped on my country.

You have been my enemy.

l have hated Americans.

l have thought they are savages.

There has been nothing but vengeance

in my heart.

There were an awful lot of Americans

that were killed, too.

l think it would be best

if we forgot about that.

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Paul Osborn

Paul Osborn (September 4, 1901 – May 12, 1988) was an American playwright and screenwriter. Osborn's notable original plays are The Vinegar Tree, Oliver Oliver, and Morning's at Seven and among his several successful adaptations, On Borrowed Time has proved particularly popular. Counted among his best-known screenplays would be the adaptation of John Steinbeck's East of Eden and Wild River for his friend Elia Kazan, South Pacific and Sayonara directed by Joshua Logan, as well as Madame Curie, The Yearling, and Portrait of Jennie. more…

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Submitted on August 05, 2018

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