Star 80 Page #8
- R
- Year:
- 1983
- 103 min
- 667 Views
I'VE ALREADY
TOLD YOU... YEAH, RIGHT. HE'S OUT OF TOWN.
OH, SH*T. I SHOULD'VE KNOWN
YOU WERE BULLSHITTING ME.
THERE IS SOMEONE
NAME AT THE GATE, ROY?
I'M VERY SORRY,
I CAN'T DO THAT.
ONLY MR. HEFNER HIMSELF
CAN DO THAT.
AW, SURE YOU CAN, ROY.
I KNOW IT'S DONE.
IT'S DONE ALL THE TIME.
COME ON, GIVE IT A TRY.
HEY, WE'VE MET,
HAVEN'T WE, ROY?
I WAS PROBABLY:
WITH DOROTHY...
DOROTHY STRATTEN?
I KNOW WHO YOU ARE,
BUT I CAN'T HELP YOU.
I WILL LEAVE:
YOUR MESSAGE, THOUGH.
OK, SPORT,
LEAVE THE MESSAGE.
I'LL CALL BACK LATER.
WHAT THE F*** IS THIS?
I BET YOU DON' EVEN KNOW HEFNER.
WHAT TIME:
WOULD BE A GOOD TIME
TO CALL BACK?
I REALLY COULDN'T TELL YOU.
NO. WELL, I DIDN' THINK YOU COULD.
THANKS FOR ALL:
YOUR HELP, ROY.
YOU'RE WELCOME.
ARE WE OR AREN'T WE GOING?
THAT SON OF A B*TCH
WAS THERE:
THE WHOLE TIME.
DO YOU WANT TO STAY
WITH HIM?
DO YOU WANT TO:
LEAVE HIM?
I THINK YOU'RE GOING TO
NEED SOME LEGAL HELP.
YOU SHOULD PROBABLY
TALK TO A LAWYER.
DOROTHY, YOU JUST CAN' LET HIM DO THIS TO YOU.
MORE FREEDOM.
YOU GOT TO UNDERSTAND,
YOU WERE IN VANCOUVER.
YOU'VE GROWN.
YOU'VE MATURED.
I SEE IT HAPPENING
RIGHT BEFORE MY EYES,
EVERY DAY.
YOU'RE UNIQUE, DOROTHY.
AND YOU:
HAVE A UNIQUE GIFT.
YOU'VE GROWN, AND
[CAMERA SHUTTER CLICKS]
Dorothy:
HOLLYWOOD HASN'T CHANGED MY VALUESOR MY PERSONALITY,
BUT IT'S CERTAINLY
MADE ME WISER.
I THINK I'VE GAINED 5 YEARS
EXPERIENCE IN 18 MONTHS.
YOU'VE OUTGROWN HIM.
THIS IS A LITTLE ROUGH.
ARE YOU SURE:
OK.
"SHE'S PRACTICALLY
"SHE USUALLY GOES THERE
AFTER SHOOTING,
"PICKS UP MESSAGES,
"AND WALKS OVER
TO THE PLAZA.
"HE'S IN SUITE 1210.
"THEY USUALLY EA IN THE HOTEL.
"AND IN THE MORNING,
"WHERE SHE WAITS
FOR THE STUDIO CAR
SO YOU WERE RIGHT ALL ALONG.
IT IS HIM.
THEY'RE HIDING I PRETTY GOOD.
YOU ALL RIGHT?
YEAH, SURE.
I JUST GOT TO:
TAKE A PISS.
IF WE JUST HAD SOMETHING...
A LETTER, A TAPE,
ANYTHING WHERE SHE TALKS
ABOUT THE MANAGEMENT THING,
I THINK WE:
MIGHT HAVE SOMETHING.
ON ENTICEMENT, I MEAN.
AH, F*** BOTH OF THEM.
WHY DON'T WE JUST SAY,
"LOOK, YOU WANT HER,
BUT YOU'RE GONNA
HAVE TO PAY."
BUT I DON'T THINK SO.
HEY, MAYBE
THERE'S SOMETHING
IN ALIENATION:
OF AFFECTIONS.
I DON'T THINK SO.
[WEAPON C*CKS]
YEAH, IT WAS 379.95 NEW.
AND YOU CAN HAVE I FOR 250...EVEN.
HA HA HA HA!
IT WAS:
ONLY FIRED ON SUNDAYS
BY A LITTLE OLD:
PSYCHOTIC SCHOOLTEACHER.
HOW DO YOU LOAD IT?
OH, EASY.
IT TAKES ONE TO 5.
I'LL GIVE YOU ONE.
YOU PUT I IN THE CHAMBER,
YOU PRESS THE BUTTON,
AND YOU COCK IT...
AND SHE'S READY TO GO.
LEFTY, HUH?
FEELS GOOD,
DOESN'T IT?
WELL, WE GOT A SALE?
WE WAS ACTING:
REALLY WEIRD.
HE PASTED, PINNED,
SCOTCH-TAPED,
GLUED PHOTOS:
OF HER, OF HIM,
OF HIM AND HER,
OF HER AND HIM,
ALL OVER THE DOWNSTAIRS
LIKE SOME SORT OF
BIZARRE SHRINE.
WEIRD.
FRANKLY...
LIKE A SOAP OPERA.
AND I OBVIOUSLY MISREAD HIM.
THAT'S PRETTY MUCH
THE SAME PICTURE.
AW, LOOK.
THAT'S EILEEN.
WHAT A KID.
I WAS THINKING:
OF BRINGING HER:
DOWN HERE FOR A VISI WHEN DOROTHY COMES BACK.
THAT'D BE FUN.
IT'S ROUGH.
IT'S REALLY ROUGH.
I'M NOT SURE
I CAN TAKE IT.
LISTEN, ROBIN, I WAN TO GET THESE TO KING.
DID YOU SEE:
THE PROM PICTURE?
DID I SHOW THAT TO YOU?
I BOUGHT HER:
THIS WHITE DRESS.
HERE IT IS.
I'VE NEVER FEL THIS WAY BEFORE.
SHE BROKE MY HEART.
NICE, HUH?
I'VE GO A BETTER ONE.
PAUL, LOOK, WE REALLY
GOT TO MOVE ALONG.
IT'S WHEN
I'M HOLDING HER
AND WE WERE DANCING.
IT'S REALLY NICE.
WAIT JUST A SECOND.
WE'LL BE BACK
IN AN HOUR, ALL RIGHT?
OK, MAN.
OK, WE'LL CATCH YOU
LATER.
TAKE IT EASY, OK?
WHOA!
WHEN HE SAID, "SHE'S
BROKEN MY HEART."
I DIDN'T THINK
IT WAS FUNNY.
I CAN TAKE:
A BRAGGING SNIDER.
I CAN TAKE:
A CONNIVING SNIDER.
[WHISTLES]
KING!
YEAH!
I JUST CAN'T STOMACH
A SENTIMENTAL SNIDER.
IT'S ABOUT THE ONLY TIME
I'VE LIKED HIM.
GET OUTTA HERE. WHY?
I DON'T KNOW, REALLY.
THIS MACHO GUY:
LIKE THAT.
YOU DON'T SUPPOSE
HE'D DO ANYTHING CRAZY,
DO YOU?
LIKE WHAT?
I DON'T KNOW.
LIKE HURT HIMSELF?
NOT IF IT MEANS:
MUSSING HIS HAIR.
CAN'T WE TALK NOW?
I'M GOIN' A LITTLE CRAZY.
Dorothy:
I'LL SEE YOUYOU CLOSED:
YES.
WHY?
I'LL SEND YOU
SOME MONEY.
YOU DIDN'T ANSWER WHY?
FOR WHAT?
OUR SITUATION, PAUL.
JUST WHAT THE HELL
IS OUR SITUATION?
JESUS, TELL ME SOMETHING,
WILL YOU?
LOOK,
IF YOU'VE HAD AN AFFAIR,
THAT'S OK WITH ME.
I UNDERSTAND.
BUT THAT DOESN' MEAN THAT WE SHOULD
THROW THE WHOLE MARRIAGE
DOWN THE TOILET.
PLEASE, DOROTHY.
PLEASE TELL ME:
WHERE I STAND.
I HAVE TO HAVE:
MORE FREEDOM.
I WANT MORE FREEDOM.
DOROTHY, YOU CAN HAVE
MORE FREEDOM, HONEST.
THAT'S NOT ENOUGH.
THINGS CHANGE.
I WAS IN VANCOUVER.
NO, YOU SURE AIN'T.
SOUNDS LIKE YOU:
GOT A WRITER NOW.
I DON'T UNDERSTAND
WHAT YOU'RE SAYING.
I MEAN, I HAVE A HUNCH
THAT YOU'RE SITTING
ON ARAM'S KNEE RIGHT NOW,
AND HE'S MOVING YOUR MOUTH.
HE'S PULLING THE STRINGS!
WE'LL TALK
WHEN I COME IN.
YOU'RE LIVING
WITH HIM.
I'M STAYING AT HIS HOUSE
TEMPORARILY.
YOU'RE LIVING WITH HIM.
YOU'RE SLEEPING
WITH HIM.
YOU'RE F***ING HIM.
WHY DON'T YOU HAVE
YOU'RE DOING IT.
WHY CAN'T YOU SAY IT?
TAKE OFF:
THE GODDAMN GLASSES.
I'M BROKE.
PAUL, I'LL TAKE CARE
OF YOU. YOU KNOW THAT.
EILEEN IS HERE,
ISN'T SHE?
LISTEN, TOO MUCH
HAS HAPPENED ALREADY.
I'LL CALL YOU
IN A FEW DAYS.
ABOUT A DIVORCE?
YES.
I COULD CHANGE.
JESUS, GIVE ME
A CHANCE, WILL YOU?
I'LL CALL.
HAVING YOU FOLLOWED.
SON OF A B*TCH.
I DON'T WANT YOU
TO SEE HIM ANYMORE.
HANDLED IN OTHER WAYS.
PROMISE ME:
YOU WON'T SEE HIM ANYMORE.
HE SEEMED:
SO SCARED.
HEY, SIS, COME ON IN!
PLEASE?
DOROTHY, I WANT YOU
TO PROMISE.
OK, I PROMISE.
HOW'S THE WATER?
IT'S WARM.
YEAH?
YOU'LL PROBABLY
HAVE TO LEAD HER A LITTLE.
TRY AND GET HER:
TO TALK ABOUT ARAM.
JUICY STUFF:
IF YOU CAN.
EVEN BETTER:
YOU CAN GET HER:
TO TALK ABOU THE MANAGEMENT THING.
SHE'S GONNA COME BACK.
I KNOW IT.
YEAH, SURE.
JUST IN CASE.
HE KEPT CHANGING
HIS F***ING MIND.
FIRST HE SAID I COULD HAVE
SOME OF HER CLOTHES,
SHE WAS COMING BACK TO HIM.
MARKER.
DOROTHY?
SAM, I'M HERE.
WELL, I JUST HAVE
THEN I'LL BE BACK ABOU 2:30. I PROMISED EILEEN
THAT WE'D BUY OU RODEO DRIVE THIS AFTERNOON.
OH, WOW! IT'S YOU!
YOU'RE IN THE TV GUIDE.
I'M SORRY, ARAM.
EILEEN'S GOING A LITTLE
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Star 80" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/star_80_18760>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In