Standing in the Shadows of Motown Page #2
Joe's referring to on june 3, 1962.
Berry Gordy sang the demo
for The Contours.
"Do You Love Me?"
originally hit number three in '62...
and returned to the charts when featured
in the hit film Dirty Dancing in 1988.
Bootsy is an influential
and innovative bassist
who was heavily influenced
byjames jamerson.
Bootsy admits he could
never play likejamerson, so
he developed his own unique,
"liquid funk" style...
as heard on james Brown's "Sex Machine,"
several P-Funk classics
and with his own band.
Berry Gordy originally turned down The
Contours. jackie Wilson
spoke up on their behalf.
Wilson was shot by his girlfriend in front
of his NYC apartment February 15, 1961.
Because of his injuries,
Wilson could only handle
three shows a week. The
Funks made $25 per show.
$60 a week, leaving them with
only $15 profit. They were
better off in the "Snakepit. "
On the road,james jamerson
spent the better part of his
time searching for soul food.
Hotel food made him grouchy.
Jamerson liked odd food concoctions
like raccoon and possum gumbo.
Pig's feet are considered a Chinese
delicacy and are eaten for good luck.
"The Way You Do The Things You Do. "
Smokey Robinson and
wrote it in a similar
Blues singerjoe Weaver
was Benny's first cousin.
Pre-Motown, The Funk Brothers
often backed him live.
Corn liquor, aka "moonshine,"
is also called "panther's breath... "
"ruckus juice," "hillbilly pop"
and "white lightning. "
The "Hitch Hike" session was on September
16, 1962. The producer was Mickey Stevenson.
Uriel's nickname was "Possum. "
"Pistol" is sitting at
his original drum set,
still in that exact spot
at the Motown Museum.
At that time, "Funk" is lowdown, nasty
- a word not used in everyday conversation.
When the band had
Berry Gordy changed the name of the group
to Earl Van Dyke & The Soul Brothers.
Jr. Walker & The All Stars' original
"Shotgun" was recorded December 15, 1964.
While the song stemmed from
Jr. 's regular club dates...
The Funk Brothers, not The All Stars,
recorded his Motown hit.
on the Pop charts.
Jr. Walker played a Selmer saxophone,
but retired the original in the '80s.
His style influenced dozens
of later players like Tom Scott.
The original version's
signature intro resulted
from Eddie Willis accidentally
kicking a reverb tank.
Johnny Griffith recorded for Motown's
short-lived Workshopjazz label.
His album, "jazz," received a four-star
review from Downbeat in May 1963.
Mickey Stevenson is
surrounded by Jamerson (left),
his wife and singer Kim
Weston and jack Ashford.
"Pride And joy" features some ofjoe
Hunter's best piano playing at Motown.
The session they're discussing was
recorded midweek, September 12, 1962.
Joe had been gigging
with Hank Ballard & The Midnighters...
when he took a gamble to go with
Berry Gordy's new record venture in '58.
Joe describes himself as a "down-home
boogie woogie" piano player.
Ethel Waters first popularized "Stormy
Weather" in 1933, when
joe was a very young boy.
Lottie was originally a Lindy Hop dancer
in New York in the late "40s.
Soul singer Solomon Burke says she
was "the first naked woman I ever saw
- with a snake. "
The two versions of
Grapevine," inspired
by Lottie's rhythms...
were recorded four months apart
in 1967- Marvin Gaye's was cut first.
They're standing on 12th
Street, where the '67
riots began. It's now known
as Rosa Parks Boulevard.
Martha jean "The Queen" Steinberg,
a blues Dj on Wj LB...
would routinely broadcast
The Funk Brothers' jam sessions...
at the Chit Chat during
the glory days of the 1960s.
Motown producerjohnny Bristol said
The Funk Brothers "breathed together. "
He once recalled a session
where one of the guys went
out to get a sandwich, came
back five minutes later...
and fell back into the groove
as if he'd never left.
The Funk Brothers are
re-creating the original
session recorded at Hitsville
on September 28, 1965.
Producer Norman Whitfield
had written it as "Please
Don't Leave Me Girl" and
intended it for Marvin Gaye.
With new lyrics by Eddie
Holland, "Ain't Too Proud To
Beg" by the Temptations
reached number four in 1966.
Kasuku Mafia, an original
member of the Motown
horn section, re-creates
his solo from the record.
Ben Harper also covered Marvin Gaye's
only non-Motown hit, "Sexual Healing. "
Motown engineering graduated
to eight-track recording
in january 1965, using
hand-built machines that opened...
the sonic spectrum and allowed room for
the sophisticated arrangements cited.
Earl Van Dyke joined in '63 and evolved
into the bandleader a year later.
He was called not only "Big Funk,"
but "Ookie" and "Chunk of Funk. "
Earl's exceptional
jazz-soul organ chops...
can be heard on saxophonist
Fred jackson's rare
Blue Note album from
1963, Hootin' 'N Tootin.
Berry Gordy instructed
The Funk Brothers to teach
to play piano and drums.
turn comical, leaving Stevie
locked in a closet after
a game of Hide-And-Seek.
Earl died of prostate cancer
on September 19, 1992.
Uriel, like Berry Gordy,
was a young boxer.
Elsewhere in the Snakepit, Robert White
PAC-3, United and Golden
World were all Detroit
few minutes of Hitsville.
The "few bucks" Eddie mentions rose from
an initial $5 per track in late "59...
per three-hour session in 1964.
Johnny's extra $100 a week then translates
to more than $500 a week in 2002 dollars.
Most of the Funks were
steady income they could
augment with outside gigs.
Jamerson eventually made close to
$100,000 a year in the late '60s.
Bootsy performs "Cooljerk,"
originally a hit for Detroit
group The Capitols. It was a
The original "Cooljerk" session
was one of the last cut at
Golden World Studios, just before
Golden World was to
become Motown's "Studio B."
Johnny Griffith, Eddie
Willis and Bob Babbitt
re-create their original
parts from the record.
included saxophonist Mike
Terry and future Motown
guitarist Dennis Coffey.
Between 1962 and 1975, 75 percent of
all Motown releases made the Pop charts.
the top three spots for four weeks.
The Tamla-Motown UK tour ran
from March 20 through April 12, 1965.
The Funks not only
backed the stars, they
were billed as "The
Earl Van Dyke Sextet"...
and had two instrumental singles already in
the market:
"All For You" and "Soul Stomp. "The Beatles also paid Motown homage by
having Mary Wells open their '64 UK tour.
Motown's Brenda Holloway
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