Strangers on a Train Page #18
- PG
- Year:
- 1951
- 101 min
- 1,065 Views
BRUNO:
I'm afraid mother wasn't very helpful,
was she?
(he strolls toward
Anne)
You know she hasn't been well for a
long time. She's a little -- how
shall I say -- confused.
(shakes his head
commiseratingly)
Poor mother.
Anne is too stunned to speak.
BRUNO:
You know, I'm very upset with Guy.
He shouldn't have sent you on an
errand like this.
ANNE:
Guy doesn't know I'm here, Mr. Antony.
BRUNO:
He's been leading you up the garden
path, I'm afraid. He must be very
desperate to try to involve me.
I've been protecting him ever since
we had that conversation on the train
and he told me how he hated his wife.
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Bruno is now standing near the window a little apart from
Anne, with his back to him. He takes something out of the
pocket of his dressing gown and looks down at it in his hand.
It is Guy's lighter. Suddenly he stuffs it back his pocket
and turn back to Anne.
BRUNO:
Why, do you know, Miss Burton, he
tried to get me to go back to the
island one night after dark and pick
up his lighter so the police wouldn't
find it? He dropped it there, you
know, when -- well, that night.
Anne's horror is growing.
BRUNO:
The whole thing's been worrying me
so much. But of course I couldn't
do it, Miss Burton. It would have
been too risky. And besides, it
would have made me an accessory.
Anne stares at this insane man and sinks on the settee.
starts to cry in sheer frustration. Bruno goes to her
sympathetically.
She
BRUNO:
Miss Burton, I know how you feel.
He puts his hand on her shoulder. Anne flings it off. There
is an awkward pause as Bruno looks down at her. Then he
begins to look around restlessly.
BRUNO:
Miss Burton, you must excuse me. I
have an urgent appointment.
(looks it his watch)
I must go up and change. Now, I
really must go...if you'll excuse
me...
He turns, starts out of the room and up the stairs in the
hall. Anne watches him.
STAIRWAY FROM ANNE'S VIEWPOINT
Bruno turns and waves to Anne from the landing, then goes on
up the stairs.
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Anne slowly rises, a lonely figure in the large room, and
makes her way out.
DISSOLVE TO:
Grouped. A game is in progress.
MED. SHOT A TERRACE NEAR THE MAIN STADIUM (PROCESS)
where people get refreshments. There are various table with
umbrellas.
MED. SHOT AT ONE OF TABLE (PROCESS)
Anne and Guy are seated at the table.
ANNE:
...And he said that if the police
found your lighter there, that's all
they'd need -- something to prove
you were at the scene of the murder.
GUY:
(grimly)
That big lie about my wanting him to
get it back means he's going to put
my lighter on that island!
ANNE:
(urgently)
Guy, you'll have to get there before
he does. You won't have time to
play, You'd better tell them.
(she nods her head in
the direction of the
center court)
GUY:
Darling, if that loudspeaker announces
that I'm not going to play, Hennessy
bound to be suspicious He'd keep me
from ever getting near Metcalf.
ANNE:
Then I'll go.
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GUY:
(quickly)
No, darling.
(he puts his hand on
hers and speaks
firmly, with concern
for her safety as
well as for his own
situation)
You stay right here and help me give
Hennessy the slip after the match.
ANNE:
But, Guy, that'll be too late!
GUY:
(getting a thought)
Didn't Bruno say that I wanted him
together there one night after dark?
ANNE:
Yes.
GUY:
Well, that's what's in his mind now.
He's not going to expose himself in
broad daylight, If I can finish off
this match in three sets, I'll still
get there in time.
REYNOLDS, Guy's opponent, enters scene behind Guy's chair.
REYNOLDS:
We're on in a few minutes, Guy.
(to Anne)
How are you, Miss Morton.
Anne acknowledges his greeting with a nod.
GUY:
Okay, Tim. Be right with you.
Reynolds leaves Anne and Guy rise, and as they walk toward
the stadium, we can see Guy start to speak to Anne in a
whisper.
ENTRANCE TO COVERED STAND ALREADY SHOT
Hennessy and Hammond are standing by.
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HAMMOND:
Well, if Turley said to pick him up
for questioning, let's pick him up!
HENNESSY:
Let him have his game first, Hammond.
HAMMOND:
(sourly)
This is the first time I ever waited
for a murder suspect to play tennis
before I pulled him in. When the
boys it headquarters heir about this
they'll send me orchids.
Guy and Anne come into the scene just as the players from
the previous match emerge. They pass through, nodding to
Hennessy.
HENNESSY:
Good luck, Guy.
Guy is so preoccupied with his grim doesn't nod to Hennessy
until Anne nudges him.
INSIDE THE STAND MED. SHOT
Anne is reluctant to leave Guy who must now join his opponent,
Reynolds.
GUY:
You got it straight?
(ANNE nods)
Just make sure Barbara has everything
ready as soon as the third set starts.
He goes on to the court, and Anna goes to her box.
MED. SHOT
Anne joins Barbara in the box. She starts to whisper
something to her.
LONG SHOT:
Guy and Reynolds complete their warm-up as the umpire
announces that Guy is to serve. The game starts.
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EXT. ANTONY HOME
A taxi is at the front door. Bruno is descending the steps.
He gets into the cab, which moves off.
FOREST HILLS MED. SHOT ANNOUNCER'S BOOTH (PROCESS)
Over the shoulder of the announcer WE SEE the game in progress
through the window of his booth.
ANNOUNCER:
--It looks like an interesting match
with Haines constantly charging the
net -- not like Haines at all -- to
press so early in the game...
MED. SHOT TEN COURT
Guy and his opponent, Reynolds, in play. Guy scores a point.
CLOSEUP THE UMPIRE
He announces game to Haines.
MED. LONG SHOT
We see the two men change ends and come toward the Umpiri's
chair. Reynolds stops to take a drink of water. Guy, with
an impatient glance at him, moves over to the passing line
and waits, the CAMERA going with him.
EXT. WASHINGTON STREET
A taxicab is seen coming along.
MED. SHOT INSIDE CAB (PROCESS)
Bruno is sitting with in unlighted cigarette in his mouth.
CAMERA MOVES IN until he is in big CLOSEUP. His eyes look
down. There is the SOUND of a click, then, Guy's lighter
comes up into the picture held against the cigarette.
LAP DISSOLVE TO:
Converted to PDF by www.screentalk.org 108.
FADE IN:
LONG SHOT FOREST HILLS STADIUM
Grouped. A game is in progress.
MED. SHOT
A terrace where people get refreshments. There are various
tables with umbrellas.
MED. SHOT AT ONE OF TABLE (PROCESS)
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"Strangers on a Train" Scripts.com. STANDS4 LLC, 2024. Web. 27 Dec. 2024. <https://www.scripts.com/script/strangers_on_a_train_512>.
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