She Loves Me Not Page #6

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WHY DO I FEEL LIKE

I'M THE ONLY PERSON

INTERESTED IN THIS HOUSE?

UH, I DON'T KNOW.

YOU TELL ME.

WELL, THE ESTATE

ACROSS THE STREE HAS BEEN FOR SALE

FOR OVER FIVE YEARS.

YEAH, BUT THEIR GARDEN

NEEDS WORK, AND, UH,

THEY DON'T HAVE

ALL THE GOOD STORIES.

NO TROPHIES,

NO FIRING RANGE,

NO DEAD BODIES.

SEE? THAT DOES

SOUND BETTER,

DOESN'T IT?

YOU KNOW, I'D GIVE UP

MY HOUSE IN A SECOND

FOR A WOMAN LIKE YOU.

ME? I'M--

I'M TAKEN.

I KNOW.

YOU JUST WANT TO

TALK ABOUT MONEY.

"MONEY."

YOU KNOW BETH:

WOULD DO ANYTHING

FOR YOU, RIGHT?

YOU MEAN FOR THE SALE

OF THE HOUSE?

NO, DUMMY.

FOR YOU.

YOU DON'T GET IT,

DO YOU?

I'M-I'M NOT SURE.

IT'S AMAZING.

WHAT IS?

NOTHING.

FORGET IT.

LOOK, IT'S A TOUGH

MARKET FOR SELLERS.

WELL, IN THE PRICE RANGE

WE'RE TALKING,

THINGS TEND TO BE

CONSTANT, YOU KNOW?

YOU'RE CUTE.

SO ARE YOU.

NO, PLEASE, PLEASE.

I GOT IT.

THANK YOU.

YOU'RE WELCOME.

YOU REALLY ARE:

A HEARTBREAKER,

YOU KNOW THAT?

I'VE NEVER HEARD

THAT ONE BEFORE.

GOOD LUCK, BRADY.

NO. NO, DON'T.

YES.

NO, PLEASE.

( music swells )

( explosion )

BRADY!

BRADY OLINSON,

GET YOUR ASS UP!

BRADY!

( snoring )

OW!

MORNING TO YOU TOO.

WHAT DID YOU SAY TO HER?

WHO?

WE LOST AMY.

SHE'S MAKING

AN OFFER ON THE HOUSE

ACROSS THE STREET.

OKAY.

AND SHE'S GONNA

GET A STEAL.

SHE'S GETTING THE DEAL

OF THE CENTURY ON THA SLAB OF STONE!

SO YOU'LL GE THAT COMMISSION.

WHAT ARE YOU GETTING

ON MY CASE FOR?

EXCUSE ME?

GETTING ON YOUR CASE?

IS THAT ALL:

YOU HAVE TO SAY?

IT'S NOT EVEN YOUR HOUSE.

WHY DO YOU EVEN CARE?

BECAUSE!

OW! STOP THAT!

BECAUSE I CARE:

ABOUT YOU!

I'VE GOT SOME GRASS

I NEED TO GO CUT.

YOU'RE GONNA GO

CUT SOME GRASS?

THAT'S WHAT YOU'RE

GONNA DO RIGHT NOW,

GO CUT SOME GRASS?

I LIKE CUTTING GRASS.

I HAPPEN TO:

LIKE IT A LOT.

LOOK,

IT'LL BE FINE.

EVERYTHING HAS A WAY

OF WORKING ITSELF OUT,

YOU KNOW?

WE NEED TO RE-THINK

OUR RELATIONSHIP.

WHAT, YOU DON'T WANT TO

BE MY REALTOR ANYMORE?

I CAN'T DEAL

WITH YOU ANYMORE.

I DON'T UNDERSTAND.

HEY.

HEY...

COME ON.

COME ON, COME ON,

COME ON.

IT'S NOT AS BAD

AS ALL THAT.

I MEAN,

IT'S JUST A HOUSE.

WHO CARES?

IT'S NOT ABOU THE HOUSE.

IT'S ABOUT ME?

I THOUGH YOU HATED ME.

NO.

YOU HATED YOU.

BETH, BETH, BETH.

LOOK AT ME.

I'M DAMAGED GOODS.

YOU KNOW?

I'M BARELY GETTING BY

ON TEACHING.

BEEN A DRUNK,

A WOMANIZER...

BAD WOMANIZER.

AND AN A**HOLE,

AND YOU'RE A SLOB,

RIGHT. RIGHT.

AND YOU'RE

IRRESPONSIBLE.

OKAY. OKAY.

ALL RIGHT.

CLEARLY,

I'M NOT SOMEONE

YOU WANT TO TIE:

YOUR LIFE TO.

BUT I DO.

THEN YOU'RE CRAZIER

THAN I AM,

BETH LESCOVITZ.

YOU'RE A JERK.

( guitar strumming )

Woman:

I'M THINKING I LOVE YOU

BUT I'M NOT SURE

YOU SEEM TO HAVE

SHOWN UP AT MY DOOR

AND IT'S WIDE OPEN

IN FRONT OF ME:

OUTSIDE:

THE GRASS IS GREENER

THAN IT'S BEEN IN YEARS

OR SO IT SEEMS:

THAT THIS COULD BE

A PERFECT, BEAUTIFUL DAY

BEAUTIFUL DAY:

OH, I WONDER

HOW THE CLOUDS:

MADE THOSE DESIGNS

AND LOOK,

THAT ONE IS YOU:

AND OVER THERE,

THAT ONE IS ME:

THAT'S WHAT I SEE

ON THIS BEAUTIFUL DAY

ON THIS BEAUTIFUL DAY

IN THE AFTERNOON,

LOVE IS IN FULL BLOOM

THE SUN FEELS GOOD

ON MY SKIN:

WITH THE PERFECT SKY

SUNLIGHT IN OUR EYES

RUNNING INTO THE WIND

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