Sen to Chihiro no Kamikakushi Page #4

Year:
2001
622 Views


That's it.

Swallow!

He spit it out!

That's it!

The seal!

It got away!

There! Over there!

Gross, Sen! Totally gross!

Clean!

Haku took this from Yubaba's sister, Kamaji.

From Zeniba? A witch's seal!

Precious loot, I'd say.

Oh, I knew it was Haku!

Look, Kamaji, it's Haku!

Haku!

Haku! Haku!

Kamaji! He's not breathing!

Yes he is, but he's still gravely ill from the spell.

That should calm him some.

Haku turned up one day here, just like you.

Said he wanted to learn magic.

I didn't approve becoming a sorcerer's

apprentice. I warned him,

but he wouldn't listen.

Said he had nowhere left to go and

signed up to be Yubaba's apprentice.

As time went by he turned increasingly pale,

and his eyes took on a sharp gleam.

Kamaji, I'm going to give this back to Yubaba's sister.

Give it back, apologize, and ask her to help Haku.

Tell me where she lives.

Go to Zeniba's?

She's one scary sorceress.

Please!

Haku helped me.

Now I want to help him.

You can get there all right...

But getting back...

Wait here.

Let's see now...

It's around here, I think...

Everyone, I need my shoes

and my clothes, please.

Sen! I hunted for you everywhere!

Lin.

That's Haku.

What happened here...

Who are these guys?

My new friends.

Yubaba's tearing the place apart looking for you.

The big tipper turned out to be

a horrible monster, No Face.

Yubaba says you led him here.

Maybe I did.

You serious?!

I just thought he was a customer...

He's already swallowed two Frogs and a Slug!

Found it!

Here it is, Sen!

We're busy, gramps.

You can use this.

That's a train ticket.

Where'd you get that?

I've had it for 40 years.

Now listen, it's the 6th stop, called Swamp Bottom.

Swamp Bottom?

That's right, it's the 6th stop.

The 6th stop.

Make sure you get it right!

There used to be a return train, but

these days it's a one-way ride.

Still interested?

Yup! I'll walk back, along the tracks.

But what about Yubaba?

I'll go to her now.

I promise I'll be back, Haku. You can't die!

What's going on here?

Don't you see?

It's called... Love...

It just keeps getting bigger!

Don't let it swallow me!

Here she comes!

Thank goodness, Sen!

Yubaba can't control him.

There's no need to get upset.

I'm sure Sen will turn up.

Where's Sen?! I want Sen!

Go, hurry!

Yubaba, it's Sen.

Where were you?!

Sen has come, dear guest.

We'll be right with you.

What took you so long!

This is a complete disaster!

Suck up to him and squeeze all his gold out of him.

What's that filthy rat?!

Don't you recognize him?

Of course not, how disgusting!

Now, in you go.

Call if you need us.

Is she all right in there by herself?

Want to take her place?

Try this, it's yummy.

Want some gold? I'm not giving it to anybody else.

Come over here.

What is it you want?

You can tell me.

Where did you come from?

There's someplace I have to go right away.

You should go back where you came from.

You can't help me with what I want.

Where's your home?

Don't you have a mom and dad?

I don't wanna...

Don't wanna...

I'm lonely, lonely...

Can't you get back home?

I want Sen, want Sen!

Take the gold!

Are you going to eat me?

Take it!

Take it!

If you're going to eat me, have this first.

I was saving it for my parents, but you can have it.

Sen!

Girl, what did you feed me?!

Out of my way!

Not on my premises!

Over here!

Here!

You'll pay for this!

Sen, over here!

There he is.

Over here!

Don't call him over!

He's only bad in the bath house.

He needs to get out of there.

But take him where?

I don't know...

You don't know...

He's following us.

From here, you walk.

OK!

You'll find the station.

Thank you.

You better come back!

OK!

I know I called you a klutz!

I take it back!

No Face, if you so much as touch

that girl, you'll pay for it!

There it is!

Train's coming, here we go.

I'm riding to Swamp Bottom.

You want to come, too?

Him too, please.

Come here.

Behave yourself, OK?

Kamaji.

Oh, Haku...

You're awake.

Where's Sen?

What happened, please tell me.

Don't you remember anything?

Just little pieces.

Chihiro kept calling my name in the darkness.

I followed her voice and woke up lying here.

Chihiro, huh...

Her real name's Chihiro?

Can't beat the power of love...

This gold hardly covers the damage.

That fool, Sen!

She just cost me a fortune.

But, Sen did save us, after all.

Silence!

She started it all,

and now she's run away!

Even abandoned her own parents!

They must be fine fat pigs by now.

Turn them into bacon or ham!

Please wait!

Master Haku!

What, you still alive?

You still can't see that you've

lost something precious?

You've gotten pretty fresh.

Since when do you talk that way?

Baby...

Baby!

It's just sand!

Baby!

Where are you, baby?!

Come out, please!

Baby!

Baby, baby!

You!

Tell me!

Where did you hide my baby?!

He's with Zeniba.

Zeniba?

I get it, that evil witch.

So she thinks she's beaten me.

So, what's your plan?

I'll bring baby back.

But in exchange, return Sen and her

parents to the human world.

And what becomes of you?!

Let's say I tear you to pieces

after sending them back!

I think this is the right stop.

Let's go.

You can ride on my shoulder.

Come in.

Excuse us.

Well, hurry up and come in, then.

C'mon.

So you all made it.

Um...

Have a seat.

I'll make you some tea.

Zeniba, Haku stole this from you. I brought it back.

Do you know what this is?

No, but I know it's very precious.

I'm here to apologize for Haku.

I'm sorry!

You felt fine while you held it?

What?

What's this?

The spell is gone.

I'm sorry!

I stepped on that strange bug that

was on the seal and squashed it.

Squashed it!

You know, my sister snuck that bug into the

dragon, so she could control her apprentice.

Squashed it!

You sit too.

You're No Face, aren't you? You sit, too.

Oh, um, please turn them back into themselves.

Why my dears, the spell's long broken.

You can turn yourselves back.

My sister and I are two halves of a whole,

but we really don't get along.

You've seen what bad taste she has.

Sorceress twins are just a recipe for trouble.

I'd like to help you, dear, but there's nothing I can do.

It's one of our rules here.

You've got to take care of your parents and that

dragon boyfriend of yours on your own.

But, um, can't you even give me a hint?

I feel like Haku and I met a long time ago.

In that case, it's easy.

Nothing that happens is ever forgotten,

even if you can't remember it.

It's already late.

Why don't you stay the night?

You boys give me a hand.

Keep at it.

That's right, you're terrific.

You're a big help...

A magic one won't do the trick.

Pull it through there...

And do it again.

I really have to go home, granny.

Haku could die while I'm just sitting here.

They might eat my mom and dad!

Just wait a little longer.

There we are.

Use it to tie back your hair.

Wow, it's so pretty.

It'll protect you. I made it from the thread they spun.

Thank you.

What good timing.

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Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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