Standing in the Shadows of Motown Page #3
Earl Van Dyke remembers
Smokey pushing for more than 40
takes of"The Tears Of A Clown.
" Take nine became the hit.
The Funks created the hit track for
"Standing In The Shadows
Of Love" in 14 takes.
The vocal overdubs by the Four Tops,
however, required 52 takes.
Jack Ashford played dozens of percussion
instruments. Some were his own invention...
like the "hotel sheet," which he used
on Marvin Gaye's "Got To Give It Up. "
Neither drummer, Pistol nor Uriel,
let on during filming that they were ill.
Uriel required quintuple bypass surgery
soon after production closed.
Pistol was diagnosed
died june 30, 2002,
before the film's release.
Pistol, with tongue-in-cheek,
describes a basic pop-rock beat.
Pistol Allen was the
master of the "Beale Street"
shuffle and the Motown
"four on the floor"' groove.
The "Beale Street" shuffle
originated in Memphis, Tennessee.
Pistol describes the session with producer
Norman Whitfield on February 3, 1967.
It was a track
intended for the Temptations.
Instead, Marvin Gaye overdubbed "I Heard
It Through The Grapevine" a few days later.
Ben Harper sings Marvin's version,
which at that time, sat in the can.
Gladys Knight & The
recorded, issued and
eventually hit number two.
Producer Whitfield fought with Berry
Gordy for the release
of Marvin's version.
It was stuck on an album
more than a year later.
Radio found it and forced its release
as a single in November 1968...
when it became Motown's
most successful record to that point.
Marvin's "Grapevine" was number one
in the U.S. and the UK...
staying on top the U.S. R&B chart
for nearly two months.
Benny's substance abuse
Motown logs indicate
only two, brief sessions
for April 20, 1969, the day Benny died
- and none the day after.
Joe Messina was considered the best
music reader of all The Funk Brothers.
He played
the complicated written parts.
Berry Gordy produced and released Marv
johnson's hit "Come To Me," in 1959...
the first record
on his independent Tamla label.
WXYZ-TV. More than 10 years
after he played for Soupy
Soupy became a national comic sensation and
released a novelty album on Motown in 1969.
Eddie "Bongo" Brown started
his career as Marvin Gaye's valet.
Respect for Eddie's contributions
shows in the Motown recording set-up:
unlike the three guitars,
which were combined on one
track, his congas were usually
given their own track...
so his sound wouldn't be
buried by the other instruments.
Joan and jack are at
the Parkwood Diner in Oak, Michigan...
talking about the single,
"Soul 35022," released june 1966.
The Funks re-create the
"What Becomes Of The
Brokenhearted" on August 3, 1965.
The original single byjimmy Ruffin
- brother
ofTemptation David Ruffin
- hit the Top 10 in summer "66.
The track was originally given different
lyrics and sung by the Isley Brothers.
When rewritten,jimmy "took"
the song from the Spinners.
Paul Riser, seen in this film, wrote the
song's sublime arrangement
and is its co-author.
Additional keyboardist
Rudy Robinson, seen here
in the top hat, was a
good friend to the Funks...
and did many gigs with them
after Motown.
He died shortly after
the film was completed.
Seth justman, a member of thej. Geils Band
and the brother of director Pauljustman...
arranged this dramatic breakdown
for the film.
Robert White recorded his famous guitar line
to "My Girl" with the rest of the Funks...
on a Friday at Hitsville,
September 25, 1964.
Smokey Robinson wrote
and produced "My Girl"...
then taught it to the Temptations
while backstage at NY's Apollo Theater.
During Robert's fallow L.A. period, he
sold his beloved black Gibson L-5 guitar.
He returned to performing
and recording in the early 1990s...
before he died unexpectedly in '94 of
complications after heart surgery.
Also in the mix on the
local scene:
The Parliaments,writer, George Clinton...
whose outrageous funk
ofThe Funk Brothers
- caught Whitfield's ears.
Dennis describes a short-lived
Motown "Producer's Workshop"...
created by the Motown brass
in the summer-fall of 1968.
Uriel plays his original
drum part while Pistol
re-creates the part originally
played by "Spider" Webb.
"Cloud Nine" was originally recorded
in 16 takes on October 1, 1968.
Carla Benson was a renowned Philadelphia
International session singer
for more than a decade.
"Cloud Nine" was a Top 10 hit
and Motown's first Grammy Award winner.
John Ingram was singer
and road drummer for Patti LaBelle.
"Cloud Nine" was the first Temptations
hit to feature multiple lead singers.
Nate and Ralphe are speaking about
Bob Babbitt's bass solo in "Scorpio"...
the Top 10 hit by Dennis Coffey
& The Detroit Guitar Band from 1971.
Babbitt is depicted in the
famed Roostertail club on
the Detroit River, home of
the "Motown Monday" shows.
Babbitt is shown here
with his teen band The Counts.
This was Babbitt's band The Royal Tones
- that's Dennis Coffey at left.
road band in '66. His first
recordings at Hitsville were
album tracks for Stevie in '67.
Albums sessions for "What's Going On"
were done in 10 frantic days.
Songs were cut in the sequence
they were eventually released.
Jamerson recorded the first half
of the album.
Babbitt handled the second half
- "Mercy Mercy Me" through
"Inner City Blues. "
This rare performance footage is from
a benefit for Rev. jessejackson's...
Operation PUSH in Chicago,
October 1, 1972.
Racial confrontations
also escalated into urban
riots in Newark, Nj; New
York City; Cleveland, OH;
Washington, D.C.; Chicago, I L
and Atlanta, GA, in the summer of'67.
The Funks had been recording
"Ain't Nothing Like The
Real Thing" a few hours
Sessions were cancelled for
the next 10 days.
Before the National Guard ended
the Detroit riots on july 25...
43 African Americans were killed, 1,189
were injured and 7,231 were arrested.
During these sessions
Marvin was like a Funk Brother...
playing piano
and percussion alongside them.
Chaka Khan sings the
his family was scarred
by the Vietnam War.
His cousin died in the war, and his brother
Frankie returned home with horror stories.
For the album's sessions, Marvin hired
Chet Forest, a local jazz drummer.
Pistol is re-creating Marvin's original
percussion part played on a "box drum. "
This arrangement is based on
David Van De Pitte's original score.
Tom Scott transposed Eli Fontaine's
original alto sax part to his soprano sax.
"What's Going On. "
He not only didn't want
a protest song, he didn't
like the "Dizzy Gillespie
scatting" in the middle.
Original background
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