Scent of a Woman Page #6

Synopsis: Frank is a retired Lt Col in the US army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to university; to help pay for a trip home for Christmas, he agrees to look after Frank over thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his thanksgiving in New York.
Genre: Drama
Director(s): Martin Brest
Production: Universal Pictures
  Won 1 Oscar. Another 5 wins & 14 nominations.
 
IMDB:
8.0
Metacritic:
59
Rotten Tomatoes:
88%
R
Year:
1992
156 min
21,946 Views


Any old card table

will do. This is fine.

[ Frank ]

Where was I ? Oh !

I wake up. It's four in the morning.

I don't know who I'm with,

why I'm there

and where I am.

What am I gonna do ?

I got this Asian flower,

all giggly and dewy-like;

and this hard-boiled

navy nurse outta Omaha, on the other.

We're three across the bed,

not a stitch of clothes on.

It comes to me.

Let east meet west.

We'll build a golden bridge.

[ Frank ]

Hah-hah !

I felt like I'd just joined

the corps of engineers !

We all still here ?

It's a beautiful story.

[ Cough ]

- Do you always enjoy

shocking people, Uncle Frank ?

- Honey.

I didn't know you were

so easily shocked.

I admire your sensibilities.

I'm touched.

Dad, remember the time

you persuaded Frank...

- to go to the kennel ?

- What about it ?

- He almost put the seeing eye

dog business outta business.

- Cool it, Randy.

- It's over and done with.

- Indeed it is, Garry.

Indeed it is.

So is dinner.

Charlie, what time do you have ?

I think we better be gettin' back.

- You ever given any thought

to a braille watch, Frank ?

- Randy.

- Stevie Wonder wears one,

or do you rank on him too ?

- Honey, please.

It's all right, Gloria.

I enjoy Randy's observations.

My wife's name is Gail, Frank.

Can you hear that ? Gail.

Excuse me.

Gail.

Gail strikes me as

a very beautiful woman,

but there's a

little tension in her voice.

It could be one

of two things:

either Gail is nervous

or unsatisfied.

What's your point,

Uncle Frank ?

You oughta go down

on her.

Cut it out, Frank,

will ya ?

You're so wrapped up in sugar, you've

forgotten the taste of real honey !

Frank,

for God's sake !

Hear that voice ?

There's fire under that dress.

- Will you cut it out ?

- Just get the f*** outta here.

- Whoo-ah !

- Get in your limousine.

Go down to the bowery, get with the

other f***ing drunks where you belong !

- Wait a minute.

- What ?

- Could you take it easy ?

- What for ?

You want me to lay off him,

Chuckie, 'cause he's blind ?

- No, but I mean --

- My friend's name is Charles.

He doesn't like

to be called Chuckie.

- This is supposed to be a family

get-together. This is --

- A warning.

Jesus Christ. Another sucker who thinks

this shitheel's a war hero.

Whoo-ah.

Well, once... maybe.

I suppose he told you about his days

on Lyndon Johnson's staff ?

I was gonna go.

Now I'm not leaving.

- Frank was earmarked for general.

- Earmarked, good word.

- But Frank likes to spit

in everybody's eye !

- Randy, that's enough.

So -- What do they call it when they

give you the shaft in the military ?

- Passed over !

- Frank was passed over for promotion...

Couple times.

- You want to know what happened then ?

- Will you shut your mouth ?

- He blew himself up.

- Stop it, Randy.

Our colonel, here, had a grenade

juggling act at Fort Bragg or wherever.

- Fort Benning.

- He was teaching hand-to-hand combat --

Randy, look at me when

you're talking to me, son.

I'm lookin', Frank.

His partner in the act was some captain.

- Major Vincent Squires.

- Yeah, whoever he was.

Before going on, they'd have themselves

a lo-cal breakfast:

a Screwdriver for Frank,

Bloody Mary for his partner.

No, Vincent drank

Sea Breezes.

Judge Advocate at Benning said Col.

Slade had four to his partner's one.

Judge Advocate at Benning said Col.

Slade had four to his partner's one.

He's flying in class.

He gets all excited.

He starts pulling

the pins out.

[ Randy ] One grenade

got away from him.

Boom.

The one that got away.

Oh, the pin was in...

Frank claims.

In or out, what

difference does it make ?

What kind of f***ing lunatic

juggles grenades ?

Vinnie came out okay.

And all Frank lost

was his eyesight.

- Wanna know the truth ?

- You got a handle on that,

do you, Randy ?

- He was an a**hole before.

- Whoo-ah !

Now all he is

is a blind a**hole.

Whoo-ah.

Hey, God's a funny guy.

God doth have

a sense of humor.

Maybe God thinks some

people don't deserve to see.

[ Sigh ]

Whoo-ah. Hah !

You get the point...

Chuckie ?

- Aah !

- His name is Charles.

You can say that,

can't you ? Charles.

Know what this is, Randy ? It's a choke

hold I'm teaching those lieutenants.

- Little pressure, I bust your windpipe.

- I don't care what he said.

- Charles.

- Just let go, please !

[ Gasping ]

Gretchen ?

You outdid yourself.

If you twist my arm

hard enough,

we're talking

Turkey Marbella next year.

Who knows ?

Frank ?

Good-bye, Willie.

I'm no f***ing good...

and I never have been.

Come on, Charlie,

get the coats.

Come on.

Watch your step.

Hold it.

Nueva York, compadre.

Vamos !

[ Clinking ]

You got a watch ?

Ah, it's 7:
20.

I didn't ask you the time.

I asked if you had a watch.

Yeah, in the other room.

Get it.

Colonel, there's a clock

right next to your bed.

Does it have

a second hand ?

Yeah.

Time me !

How long ?

Um... about

- I'm rusty.

- Where did you get a gun, Colonel ?

Piece or weapon, Charlie,

never a gun.

Where did you get

the piece ?

I'm an officer in the

United States Army. This is my sidearm.

- But you're not an officer anymore.

- So I'm retired, so what ?

An officer never

relinquishes his 45.

Yeah, but you better relinquish it to me

or I'm gonna call Mrs. Rossi.

Good idea.

Then I'm going back

to school.

Even better.

Blue skies, green lights.

I hope you have a wonderful trip.

That felt like 25.

You oughta be able to do a 45 in 25.

Did you time me ?

No, I did not

and I'm calling Albany.

That was stupid.

Was it ?

You're stuck with me,

Charlie.

No, I'm not.

- I'm outta here !

- Where you goin' ? New Hampshire ?

You got no money.

How you gonna do that ?

Mmm.

Karen's number

tastes like Albany. Hah !

Fine.

- I'm leaving.

- Charlie ? Charlie !

All I want from you...

is another day.

For what ?

One last tour

of the battlefield.

I can get around a city

like New York,

but l...

sometimes need a point

in the right direction.

What do you say,

Charlie ?

What's one day...

between friends ?

All right. Well, say

I stay for another day.

Will you give me

your weapon ?

Oh, Charlie ! I'm a lieutenant colonel,

United States Army.

I'm not giving my

f***ing gun to anyone.

- Now, what are you drinkin' ?

- Colonel, this -- this is unacceptable.

Unacceptable ? What are you givin' me

that prep school crap for ?

What have they done,

taken the Oregon out of the boy ?

Put in Harvard

Business School ?

Then give me

your bullets.

You do see the sense of it,

Charlie, don't you ?

I can't chew

the leather anymore.

So, why

should I share...

the tribe's provisions ?

I mean,

there's no one...

wants to tear a herring

with me anymore.

The bullets, Colonel.

"The bullets, Colonel."

You sound like a guy in

"Lives of a Bengal Lancer."

What do you

give a sh*t for ?

About what ?

About what ?

About whether I blow

my brains out or not.

- Because I have a conscience, you know.

- You have a conscience.

Rate this script:3.7 / 6 votes

Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

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Submitted on August 05, 2018

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