Shallow Grave Page #3
- R
- Year:
- 1994
- 89 min
- 464 Views
Juliet's hand and arm appear around the bathroom door. She
attempts to grab the letter. Alex plays at holding the letter
just beyond her reach.
ALEX:
(continued)
Aroused and inflamed.
JULIET:
Alex.
ALEX:
He even signs them, in his own name, can you believe it? I'd sign
someone else's name. I'd sign his name. If I wrote them, that is.
Which I don't.
INT. LIVING ROOM. EVENING
Alex, David, Juliet and Hugo sit round a table towards the end of
a meal. Alcohol has been consumed. Bowls containing the last of
the food sit on the table, being picked at occassionally. Alex
dispenses wine mainly into his own glass, alternating with
Macallan malt whisky, of which he pours generous amounts.
ALEX:
Interesting.
HUGO:
I see.
ALEX:
Yeah, well, that's what she said. Interesting. That's why you're
here, you see.
DAVID:
Normally I don't meet people, unless I know them already.
HUGO:
I see.
DAVID:
People can be so cruel.
ALEX:
So, uh...
HUGO:
What?
ALEX:
What?
HUGO:
You were going to say something.
ALEX:
What was I trying to say? Oh, yes, I think, we think, or at least
I suppose we think -- am I right?
JULIET:
Just get on with it, Alex.
DAVID:
Keep it going, Alex. You're unstoppable now.
ALEX:
We think it's fine.
Alex starts eating again. The others watch him expectantly. David
coughs.
ALEX:
(continued)
It's OK. There's no problem.
HUGO:
You mean I can have the room?
ALEX:
Well, that's what I said, isn't it?
DAVID:
He made it clear.
ALEX:
Why, thank you, David.
JULIET:
Yes, you can have the room.
Alex pours yet more alcohol.
ALEX:
I'm not usually drunk.
JULIET:
Not usually this drunk.
DAVID:
Only on expenses.
ALEX:
It's true. A newspaper is paying for all this. A newspaper...
With exaggerated scorn, Alex knocks over a glass of wine.
JULIET:
In a moment he's going to tell he could have been someone --
ALEX:
It was you, Juliet, it was you --
JULIET:
-- instead of what he is --
ALEX:
What I am.
JULIET:
-- which is --
ALEX:
-- which is a hack.
JULIET:
The man we know and love.
ALEX:
A miserable, burnt-out, empty shell of a --
Alex pauses, looks at his drink, then at Juliet.
ALEX:
(continued)
Know and love?
JULIET:
Yeah.
ALEX:
I think you're lying.
JULIET:
You're right.
ALEX:
You see, they don't really know me.
JULIET:
No, Alex, we don't really love you.
Alex smiles at Juliet and drinks again.
ALEX:
Can you afford this place?
HUGO:
Yeah.
Hugo reaches into his pocket and pulls out a thick bundle of
notes, which he places in front of Alex. Alex leans over and
sniffs the notes.
DAVID:
Can I ask you a question?
HUGO:
Certainly.
DAVID:
Have you ever killed a man?
HUGO:
No.
DAVID:
Well, that's fair enough, then.
Alex raises his head.
ALEX:
Certainly smells like the real thing.
EXT. A STREET. NIGHT
At a cash dispenser a man in his thrities is taking out some
money.
A younger man, Andy, stands besdie him, looking around in a
mildly agitated fashion.
As the money emerges, Andy assaults and robs the man. He starts
by smashinf the victim's face repeatedly against the cash
dispenser until the Perspex is smeared with blood. When he has
final finished and the man lies on the ground, Andy takes the
money and the card from the slots, then gets into a car which has
pulled up alongside, driven by Tim.
INT. STAIRWELL. DAY
Hugo climbs the stairs, carrying two suitcases. He stops at the
door of the flat and looks at a bunch of keys before selecting
one, which he inserts in the door.
INT. HALL. DAY
Inside the flat. The door opens and Hugolifts his cases in,
kicking the door closed behind him.
INT. JULIET'S ROOM. DAY
Juliet sleeps, undisturbed by the closing of the door.
INT. HALL. DAY
Hugo walks across the halland disappears into his room.
INT. HUGO'S ROOM. DAY
Hugo unpackshis bags. Included in his things are a few syringes
and needles. All these he puts into the drawer beside his bed. He
INT. HALL. DAY
Hugo dails a number on the telephone and awaits a reply.
INT. JULIET'S ROOM. EVENING
Juliet is woken by her alarm clock. The time is five p.m.
INT. LIVING ROOM. NIGHT
Alex sits watching television, constantly changing channels.
Juliet walks in, wearing a dressing gown. She watches Alex for a
few moments.
JULIET:
Have you seen Hugo?
ALEX:
No. Any idea which channel he's on?
INT. HALL. MORNING
The telephone is ringing. Alex lifts up the reciever. Again he is
wearing his dressing gown and is on his way to pick up the mail.
ALEX:
No, she's not in.
Without waiting for any more, he replaces the reciever and walks
to the door, where he picks up the mail. On his way back from the
door, David emerges, ready to go to work.
ALEX:
(continued)
Have you seen him?
DAVID:
Alex, I don't have the time --
ALEX:
Yes or no, yes or no, yes or --
DAVID:
No.
David leaves, slamming the door.
INT. KITCHEN. MORNING
Alex returns to the kitchen, pausing only to knock at Hugo's
door, which elicits no response. In the kitchen Juliet sits
dressed for work, having just returned. He casually opens an
envelope and glances at both sides of the letter before handing
it to her.
ALEX:
David hasn't seen him either.
JULIET:
So I gathered.
ALEX:
Maybe he didn't like us.
JULIET:
David?
ALEX:
Hugo.
JULIET:
His car's still there.
ALEX:
He's got a car?
JULIET:
So what's wrong with that?
ALEX:
What sort of car?
JULIET:
Alex, how shouldI know? I'm just a girl.
ALEX:
I will ask you once more, what sort of car --
JULIET:
A blue one, OK. And it's still there.
INT. HALL. NIGHT
We see the door to Hugo's room, then Alex rapping sharply against
it. David and Juliet stand behind him.
ALEX:
Hugo. Hugo. Sorry about this, but can you open the door? It's us,
Hugo, your flatmates and companions. Your new-found friends. He's
not in. He's left and we'll probably never see him again.
JULIET:
Alex, the key is in the keyhole on the other side.
ALEX:
So?
JULIET:
Open it.
ALEX:
You want me to kick it open?
JULIET:
Yes.
ALEX:
Now?
JULIET:
Yes.
ALEX:
All right. No problem.
After several ineffective kicks at the door, Alex turns to David.
ALEX:
(continued)
You want a go?
INT. HUGO'S ROOM. NIGHT
Inside Hugo's room we see the door as David, outside, throws
himself against it. At the third attempt the lock gives way and
the door bursts open.
In the foreground at one side is the bed with a naked foot lying
still and exposed.
When the door is open, David is first in, followed by the other
two. There is a period of silent shock as they contemplate Hugo's
naked corpse. Alex opens a window.
DAVID:
Is this what they always look like?
JULIET:
Yes.
Juliet drapes a sheet over the body, covering it completely.
ALEX:
I wonder how he did it?
JULIET:
Did what?
ALEX:
I wonder how he killed himself. I presume that that's what
happened. What do you think?
Quite casually, Alex begins to open drawers and cupboards,
emptying the contents on to the floor.
JULIET:
Alex.
ALEX:
What? What's wrong?
JULIET:
What are you doing?
ALEX:
I'm just looking.
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"Shallow Grave" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/shallow_grave_1011>.
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