Standing in the Shadows of Motown Page #4

Synopsis: In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Director(s): Paul Justman
Production: Artisan Entertainment
  8 wins & 14 nominations.
 
IMDB:
7.8
Metacritic:
76
Rotten Tomatoes:
91%
PG
Year:
2002
108 min
$1,234,246
Website
608 Views


singers on the record were

Lem Barney and Mel Farr

of the Detroit Lions...

The Miracles' Bobby Rogers

and Motown's other unsung heroes...

The Andantes:
Louvain Demps,

Marlene Barrow and jackie Hicks.

Eddie Willis stands on the

bridge to Detroit's Belle

Isle, where many Motown

company picnics took place...

and wherejamerson drove with friends,

despondent over Motown's move west.

The "hits to come" in Detroit

after "What's Going On"...

included The Temptations' "Papa Was A

Rolling Stone" and The Supremes' "Floyjoy. "

Motown had been recording

in Los Angeles since the mid-"60s...

and set up corporate offices in

Los Angeles in 1968.

Upon officially leaving

Detroit in '72, Motown left

behind a skeletal staff to

oversee occasional studio dates.

Jamerson's West Coast sessions

included The Sylvers' "Boogie Fever"...

The Hues Corp. 's "Rock

The Boat" and Marilyn McCoo

& Billy Davis's "You

Don't Have To Be A Star. "

Motown 25:
Yesterday, Today & Foreverwas

filmed at the Pasadena Civic Auditorium.

Jamerson died at the age of 47,

August 2, 1983.

Jamerson's obituary in Rolling Stone by

singer/ Detroit native Marshall Crenshaw...

inspired Allan Slutsky to write the book

Standing In The Shadows Of Motown.

After Motown's L.A. move, Uriel and

Pistol stayed in Detroit to play gigs.

Jack became a producer,

then gave up music until

this film. "Bongo" played

until his death in 1983.

Eddie went on tour

with the Four Tops for 20 years...

Joe retired to open a chain

of car washes and jewelry stores...

while Robert slipped

in and out of music.

Joe kept playing after

"63. Earl toured with Freda

Payne and taught at

Detroit's public schools...

as did johnny, between his gigs.

Babbitt became a premier session bassist

in New York, Philadelphia and Nashville...

creating tracks for The Spinners, Elton

john, Alice Cooper and many others.

Montell and Chaka perform

Marvin Gaye and Tammi

Terrell's version of"Ain't

No Mountain High Enough"...

a Top 20 hit in spring 1967.

"Ain't No Mountain High Enough"

was originally recorded in Studio B...

as a solo track for Tammi

on December 20, 1966.

Standing 6'8", Montell is the only one

on stage taller than jack Ashford.

Chaka and her group Rufus got their

break when Motown's Stevie Wonder...

wrote their first hit,

"Tell Me Something Good. "

Uriel played with Benny

on the original version.

He played with Andrew Smith on

the 1970 remake by Diana Ross.

Postscript:
johnny

Griffith died hours before

the film's Detroit

premiere, Nov. 10, 2002.

Rate this script:0.0 / 0 votes

Walter Dallas

All Walter Dallas scripts | Walter Dallas Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Standing in the Shadows of Motown" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/standing_in_the_shadows_of_motown_18752>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Standing in the Shadows of Motown

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "Forrest Gump"?
    A Quentin Tarantino
    B Steven Spielberg
    C Martin Scorsese
    D Robert Zemeckis