Six Degrees Of Separation Page #6

Synopsis: New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting
Genre: Comedy, Drama, Mystery
Director(s): Fred Schepisi
Production: MGM Home Entertainment
  Nominated for 1 Oscar. Another 5 nominations.
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
88%
R
Year:
1993
112 min
575 Views


409

00:
27:25,800 -- 00:27:27,677

It mirrors like a fun-house mirror,

410

00:
27:27,800 -- 00:27:32,078

and amplifies like a distorted speaker

one of the great tragedies of our times -

411

00:
27:32,200 -- 00:27:34,760

the death of the imagination.

412

00:
27:34,880 -- 00:27:37,553

Because what else is paralysis?

413

00:
27:37,680 -- 00:27:43,357

The imagination has been

so debased that imagination...

414

00:
27:43,480 -- 00:27:47,109

being imaginative, rather than

being the linchpin of our existence,

415

00:
27:47,240 -- 00:27:50,118

now stands as a synonym for

something outside ourselves.

416

00:
27:50,240 -- 00:27:51,832

Like science fiction.

417

00:
27:51,960 -- 00:27:57,353

Or some new use for tangerine slices

on raw pork chops -

418

00:
27:57,480 -- 00:28:02,156

"What an imaginative summer recipe."

And iStar Wars/i - "so imaginative".

419

00:
28:02,280 -- 00:28:04,635

And iStar Trek/i - "so imaginative".

420

00:
28:04,760 -- 00:28:09,117

And iLord of the Rings,/i

all those dwarves - "so imaginative".

421

00:
28:09,240 -- 00:28:12,869

The imagination has moved out

of the realm of being our link,

422

00:
28:13,000 -- 00:28:16,879

our most personal link, with our inner

lives and the world outside that world,

423

00:
28:17,000 -- 00:28:18,558

this world we share.

424

00:
28:18,680 -- 00:28:21,035

What is schizophrenia

but a horrifying state

425

00:
28:21,160 -- 00:28:24,118

where what's in here

doesn't match what's out there?

426

00:
28:24,240 -- 00:28:28,518

Why has imagination

become a synonym for style?

427

00:
28:28,640 -- 00:28:32,076

I believe the imagination

is the passport that we create

428

00:
28:32,200 -- 00:28:34,509

to help take us into the real world.

429

00:
28:34,640 -- 00:28:40,476

I believe the imagination is merely another

phrase for what is most uniquely us.

430

00:
28:41,120 -- 00:28:46,148

Jung says "The greatest sin

is to be unconscious."

431

00:
28:47,040 -- 00:28:51,909

Our boy Holden says "What scares me

most is the other guy's face."

432

00:
28:52,440 -- 00:28:57,195

"It wouldn't be so bad

if you could both be blindfolded."

433

00:
28:57,320 -- 00:29:02,838

Most of the time, the faces that we face

are not the other guys', but our own faces.

434

00:
29:02,960 -- 00:29:07,988

And it is the worst kind of yellowness

to be so scared of yourself

435

00:
29:08,120 -- 00:29:12,955

that you put blindfolds on

rather than deal with yourself.

436

00:
29:13,960 -- 00:29:18,351

To face ourselves - that's the hard thing.

437

00:
29:18,840 -- 00:29:20,796

The imagination...

438

00:
29:22,040 -- 00:29:28,309

that's God's gift to make

the act of self-examination bearable.

439

00:
29:30,400 -- 00:29:31,958

Well...

440

00:
29:33,000 -- 00:29:34,797

Indeed.

441

00:
29:35,400 -- 00:29:40,315

- I hope your muggers read every word.

- i(Ouisa laughs)/i Oh, darling!

442

00:
29:42,640 -- 00:29:45,996

I'm going to buy iCatcher in the Rye/i

at the airport and read it.

443

00:
29:46,120 -- 00:29:48,793

- Cover to cover.

- I'll test you.

444

00:
29:50,120 -- 00:29:52,315

- I should be going.

- Where will you stay?

445

00:
29:52,440 -- 00:29:54,192

Oh, no, not some fleabag.

446

00:
29:54,320 -- 00:29:58,677

No, no, no. I get into the Sherry tomorrow

morning. It's not far off. I can walk around.

447

00:
29:58,800 -- 00:30:02,793

- I don't think they'll mug me twice.

- You'll stay here tonight.

448

00:
30:02,920 -- 00:30:05,878

No. I have to be at the hotel at 7 am sharp.

449

00:
30:06,000 -- 00:30:08,719

- We'll get you up.

- Or Dad will have a fit.

450

00:
30:08,840 -- 00:30:11,752

Up at 6.15, which is any moment now.

And we have that wedding.

451

00:
30:11,880 -- 00:30:15,270

- There's an alarm by the bed.

- Your feet may hang over the edge...

452

00:
30:15,400 -- 00:30:19,632

- If it's any problem...

- The only problem is if you leave.

453

00:
30:20,960 -- 00:30:23,474

6.15? I'll tiptoe out.

454

00:
30:23,600 -- 00:30:26,433

- And we want to be in iCats./i

- Oh, Flan!

455

00:
30:26,560 -- 00:30:29,438

- It's done!

- I'll fly back... with my wife.

456

00:
30:29,560 -- 00:30:31,710

Well... Pushy, both of you.

457

00:
30:31,840 -- 00:30:37,233

You're not. Dad said I could be in charge

of the extras. That's all I can promise.

458

00:
30:37,360 -- 00:30:41,353

- In cat suits?

- No, you can be humans.

459

00:
30:41,480 -- 00:30:46,270

That's very important. It has to be

in our contracts. We are humans.

460

00:
30:46,400 -- 00:30:48,470

We haven't got any business done.

461

00:
30:48,600 -- 00:30:52,388

Oh, forget it.

It was just an evening at home.

462

00:
30:52,520 -- 00:30:56,399

Whatever you do,

don't think about elephants.

463

00:
30:56,520 -- 00:30:58,033

- Did I intrude?

- No.

464

00:
30:58,160 -- 00:31:02,836

There are all ways of doing business.

Flan, walk me to the elevator.

465

00:
31:03,200 -- 00:31:05,760

We embraced, and Flan and Geoffrey left.

466

00:
31:09,520 -- 00:31:11,954

- Let me clean up.

- No, no. Please leave it.

467

00:
31:12,080 -- 00:31:15,356

- Nobody comes in on Sunday.

- No. Yvonne'll be in on Tuesday.

468

00:
31:15,480 -- 00:31:17,675

- You'll have every bug in Christendom.

- Let me.

469

00:
31:17,800 -- 00:31:20,234

No! You watch.

470

00:
31:20,360 -- 00:31:23,318

It gives me a thrill to be looked at.

471

00:
31:26,800 -- 00:31:29,553

- Ouisa! He's in.

- He's in?

472

00:
31:29,680 -- 00:31:32,717

For two million.

Says the Czanne is a great investment.

473

00:
31:32,840 -- 00:31:35,400

We should get six million for it

and sell it for ten.

474

00:
31:35,520 -- 00:31:38,512

Happy days! Oh, God!

475

00:
31:39,480 -- 00:31:42,995

- Oh, break all those dishes!

- $2,000,000?

476

00:
31:43,120 -- 00:31:48,353

Figure it out. He doesn't have the price

of dinner, but he can cough up $2,000,000.

477

00:
31:48,480 -- 00:31:52,553

- And the Japanese will go to ten.

- Go to ten? Ten million?

478

00:
31:52,680 -- 00:31:55,399

Two million, go to ten,

and we put up nothing.

479

00:
31:55,520 -- 00:31:57,590

- Nothing?

- No.

480

00:
31:57,720 -- 00:32:01,235

Wildest dreams. Oh, God, Paul. Money.

481

00:
32:01,360 -- 00:32:03,316

- Take $50.

- Oh, no.

482

00:
32:03,440 -- 00:32:05,510

- It's walking-around money.

- I don't need it.

483

00:
32:05,640 -- 00:32:09,519

- What if your father's plane is late?

- A billionth of a per cent commission.

484

00:
32:09,640 -- 00:32:13,269

I wouldn't want one of my kids

stuck in the street without a nickel.

485

00:
32:13,400 -- 00:32:17,757

Your kids said you were an art dealer, but

you have no gallery. I don't understand.

486

00:
32:17,880 -- 00:32:20,269

Come here.

487

00:
32:22,400 -- 00:32:26,109

- Some people want to sell privately.

- Divorce, taxes, publicity...

488

00:
32:26,240 -- 00:32:29,312

- People ask me for certain schools.

- Modern, Impressionist...

489

00:
32:29,440 -- 00:32:32,238

- They don't want museums to know.

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John Guare

John Guare (rhymes with "air"; born February 5, 1938) is an Irish American playwright. He is best known as the author of The House of Blue Leaves, Six Degrees of Separation, and Landscape of the Body. His style, which mixes comic invention with an acute sense of the failure of human relations and aspirations, is at once cruel and deeply compassionate. In his foreword to a collection of Guare's plays, film director Louis Malle writes: Guare practices a humor that is synonymous with lucidity, exploding genre and clichés, taking us to the core of human suffering: the awareness of corruption in our own bodies, death circling in. We try to fight it all by creating various mythologies, and it is Guare's peculiar aptitude for exposing these grandiose lies of ours that makes his work so magical. more…

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Submitted on August 05, 2018

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