Strangers on a Train Page #19
- PG
- Year:
- 1951
- 101 min
- 1,065 Views
Guy is seated. He has his rackets with him and is waiting
his turn to start his match. An official is talking to him
but Guy keeps looking around as if expecting someone.
OFFICIAL:
Well, at least there'd be a trip to
Australia, if you made it.
GUY:
(absently)
We'll know more about that by the
end of the week...
(his face brightens
as he sees Anne)
Anne hurries in, nods briefly to the official who has started
to leave, and sits down.
OFFICIAL:
They're close to the finish, Guy
GUY:
Be right there.
(turns to Anne)
I was afraid you wouldn't get here.
Wish me luck, darling.
He makes a move as if to follow official toward the stadium,
but Anne puts hand on his arm.
ANNE:
(quickly and urgently)
Guy, listen to me, If I sound all
mixed up I can't help it. I -- I'm
scared.
GUY:
What about?
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ANNE:
That's just it. I don't know. It's
Bruno. I talked to him, Guy -
Guy stares at her, takes a quick look toward the stadium,
then gives Anne his full attention.
ANNE:
He acted peculiar -- as if he could
put the murder right in your lap,
and not involve himself at all.
GUY:
(shaking his head)
He'd drag himself into it, -- and
Bruno loves Bruno. I'm all right so
long as he thinks I have an alibi
for that night.
(noticing the stricken
look on Anne is face)
He knows?
Anne nods slowly.
GUY:
(grimly)
Then he'll think of something. He
said he would.
ANNE:
Guy, has he anything that the police
could trace to you -
(quoting Bruno)
Any little thing.
GUY:
My cigarette lighter. He said once
he could have left it on the islands
as evidence
(a pause)
But he wouldn't do that. Not in
broad day light.
ANNE:
(trying to think)
But he's going somewhere, Guy. He
told his mother -
GUY:
(tensely)
Metcalf -- did he say Metcalf?
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ANNE:
No, -- I don't think so. Oh, why
can't I remember -- he said such
crazy things!
GUY:
(tensely)
Try to think, Anne!
VOICE:
(OFFSCENE)
Guy Haines! -- Reynolds!
While Anne is frantically trying to remember, Guy turns
toward, the stadium and gives a signal of "Be right there."
ANNE:
Something about the moon -- he said
he had an appointment with the moon.
Guy's shoulders droop with disappointment.
GUY:
That's no help. But I can't take
any chances. I've got to get that
lighter -- somehow.
REYNOLDS, Guy's opponent, ENTERS SCENE behind Guy's chair.
REYNOLDS:
Okay, Guy. We're on.
He walks away. Anne and Guy rise, following him.
GUY:
I'll have to default.
ANNE:
And have Hennessy and that other one
right at your heels?
Guy's expression says she's right, as they walk toward the
stadium.
ENTRANCE TO COVERED STAND
Hennessy and Hammond, the two detectives, are standing by.
HAMMOND:
First time I ever waited for a killer
to play tennis before I nabbed him!
(MORE)
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HAMMOND (CONT'D)
When the boys at headquarters hear
about this they'll send me an orchid!
HENNESSY:
We got our orders. We take him in -after
the match.
Guy and Anne come INTO THE SCENE just as the players from
the previous match emerge. They pass through, nodding to
Hennessy.
HENNESSY:
(a little sadly)
Good luck, Guy!
Guy gives him a thank-you nod. Hammond rolls his eyes in
disgust at Hennessy's politeness.
INSIDE THE STAND MED. SHOT
Anne is about to turn to her box but she is reluctant to
leave Guy, who must now join his opponent, Reynolds. As
their eyes hold, in mutual helplessness, Guy suddenly stares
at her with realization.
GUY:
The moon! You said he had an
appointment -
Anne looks puzzled as Guy looks up at the sun, then at his
watch.
GUY:
Then he is going to Metcalf. But he
has to wait until it gets dark -
(with frantic haste,
he thinks quickly,
then murmurs to Anne)
Listen, Anne, as soon as the third
set starts, tell Barbara -
waiting at the bottom of steps to the stand. Guy joins his
opponent, and Anne goes to her box. Guy and Reynolds move
onto the court amid the rounds of applause that greet them.
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MEDIUM SHOT ANNE JOINS BARBARA
In the box. She starts to whisper something to her.
LONG SHOT:
Guy and Reynolds complete their warm-up as the umpire
announces that Guy is to serve. The game starts.
EXT. ANTONY HOME
A taxi is at the front door. Bruno is descending the steps.
He gets into the cab, which moves off.
FOREST HILLS MED. SHOT ANNOUNCER'S BOOTH
Over the shoulder of the announcer WE SEE the game in progress
through the window of his booth.
ANNOUNCER:
It looks like an interesting match -with
Haines out to blast Reynolds
into a fast fight, -- not like Haines
at all -- to press so early in the
game...
MED. SHOT THE COURT
Guy and his opponent, Reynolds, in play. Guy scores a point.
CLOSEUP THE UMPIRE
He announces game to Haines.
MED. LONG SHOT
We see the two men change ends and come toward the Umpire's
chair. Reynolds stops to take a drink of Water. Guy, with
an impatient glance it him, moves over to the passing line
and waits, the CAMERA going with him.
EXT. WASHINGTON STREET
A taxicab is seen coming along.
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Bruno is sitting with an unlighted cigarette in his mouth.
CAMERA MOVES IN until he is in big CLOSEUP. His eyes look
down. There is the SOUND of a click, then Guy's lighter
comes up into the picture held against the cigarette.
LAP DISSOLVE TO:
INT. ANNOUNCER'S BOOTH FOREST HILL
The announcer is broadcasting the progress of the match and
we learn from him that this first set is nearly finished.
LONG SHOT THE COURT
Guy and Reynolds in play.
MED. SHOT
Anne and Barbara sitting in their box watching the play
anxiously.
MED. SHOT
At the entrance to the covered stand. The two detectives
Hennessy and Hammond, are watching. Hammond is bored by
this game.
HAMMOND:
Stupid game. You'd never get me
into them short pants. I'd feel
naked.
HENNESSY:
(his eyes intent on
the game)
You'd feel naked in an Eskimo suit -
if you weren't wearing your badge.
MED. SHOT
Guy playing hard but holding his own.
MED. SHOT
Reynolds, his opponent, playing back.
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LONG SHOT:
The big crowd watching.
MED. SHOT
Guy scores point over Reynolds.
MED. SHOT
There is general applause from the crowd in the covered stand
as we HEAR the Umpire's announcement.
UMPIRE'S VOICE
(O.S.)
Mr. Haines wins the first set.
EXT. UNION STATION WASHINGTON D.C.
We see Bruno get out of a cab and pass into the depot.
LONG SHOT FOREST HILLS
The game in process.
MED. SHOT
A nearer view of the game.
CLOSE SHOT GUY IN PLAY
volleying with Reynolds.
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"Strangers on a Train" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/strangers_on_a_train_512>.
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