Standard Operating Procedure Page #2
So if I say, "Hey, this is going on.
Look, I have proof,"
you can't deny it.
(CAMERA CLICKING)
Gus was the prisoner
with the leash.
We thought he was maybe
part of the Iraqi army,
because he was always,
like, you know,
"Saddam's going to come back
and kill all of you. I hate you."
And all this stuff.
He had all this anger.
And so we thought he was
someone maybe pretty important.
And then we found out the history
of his arrest and why he was there.
And he had gotten drunk
and beat someone up.
He was just
a regular prisoner,
like we'd find at one of our
county jails, or something.
Once he came over to the
hard site, he stopped eating.
And we had to pump him, you
know, five to eight IV's a day
just to keep him alive.
Gus was being verbally threatening
and not following any directions.
Graner put
the leash on him.
And then he crawled out
on his own after that.
And then he handed
the leash to Lynndie.
And that's when
he took the pictures.
And then the guy got up
on his own after that.
They were trying to say
that she was dragging him,
which never occurred.
I was there, and I
know it didn't happen.
It may have been unorthodox,
but he came out of the cell
and he didn't hurt anybody,
and he didn't get hurt.
Graner had the camera
in his cargo pocket.
And he asked me and Ambuhl
to come downstairs with him.
When he opened
the door,
Gus was in there,
he was naked.
He didn't want to stand up,
so that's why he brought
the tie-down strap.
So he put it around his neck.
So he's gonna make him crawl out.
And I guess he got about
halfway out of the door.
Graner told me to hold onto the
end of the tie-down strap, so I did.
I just grabbed it.
You can see the slack on it.
People said that
I dragged him,
but I never did.
(CAMERA WHIRRING)
Graner took three
pictures back-to-back.
You can see Megan
on the side standing.
He would've never had me standing
next to Gus if the camera wasn't there.
I'm a 95 to 100 pound
female, short female, at that,
holding a strap that's attached
to his neck. I'm dominating him.
Maybe that's what
Graner was going for.
Maybe it was for documentation,
maybe it was for his own amusement.
I don't know. I don't know
what was going through his head.
But he took it.
In all the years
as a cop,
I'd say over half of
all my cases were solved
because the criminal
did something stupid.
Taking photographs of these things
is that one something stupid.
BRENT PACK:
They gave me 12 CDs
and said, "There's thousands
of pictures from Abu Ghraib.
"We want you to find
all of them that depict
possible prisoner abuse
"or people that were in
the area at the time
that the abuse was occurring.
"And we need to know exactly
when the pictures were taken."
The pictures spoke
a thousand words,
but unless you know what day
and time they're talking,
you wouldn't know
what the story was.
Put these on a time line
so that the jury could see
when did the incident
begin and when did it end.
How much time elapsed in
between these photographs.
How much actual effort
did these people put into what
they were doing to the prisoners.
Who else was there in the room
at the time that it occurred?
How could all this go on
When you look at this whole case
as one great, big media event,
you kind of lose focus.
These pictures actually depict
several separate incidents
standard operating procedure.
All you could do is present
what you know to be factual.
You can't bring in emotion
or politics into the court.
LYNNDIE ENGLAND:
When I wasin the brig,
in that brig because of a man.
Different reasons, yes,
but it was because of a man.
And when you join the military,
it's a man's world.
man or be controlled by a man.
If you want to be their
equal, you got to be strong.
They're going to
try to control you.
You need to step up and tell them,
you know, show them who's boss.
"I'm not gonna take that.
I'm not gonna let you power me.
"You know, control me because
I'm a woman and you're a man.
"It's not gonna happen."
Even though it's the military.
I mean, hell, if you're in
the military, you got a gun.
Use it.
that then, by God, I would have.
But I was blinded by
being in love with a man.
Graner, he's
really charming.
If you didn't know him
and you just meet him,
you'd be drawn
in to him.
And in a crowded room,
he'd be the one to look at.
He would draw
the attention.
If the attention is not on him,
he'll get it there.
That's what he does.
He thrives on that.
If you're not paying attention to him,
he'll make comments about you
and this and that,
you know.
Whatever you wanna hear,
he'll say it. And he knows.
He knew. And I was, what,
He was 34.
He had 14 years more
experience than I did.
So he knew what
to say, what to do.
And I was dumb enough to fall for it.
I should have listened.
Everyone tried to tell me,
"He's too old for you.
He's a bad guy."
But I didn't
believe them
because I believed him
for some reason.
Can't figure it out now.
The population was
just simply growing
but nobody really had a
plan on how you release
"suspected terrorist" or an
"associate of a terrorist."
General Wojdakowski told me after
that this was going to
go on for several weeks
and at the end of it we might have
that we would be
responsible for.
And I said,
"Don't you think you should have
shared that information with me, sir?
"You know, I mean, we don't
have any resources to provide
"for the 200 prisoners in
the cells out at Abu Ghraib.
"And now you're going
to give us 1500 more.
"What's the release
procedures?"
He said, "You are not
to release anybody.
Do you understand me?
"If any one of these
prisoners gets released,
or ends up out on the street,
They would go out in
the middle of the night
and sweep up every single, you know,
fighting age male and lock them all up.
That's why you hear
the stories about
sons and fathers
and, you know, nephews
That's what they would do.
Imagine someone coming to your
town and taking all the men in it.
They would come in, like, on
cattle trucks, and just like cattle.
I mean, you come to the back door,
I mean, you hear a bang on the door
you know, bang, bang, bang, here
come the deuce and a half truck
full of scared
individuals coming to jail.
Were like,
"They come get me in middle of night.
"Mister, Mister, what, am I in trouble?
What I do? I'm not terrorist."
You know, they were like taxicab
drivers and welders and, like, bakers,
and they're at Abu Ghraib.
We had kids.
If we can't get the insurgent
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