Silence Page #10
...Mokichi, on the cross. The tide is not quite so high now: it
hits him chest level. But his body hangs limp and lifeless from
the cross. The pull of the tide has already torn him from the
ropes that bind him. His body DANGLES loose.
Another wave buffets Mokichi's body and finally BREAKS IT LOOSE
from the cross. His body is TOSSED in the water.
RODRIGUES (V.O.)
“It took Mokichi four days to die. At
the end he sang a hymn, so they say.
His voice was the only sound.
(MORE)
49
RODRIGUES (V.O.) (cont'd)
The people of the village who were
gathered on the beach were always
silent.”
56A EXT. TOMOGI BEACH NIGHT 56A
Guards GRAB Mokichi’s body by his arms and carry him up the
beach, under the watchful supervision of the samurai.
RODRIGUES (V.O.)
“The people were watched closely, so
the bodies could not be given a
Christian burial.”
CUT TO:
57 EXT. TOMOGI BEACH NIGHT 57
Instructed by the samurai, Guards FLING Mokichi's body onto a
pyre made of driftwood.
RODRIGUES (V.O.)
“Mokichi’s body was so heavy with
water it turned the flames to smoke
before it finally caught fire. Any
bones that remained were scattered in
the ocean, so they could not be
venerated.”
Through the smoking, leaping flames WE SEE: the three crosses,
still planted firm in the moonlit sand.
RODRIGUES (V.O.)
“I had long read about martyrdom in
The Lives of the Saints, but this was
no such glorious thing. Surely God
heard their prayers as they died. But
did He hear their screams? I prayed
that He might reach out to them, but
how can I explain His silence to these
people who have endured so much? I
need all my strength to understand it
myself. Humanity is so sad, Lord, and
the ocean so blue.”
From their hiding place, Rodrigues and Garupe pray silently as
the three empty crosses are washed with sea water.
CUT TO:
50
58 EXT. TOMOGI BEACH NIGHT 58
Rodrigues and Garupe, accompanied by several anxious villagers,
HURRY toward two waiting fishing boats.
RODRIGUES (V.O.)
“This may be my last report to you,
Father. Today we hear the guards are
in the mountains looking for us. So we
have decided it will be safer to
separate. Father Garupe will make for
Hirado, to continue the mission, and I
will return to Goto to try to learn
more about Shinmachi. The last place
Father Ferreira lived, and the place I
may still find him. Please believe,
Father, that if these are my last
words to you I ask forgiveness for my
weakness and my doubt, and I beg God
for the strength to stand against
whatever suffering befalls me if Inoue
finds me. And I ask you to remember
Father Garupe and me in your Masses
and in your prayers. With my life and
whole heart, I praise God. Remember us
in your holy sacrifices, your obedient
son...”
They have to tear their glance away from the crosses, which
stand like giant driftwood in the drift of the sea.
GARUPE:
Kichijiro was right. If we’d left they
might still be alive.
RODRIGUES:
We don’t know that. And we can’t
doubt. That will be our death.
GARUPE:
Are we giving up? Is that what we’re
doing? Are we running away?
RODRIGUES:
It’s more of a test than we thought.
GARUPE:
After people have died for us. I feel
like a coward.
51
RODRIGUES:
No. Our purpose is the same. We can’t
fulfill it if we’re captured.
God will give us strength.
Garupe REACHES inside his clothes and removes his rosary. He
offers it to Rodrigues.
GARUPE:
Take this. Remember me.
RODRIGUES:
Thank you, brother. But I have this.
Rodrigues shows him the carved cross that Mokichi gave him.
RODRIGUES:
From one of our blessed martyrs
already in heaven.
(Garupe looks doubtful)
Because of us, Francisco. Because of
us.
Rodrigues sounds as if he’s trying to convince himself of this
as well as give Garupe strength. Garupe HOLDS HIS ARMS OUT to
Rodrigues and HUGS him quickly.
GARUPE:
My prayers go with you.
RODRIGUES:
And my love with you.
GARUPE:
I pray to be as strong as you.
The priests WADE into the water toward their waiting fishing
boats. But Rodrigues TURNS QUICKLY...
RODRIGUES:
Stay alive! Promise me. Promise!
GARUPE:
I promise.
The priests hoist themselves into the waiting boats which move
quickly away from the beach. They are soon lost to each other
under the cover of the dense starless night.
CUT TO:
52
59 EXT. BOAT/SEA NIGHT 59
An oar, CHURNING up the inky sea.
A small boat breasts the waves, cutting through the pitch
night. Rodrigues is its only passenger, a single BOATMAN the
sole crew. He will not look Rodrigues in the eye. Rodrigues
hugs himself for warmth.
RODRIGUES:
Is there any water?
(no reply)
Water? I'm very thirsty.
The boatman does not reply. Perhaps he does not understand.
NOTE:
NOW WHEN WE HEAR RODRIGUES V.O., his voice is different:like a whisper, like a man telling secrets to himself. The
words are like a fervent prayer, part penitence, part
reflection and part stream-of-consciousness struggle.
RODRIGUES (V.O.)
“Father in Heaven, praised be Thy
name. I’m just a foreigner who brought
disaster. That’s the way they think of
me now. But if I’d been an ordinary
Christian, and not a priest, wouldn’t
I have also disgraced our Lord and run
like Kichijiro?
He trails his fingers in the sea and sucks the drops of salt
water from his fingers.
RODRIGUES (V.O.)
“I imagine Your Son, nailed to the
cross, and my mouth tastes like
vinegar.”
CUT TO:
60 EXT. GOTO BEACH AND SEA DAWN 60
The shore, seen from the boat: the sun has not yet burnt away
the morning mist. The land looks shrouded, unwelcoming.
RODRIGUES (O.S.)
Is that Goto?
The boatman TURNS the boat so Rodrigues can disembark. He PUTS
HIS HAND OUT TO HELP Rodrigues, who, to the Boatman’s surprise,
shakes it, then uses it to steady himself as he stands in the
boat rocking in the waves...
53
...and STEPS over the side. The boatman QUICKLY ROWS away as
Rodrigues splashes toward shore like a thief in the night.
CUT TO:
61 EXT. GOTO STREET DAY 61
Deserted. Huts in disrepair. Broken plates and cups and bits of
furniture strewn in the dust. Doors broken. The only sound is
the wind.
He smirks at the absurdity...then stops quickly, spinning at
the sound of the MEWING of a cat.
The cat strides by itself. The cat goes past Rodrigues’ legs.
Then more cats. And more. Until they are a silent phalanx
parading silently, indifferently, past the staring priest.
CUT TO:
62 INT. GOTO VILLAGE HUT DAY 62
Rodrigues SCAVENGES for scraps of food. He DRINKS a bowl of
water greedily, SPLASHES what remains on his face, then goes to
the doorway. There is nothing outside but desolation.
RODRIGUES (V.O.)
“I sleep standing, like a camel. I
dream of mountains, and flight, and
Our Saint Francis. What happened to
all the glorious possibility he found
here?”
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Silence" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/silence_1317>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In