Six Degrees Of Separation Page #7

Synopsis: New Yorkers Ouisa and Flan Kittredge are upper class private art dealers, pretentious but compassionate. Their prized possession is a double sided Kandinsky, one side that represents control, the other side chaos. They relay a story to their friends and acquaintances that over time becomes legendary. It is their encounter with a young black man who they had never met or heard of but who comes stumbling upon their front door one evening as they are courting an important investor, Geoffrey Miller, who could make them wealthy beyond what they could have dreamed. That black man is Paul Poitier, who has just arrived in the city, was just mugged outside their building and is sporting a minor knife wound to the abdomen. He is a friend of the Kittredge's children, who are attending Harvard, but more importantly is the son of actor/director Sidney Poitier. Tomorrow, Paul is meeting up with his father who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting
Genre: Comedy, Drama, Mystery
Director(s): Fred Schepisi
Production: MGM Home Entertainment
  Nominated for 1 Oscar. Another 5 nominations.
 
IMDB:
6.9
Metacritic:
72
Rotten Tomatoes:
88%
R
Year:
1993
112 min
575 Views


- Japanese.

490

00:
32:32,360 -- 00:32:36,717

I've got Japanese looking for a Czanne.

I have a syndicate that'll buy the painting.

491

00:
32:36,840 -- 00:32:41,311

And there's this great Czanne coming

up for sale in a very messy divorce.

492

00:
32:41,440 -- 00:32:43,510

Wife doesn't want hubby to know...

493

00:
32:43,640 -- 00:32:48,668

I needed an extra $2,000,000.

Geoffrey called. We invited him for dinner.

494

00:
32:48,800 -- 00:32:52,713

- Tonight was a nervous, casual, big thing.

- Oh, boy, oh, boy.

495

00:
32:52,840 -- 00:32:55,149

- I couldn't tell.

- All the better.

496

00:
32:55,280 -- 00:32:57,589

I'm glad I helped.

497

00:
32:57,720 -- 00:32:59,392

You were wonderful.

498

00:
32:59,520 -- 00:33:02,353

I'm so pleased I was wonderful.

499

00:
33:02,480 -- 00:33:06,712

- All this and a pink shirt.

- Oh, please, keep it. Look at the time.

500

00:
33:06,840 -- 00:33:09,559

Oh, God. We should say our good-nights.

501

00:
33:09,680 -- 00:33:13,912

Oh, Christ, regretfully.

I want my father to meet you.

502

00:
33:14,040 -- 00:33:17,271

- We'd love to. Bring him up for dinner.

- Could I?

503

00:
33:17,400 -- 00:33:22,076

- See how easy it is?

- Sure. If Paul does the cooking.

504

00:
33:23,120 -- 00:33:25,076

Well, this is it.

505

00:
33:26,640 -- 00:33:29,473

- Good night.

- Oh. Good night.

506

00:
33:29,600 -- 00:33:31,556

Good night.

507

00:
33:35,000 -- 00:33:40,518

I want to get down

on my knees and thank God.

508

00:
33:40,640 -- 00:33:42,835

Money!

509

00:
33:42,960 -- 00:33:45,838

Who said "When artists dream,

they dream of money"?

510

00:
33:45,960 -- 00:33:48,713

God, I must be such an artist.

511

00:
33:48,840 -- 00:33:51,479

Bravo. Bravo!

512

00:
33:51,600 -- 00:33:53,079

Bravo!

513

00:
33:53,200 -- 00:33:55,156

Oh, God!

514

00:
33:56,800 -- 00:34:01,794

I don't want to lose our life here. I don't

want all the debt to pile up and crush us.

515

00:
34:01,920 -- 00:34:04,354

It won't. We're safe.

516

00:
34:05,360 -- 00:34:07,874

For a while.

517

00:
34:08,000 -- 00:34:10,594

We almost lost it, Ouis.

518

00:
34:10,720 -- 00:34:16,352

If I hadn't gotten this money, I would have

lost the Czanne. I had nowhere to find it.

519

00:
34:16,480 -- 00:34:19,677

Why don't you tell me

how much these things mean?

520

00:
34:19,800 -- 00:34:22,758

You wait until the last minute.

521

00:
34:22,880 -- 00:34:26,429

- I don't want to worry you.

- Not worry me?

522

00:
34:26,560 -- 00:34:28,516

I'm your partner.

523

00:
34:29,520 -- 00:34:31,750

- There is a God!

- And his name is?

524

00:
34:31,880 -- 00:34:34,235

- Geoffrey!

- No! Sidney!

525

00:
34:59,960 -- 00:35:04,750

You know, I had the strangest dream.

I dreamt of iCats./i

526

00:
35:04,880 -- 00:35:07,030

i(purring and mewing)/i

527

00:
35:07,160 -- 00:35:09,390

The movie.

528

00:
35:09,520 -- 00:35:12,159

Paul... I'm worried.

529

00:
35:12,280 -- 00:35:15,511

Is it right to make a movie of iCats?/i

530

00:
35:15,640 -- 00:35:20,555

I'll tell you why there has to be a movie

of iCats,/i Ouisa. May I call you Ouisa?

531

00:
35:20,680 -- 00:35:21,795

Yes.

532

00:
35:21,920 -- 00:35:24,514

I have no illusions

about the merits of iCats,/i

533

00:
35:24,640 -- 00:35:27,677

but the world has been

too heavy with the right-to-lifers -

534

00:
35:27,800 -- 00:35:32,237

protect the unborn, constitutional

amendments, when does life begin?

535

00:
35:32,360 -- 00:35:37,070

Or the converse - the end of life, the right

to die. Why is life, at this point in time,

536

00:
35:37,200 -- 00:35:41,796

so focused upon the very beginning of life

and the very end of life?

537

00:
35:41,920 -- 00:35:46,311

What about the 80 years we have to live

between those two inexorable book ends?

538

00:
35:46,440 -- 00:35:49,113

And you can get all that into iCats?/i

539

00:
35:50,680 -- 00:35:52,636

We're going to try.

540

00:
35:52,760 -- 00:35:55,035

Thank you. Thank you.

541

00:
35:55,160 -- 00:35:57,116

You shall.

542

00:
36:00,920 -- 00:36:04,276

This is what I dreamt.

I didn't dream, so much as realise this.

543

00:
36:04,400 -- 00:36:08,757

I feel so close to the paintings.

I'm not just selling, like pieces of meat.

544

00:
36:08,880 -- 00:36:12,759

I remembered why I loved paintings

in the first place, what got me into this.

545

00:
36:12,880 -- 00:36:14,552

I thought...

546

00:
36:14,680 -- 00:36:16,318

dreamt...

547

00:
36:18,080 -- 00:36:20,196

remembered...

548

00:
36:20,320 -- 00:36:22,834

how easy it is for a painter

to lose a painting.

549

00:
36:22,960 -- 00:36:26,350

He paints and paints,

works on a canvas for months,

550

00:
36:26,480 -- 00:36:30,189

and then, one day, he loses it.

551

00:
36:30,320 -- 00:36:34,472

Loses the structure, loses the sense of it.

You lose the painting.

552

00:
36:34,600 -- 00:36:38,912

I remembered asking my kids'

second-grade teacher:

553

00:
36:39,040 -- 00:36:42,350

"Why are all your students geniuses?"

554

00:
36:42,480 -- 00:36:47,110

Look at the first grade - blotches of green

and black. The third grade - camouflage.

555

00:
36:47,240 -- 00:36:50,357

But your grade, the second grade...

556

00:
36:50,480 -- 00:36:52,869

Matisses, every one.

557

00:
36:53,000 -- 00:36:55,958

You've made my child a Matisse.

558

00:
36:59,480 -- 00:37:01,675

Let me study with you.

559

00:
37:01,800 -- 00:37:04,712

Let me into the second grade.

560

00:
37:04,840 -- 00:37:06,956

What is your secret?

561

00:
37:07,080 -- 00:37:12,473

I don't have any secret. I just know when

to take their drawings away from them.

562

00:
37:12,600 -- 00:37:14,670

I dreamt of colour.

563

00:
37:14,800 -- 00:37:17,473

I dreamt of our son's pink shirt.

564

00:
37:17,600 -- 00:37:20,194

I dreamt of pinks and yellows.

565

00:
37:20,320 -- 00:37:23,835

And the new Van Gogh

the Museum of Modern Art got.

566

00:
37:23,960 -- 00:37:27,350

And the irises that sold for $53.9 million.

567

00:
37:27,480 -- 00:37:32,952

And, wishing a Van Gogh was mine,

I looked at my English hand-lasted shoes,

568

00:
37:33,080 -- 00:37:38,279

and thought of Van Gogh's tragic shoes,

and remembered ime/i as I was -

569

00:
37:38,400 -- 00:37:41,039

a painter losing a painting.

570

00:
37:43,240 -- 00:37:44,753

So. This morning.

571

00:
37:45,280 -- 00:37:49,034

iI sat in the kitchen, happily doing/i

ithe crossword puzzle in ink./i

572

00:
37:49,160 -- 00:37:50,878

iEverybody does it in ink./i

573

00:
37:51,000 -- 00:37:54,595

I've never met one person

who didn't say they didn't do it in ink.

574

00:
37:54,720 -- 00:37:58,952

iI sat there happily doing the puzzle./i

iI looked at the time. It was nearly seven./i

575

00:
37:59,080 -- 00:38:03,756

iAnd Paul had to meet his father,/i

iand I didn't want him to be late./i

576

00:
38:04,040 -- 00:38:05,951

i(groaning)/i

577

00:
38:06,080 -- 00:38:07,399

Paul?

578

00:
38:08,480 -- 00:38:10,516

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John Guare

John Guare (rhymes with "air"; born February 5, 1938) is an Irish American playwright. He is best known as the author of The House of Blue Leaves, Six Degrees of Separation, and Landscape of the Body. His style, which mixes comic invention with an acute sense of the failure of human relations and aspirations, is at once cruel and deeply compassionate. In his foreword to a collection of Guare's plays, film director Louis Malle writes: Guare practices a humor that is synonymous with lucidity, exploding genre and clichés, taking us to the core of human suffering: the awareness of corruption in our own bodies, death circling in. We try to fight it all by creating various mythologies, and it is Guare's peculiar aptitude for exposing these grandiose lies of ours that makes his work so magical. more…

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Submitted on August 05, 2018

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