Six Degrees Of Separation Page #19

Synopsis: New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting
Genre: Comedy, Drama, Mystery
Director(s): Fred Schepisi
Production: MGM Home Entertainment
  Nominated for 1 Oscar. Another 5 nominations.
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
88%
R
Year:
1993
112 min
582 Views


But we hadn't counted on... traffic.

1535

01:
36:33,320 -- 01:36:34,435

i(Flan) Traffic./i

1536

01:
36:34,560 -- 01:36:35,595

i(Ouisa) Traffic./i

1537

01:
36:37,320 -- 01:36:39,880

iWe'd promised Paul/i

iwe would take him to the police./i

1538

01:
36:40,000 -- 01:36:43,470

i(Flan) I called our new best friend,/i

ithe detective./i

1539

01:
36:43,600 -- 01:36:48,754

Paul! Officer, please! Let us go with him!

We promised we would go with him!

1540

01:
36:48,880 -- 01:36:50,472

- Paul? Paul?

- No, Ouisa.

1541

01:
36:50,600 -- 01:36:52,431

Officer, please. Paul!

1542

01:
36:52,560 -- 01:36:55,836

The Kandinsky is painted on both sides!

1543

01:
36:59,520 -- 01:37:03,149

- There's nothing more you could do.

- i(Flan)/i I didn't think so, no.

1544

01:
37:03,280 -- 01:37:06,238

The next day, Ouisa went to the precinct.

1545

01:
37:07,960 -- 01:37:10,030

Detective Marino, please.

1546

01:
37:10,160 -- 01:37:13,152

- He's transferred.

- Since yesterday?

1547

01:
37:13,280 -- 01:37:15,191

He's transferred.

1548

01:
37:15,320 -- 01:37:19,279

This is about an arrest that was made

yesterday at the Waverly movie theatre.

1549

01:
37:19,400 -- 01:37:21,356

Hold on.

1550

01:
37:22,800 -- 01:37:25,268

This precinct didn't go

to the Waverly theatre.

1551

01:
37:25,400 -- 01:37:28,756

- I didn't imagine it.

- I'm not sayin' you did.

1552

01:
37:28,880 -- 01:37:33,396

- Perhaps you can tell me which precinct...

- Hold on. Hold on. Hold on.

1553

01:
37:33,520 -- 01:37:35,556

The name?

1554

01:
37:35,680 -- 01:37:37,352

Um...

1555

01:
37:37,480 -- 01:37:39,630

Poitier. Or Kittredge.

1556

01:
37:39,760 -- 01:37:40,397

Uh...

1557

01:
37:40,520 -- 01:37:43,353

- Are you family?

- Not exactly.

1558

01:
37:43,480 -- 01:37:47,951

The detective told me that I could go with

the young man when he was arraigned,

1559

01:
37:48,080 -- 01:37:50,719

so I could tell them that he was... special...

1560

01:
37:50,840 -- 01:37:54,389

We have no record of it. Some other

precinct must have made the arrest.

1561

01:
37:54,520 -- 01:37:57,796

It sounds like your special friend

was wanted for somethin' else.

1562

01:
37:57,920 -- 01:37:59,353

Like what?

1563

01:
37:59,480 -- 01:38:04,713

Lady, how can I help you?

You don't even know your friend's name.

1564

01:
38:09,800 -- 01:38:11,552

Six degrees.

1565

01:
38:13,200 -- 01:38:16,272

We weren't family.

We didn't know Paul's name.

1566

01:
38:16,800 -- 01:38:18,950

iI went to the district attorney's office./i

1567

01:
38:19,080 -- 01:38:22,550

iWe weren't family./i

iWe didn't know Paul's name./i

1568

01:
38:24,120 -- 01:38:29,194

iI called the criminal courts./i

iI wasn't family. I didn't know Paul's name./i

1569

01:
38:31,960 -- 01:38:38,718

I read today that a young man

committed suicide in Rikers Island prison,

1570

01:
38:38,840 -- 01:38:43,789

and tied a shirt around his neck

and hanged himself.

1571

01:
38:44,800 -- 01:38:46,916

Was it the pink shirt?

1572

01:
38:47,040 -- 01:38:49,759

A burst of colour. Pink shirt.

1573

01:
38:51,480 -- 01:38:55,075

Was it Paul? We never did

find out who he was.

1574

01:
38:55,200 -- 01:38:57,236

I'm sure it wasn't him.

1575

01:
38:57,360 -- 01:39:00,352

- Yes, I agree.

- Isn't it amazing?

1576

01:
39:00,480 -- 01:39:04,519

We haven't seen the last of him,

believe me. He'll be back. He'll find a way.

1577

01:
39:04,640 -- 01:39:06,392

The imagination... Oh!

1578

01:
39:07,720 -- 01:39:12,032

- Why does it mean so much to you?

- He wanted to be us.

1579

01:
39:12,160 -- 01:39:14,390

Everything we are in the world.

1580

01:
39:14,520 -- 01:39:19,913

This paltry thing, our life, he wanted it.

He stabbed himself to get into our lives.

1581

01:
39:20,040 -- 01:39:23,316

He envied us.

We're not enough to be envied.

1582

01:
39:23,440 -- 01:39:26,079

Like the papers said, we do have hearts.

1583

01:
39:26,200 -- 01:39:28,270

Having a heart is not the point.

1584

01:
39:28,400 -- 01:39:32,632

We were hardly taken in.

We believed him for a few hours.

1585

01:
39:32,760 -- 01:39:37,197

He did more for us in a few hours

than our children ever did.

1586

01:
39:38,080 -- 01:39:40,640

And he wanted to be your child.

Don't let that go.

1587

01:
39:40,760 -- 01:39:44,878

He sat out in that park and said

"That man is my father."

1588

01:
39:45,000 -- 01:39:47,514

He's in trouble, and we don't

know how to help him.

1589

01:
39:47,640 -- 01:39:52,794

Help him? My God! We could

have been killed. Throats slashed.

1590

01:
39:52,920 -- 01:39:54,876

You were attracted to him.

1591

01:
39:55,000 -- 01:39:58,879

Oh, please. Cut me out

of that pathology right now.

1592

01:
39:59,000 -- 01:40:01,355

Attracted by his youth, his talent,

1593

01:
40:01,480 -- 01:40:04,392

and the embarrassing prospect

of being in the movie of iCats./i

1594

01:
40:04,520 -- 01:40:07,159

Well... that, yes. Yes.

1595

01:
40:07,280 -- 01:40:09,396

Did you put that in your iTimes/i piece?

1596

01:
40:09,520 -- 01:40:14,674

And we turn him into an anecdote

to dine out on, like we're doing right now!

1597

01:
40:14,800 -- 01:40:19,430

But it was an experience.

I will not turn him into an anecdote.

1598

01:
40:19,560 -- 01:40:22,120

How do we keep what happens to us?

1599

01:
40:22,240 -- 01:40:26,677

How do we fit it into life

without turning it into an anecdote?

1600

01:
40:26,800 -- 01:40:30,190

With no teeth, and a punch line

you'll mouth over and over for years.

1601

01:
40:30,320 -- 01:40:33,198

"Oh, that reminds me of that impostor."

1602

01:
40:33,320 -- 01:40:35,959

"Oh, tell the one about that boy."

1603

01:
40:36,080 -- 01:40:40,596

And we become these human jukeboxes,

spilling out these anecdotes.

1604

01:
40:40,720 -- 01:40:43,757

But it was an experience.

1605

01:
40:43,880 -- 01:40:46,633

How do we keep the experience?

1606

01:
40:52,240 -- 01:40:54,196

That's why I love paintings.

1607

01:
40:54,320 -- 01:40:59,155

Czanne, the problems he brought up then

are the problems painters still deal with.

1608

01:
40:59,280 -- 01:41:01,157

Colour. Structure.

1609

01:
41:01,280 -- 01:41:03,157

Those are problems.

1610

01:
41:03,280 -- 01:41:07,273

There is colour in my life,

but I'm not aware of any structure.

1611

01:
41:07,400 -- 01:41:09,834

What are you saying, darling?

1612

01:
41:11,840 -- 01:41:15,355

Czanne would leave

blank spaces in his canvases

1613

01:
41:15,480 -- 01:41:18,756

if he couldn't account

for the brush stroke...

1614

01:
41:18,880 -- 01:41:21,997

couldn't... give a reason for the colour.

1615

01:
41:22,120 -- 01:41:26,272

Then I am a collage

of unaccounted-for brush strokes.

1616

01:
41:26,400 -- 01:41:29,233

I... am all...

1617

01:
41:29,360 -- 01:41:30,873

random.

1618

01:
41:31,000 -- 01:41:33,560

- Excuse me.

- Ouisa!

1619

01:
41:33,680 -- 01:41:35,955

- Do sit down!

- Excuse me, please.

1620

01:
41:36,080 -- 01:41:37,638

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John Guare

John Guare (rhymes with "air"; born February 5, 1938) is an Irish American playwright. He is best known as the author of The House of Blue Leaves, Six Degrees of Separation, and Landscape of the Body. His style, which mixes comic invention with an acute sense of the failure of human relations and aspirations, is at once cruel and deeply compassionate. In his foreword to a collection of Guare's plays, film director Louis Malle writes: Guare practices a humor that is synonymous with lucidity, exploding genre and clichés, taking us to the core of human suffering: the awareness of corruption in our own bodies, death circling in. We try to fight it all by creating various mythologies, and it is Guare's peculiar aptitude for exposing these grandiose lies of ours that makes his work so magical. more…

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Submitted on August 05, 2018

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