Sen to Chihiro no Kamikakushi Page #5

Year:
2001
625 Views


We've got another guest, let him in.

Sure.

Haku!

Haku!

Thank goodness.

Aren't you hurt?

You sure you're OK?

Thank goodness.

Good timing, I'd say.

Look, granny, Haku's alive!

Haku, I no longer blame you for what you did.

Just be sure you protect the girl.

OK, boys, time you went home.

Come again soon.

You, stick around and be my helper.

Granny!

Thank you, I'm going now.

I'm sure you can manage everything.

My real name is Chihiro.

Chihiro... What a nice name.

Take good care of it, it's yours.

I will!

Off you go.

Thank you, granny! Good bye!

Listen, Haku.

I don't remember it, but my mom told me...

Once, when I was little, I fell into a river.

She said they'd drained it and built things on top.

But I've just remembered.

The river was called...

Its name was the Kohaku River.

Your real name is Kohaku.

Chihiro, thank you.

My real name is Nigihayami Kohaku Nushi.

Nigihayami?

Nigihayami Kohaku Nushi.

What a name!

Sounds like a god.

I remember too, how you fell into me as a child.

You had dropped your shoe.

Yes, you carried me to shallow water, Kohaku.

I'm so grateful...

They're back!

You brought Baby back with you, right?

Baba!

You're not hurt?

What a terrible time you had!

Baby, you're standing all by yourself? When?

Yubaba, you promised!

Please return Chihiro's family to the human world!

Not so fast!

This world has rules, you know!

Shut up!

Baba, what a miser.

Just can it.

Baby had such a good time.

But, a rule's a rule.

Otherwise I can't break the spell.

If you make Sen cry, I won't like you anymore, Baba.

Why that's...

Granny!

Granny!?

I'm coming to you.

Haku told me all about the rule.

Least you've got guts.

Here's your contract.

Come over here.

I won't be a minute, Baby.

Don't worry.

See if you can guess which of them are yours.

You only get one guess.

Get it right and you're all free.

Granny, this is no good. My parents aren't here.

Not here?!

That's your answer?

Yes!

Bingo!

Thatta girl!

Right on!

Thank you, everyone!

Go, you win!

Just get out of here!

Thank you for everything.

Good bye!

Thank you!

Come and see us!

Haku!

Let's go!

Where are Mom and Dad?

They've gone on ahead.

There's no water!

I can't go any farther.

Go back the way you came, Chihiro.

But don't ever look back!

Not until you're out of the tunnel.

What about you, Haku?

I'll speak to Yubaba.

Quit my apprenticeship.

I'm fine, now that I have my name back.

I'll go back to my world, too.

Can we meet again?

I'm sure.

Promise?

Promise!

Now go, and don't look back.

Chihiro!

Where have you been?

Hurry up!

Mom! Dad!

You can't just run off like that.

Away we go.

Mom, are you sure you're OK?

What? I'm sure the moving van is there by now.

Hurry along, Chihiro.

Watch your step.

You'll make me trip, Chihiro, clinging like that.

The end of the tunnel.

Hey...

What is it?

Will you look at that.

It's all dusty inside, too.

Some kind of joke?

You think?

I told you not to stop here.

OK, all clear.

We're off, Chihiro.

Hurry up, Chihiro!

Somewhere, a voice calls, in the depths of my heart

May I always be dreaming, the dreams that move my heart

So many tears, of sadness, uncountable through and through

I know on the other side of them, I will find you

Everytime we fall down to the ground,

we look up to the blue sky above

We wake to its blueness, as for the first time

Though the road is long and lonely and

the end far away, out of sight

I can with these two arms, embrace the light

As I bid farewell, my heart stops, in tenderness I feel

My silent empty body begins to listen to what is real

The wonder of living, the wonder of dying

The wind, town and flowers, we all dance one unity

Somewhere, a voice calls, in the depths of my heart

Keep dreaming your dreams, never let them part

Why speak of all your sadness or painful woes of life

Instead let the same lips sing a gentle song for you

The whispering voice, we never want to forget, in each passing memory

Always there to guide you

When a mirror has been broken, shattered pieces scattered on the ground

Glimpses of new life, reflected all around

Window of beginning, stillness, new light of the dawn

Let my silent empty body be filled and reborn

No need to search outside, nor sail across the sea

Cause here shining inside me, it is right here inside me

I have found a brightness, it is always with me

Yondeiru muneno dokoka okude

Itsumo kokoro odoru yume wo mitai

Kanashimi wa kazoe kirenai keredo

Sono mukoude kitto anataniaeru

Kurikaesu ayamachi no sonotabi hito wa

Tada aoi sora no aosawo shiru

Hateshinaku michiwatsuzuite mieru keredo

Kono ryoute wa hikariwo idakeru

Sayonara no tokino shizukanamune

Zeroni narukaradaga mimiwo sumaseru

Ikiteiru fushigi shindeiku fushigi

Hana mo kaze mo machi mo minnaonaji

Yondeiru muneno dokoka okude

Itsumo nando demo yumewo egakou

Kanashimi no kazuwo iitsuku suyori

Onaji kuchibiru de sotto utaou

Tojiteiku omoideno sononakani itsumo

Wasuretakunai sasayakiwo kiku

Kona gonani kudakareta kagami no uenimo

Atarashii keshiki ga utsusareru

Hajimari no asa(no) shizukana mado

Zeroni narukarada mitasarete yuke

Umi no kanatani wa mou sagasanai

Kagayaku monowa itsumo kokoni

Watashi no nakani mitsukeraretakara

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Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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