Svengali Page #7

Synopsis: Svengali tells the story of Dixie, a small town guy with a big dream. He leaves a humble Welsh mining town for the bright lights of London, intent on becoming the manager of the best band in the world. Svengali is a feel-good British comedy with a heart of gold and a soundtrack to match.
Genre: Comedy, Music
Director(s): John Hardwick
Production: Root Films
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
27%
Year:
2013
93 min
Website
134 Views


(GRUNTS)

Yeah, yeah. All right, all right.

Got it, old boy? Have you, yeah?

- DIXIE:
All right. Go on, then.

- Have your bag, then?

Come on.

Right. Go on then, boy. Come on, then.

- Do you get much business, then, or what?

-It's all right.

Slowed down recently, mind, but...

How's that? Credit crunch and all that?

Well, it's affecting us all, innit?

Hey, how's it going?

Hello.

(LAUGHING)

DIXIE'S MAM:
What are you like?

DIXIE'S FAMILY:
AW.

- How's it going, Mam?

- Welcome home.

Yeah, it's good to see you.

You okay? Okay? Coming in.

- Come on. Come on.

- Well, not the horse.

- Yeah, I know.

- Oh, well...

Cheers, Shrek. Do you want

to come in for a cup of tea?

Oh, no, it's all right. I haven't got time, Dix.

10:
15 coming in now.

All right then, lad.

Well, good luck with it anyway.

All right. Cheers, Dix. Cheers, butt. Ta-ra.

Cheers, then. Ta-ra. Cheers, Dandy. Ta-ra.

Come on, then, boy. All right.

DIXIE:
How are you, Dad?

I'm fine. Hey, you all right, boy?

How's the band doing?

Yeah, they're all right.

They're doing really well.

Ah, we're on the BBC this week.

Radio. And the... In the NME as well.

Are you earning money off 'em yet?

Yeah, yeah, I'm getting by, like.

Do you know what I mean?

- I see.

- Come in the kitchen a minute.

- Where's she going with him now?

- I don't know.

- You all right, Dad?

- I'm fine.

- Well, have a sit down, then.

- I'm all right by here.

How is it up there?

It's all right, Mam. Yeah, it's fine.

You managing?

Yeah, yeah. It's all cool.

Right, here's something

to help you outwith.

Well, no, I don't want... Listen, I'm fine...

Yeah, yeah, go on.

Don't tell your father.

You know what he's like.

All right. Cheers, Mam.

- DIXIE'S DAD:
Dixie!

- Yeah?

Come on! Come to the club.

All right to go up the club?

Yeah, off you go with the boys. Go on.

(SIGHS)

(LOUD MUSIC PLAYING)

Say again! Yeah. Dixie, I can't hear you.

'Off! Off! Off! Off! Off! Off! Off!

- Oi! Oi!

Stop it! I'm on the phone to Dixie!

I can't hear him! Yeah? About the band.

(LAUGHING)

- I like you.

- Okay, look.

...magazine and six

record companies, yeah?

What did McGee say?

Just that there's been really serious interest.

Listen, when are the band gonna go?

Because I'm getting really fed up now.

And I'm gonna have to use

the wedding money...

No, no, no. Don't use that.

Listen, Shell, that's for

our special clay, lovely.

Look, I've got some money I can use,

and I'll be back tomorrow for

the BBC session, all right?

Okay. Last message. You've...

- A girl's been calling called Natasha.

-(CALL DISCONNECTS)

- Hello? Hello?

- Dixie.

- Hello, Shell?

- Dixie?

Bollocks, I say.

Michelle, have you got any Vaseline?

No, no...

Dix. Come on, man.

TYRONE:
Oi, Dix, come here.

- This is for you.

- Ty, no...

No, hush, now, right? I want to. Right?

But do me a favour. Don't tell your sister,

'cause you know what she's like.

All right, yeah.

- All right? Cheers, Dix.

- Yeah.

Hey, listen, boys,

this round's on me, okay? I insist.

- Hey, don't be so soft now.

- No. I don't mind getting them in.

Two whiskies for there, butt, please.

- Two bitters for there...

- I'll have bitter.

- And a bowl.

- Bowl.

Can I have ice in my whisky?

Well, it's what they do in London.

All right there, boys,

bit of fresh air. lnnit, too?

- Fine. I'll catch you later.

- See you. See you.

- See you, boys. All the best.

- Cheers. Thanks.

- I'll see you, Tyrone. Ta-ra, boys.

- Ta-ra.

DIXIE:
Where we going then?

DIXIE'S DAD:
Just fancy

a bit of a walk up here, isn't it?

- How are you feeling, Dad?

-(CHUCKLES)

- I'm dying, son.

-(SIGHS)

Oh, hey, hey, hey, come on.

For Christ's sake, it's the one thing

that's certain in life. Death.

No, I know. But it's just... It's hard, Dad.

Look. I want you to have something,

all right? Here you go.

Your watch. I don't want your watch.

Yes. My father gave it to me

when I started working.

His father gave it to him.

You know, I was 15 when I started working.

It's hard to believe now, innit?

Somebody still alive today

started work when they were just a kid.

Just a little boy. And underground too.

Little boy pretending to be strong.

Pretending not to be scared.

And the first day underground, went down

and the buggers switched off

the lamps and disappeared

and left me in the dark. Bastards.

I was shitting myself. I didn't show it, mind.

After a bit, they came out

of the dark, put the lamps on,

they said, "Aye, go on, he'll do.

He's one of us. He'll be a miner."

(CHUCKLES)

And you know,

I was never so proud until the day

I walked your mother down the aisle.

I don't know what

I'm gonna do without you, Dad.

- And I'm scared, like... And I'm scared, man.

- Oh.

You follow your dreams, boy!

You dream on, right?

-(COUGHING)

- Are you all right, Dad? Are you all right?

Yeah, yeah, yeah! I'm fine! I'm fine.

Now, look, you promise me one thing!

Promise me you'll follow your dreams,

'cause if you don't,

I'll come back

and bastard haunt you, all right?

All right. I will, Dad. I promise you.

Right, well...

50 quid.

Don't tell your mother,

you know what she's like.

Come on. Get me off this bloody mountain.

(DIXIE SIGHS)

DIXIE'S DAD:
You coming or what?

DIXIE:
Yeah.

DIXIE'S DAD:
Yeah, look at that, butt.

DIXIE:
Yeah.

DIXIE:
It's what you call a sunset, innit?

IRISH PIERRE:
Now, now, now, now.

Don't get me wrong, Teddy.

Now the Italian macchiato

is a fine wee drink in its own right,

but I much prefer the French noisette.

A much classier drink, man.

TEDDY:
Hold up, mod alert.

Is that him?

Reckon it is, yeah.

- Aye aye, Dixie.

- Hello, valley boy.

Where are you off to in such a rush?

DIXIE:
I'm just going home.

TEDDY:
Yeah? Well, let's have

a little chat then about

-the three grand you owe our boss, huh?

- DIXIE:
You what?

IRISH PIERRE:
Three grand

knocking on four with interest...

(TRAIN WHISTLE BLOWING)

Are you ready?

ALL:
Yeah!

Tell me that you're f***ing ready!

WOMAN'. I'm f***ing ready.

F***ing!

I'll have to do the vocals 'cause knob-head

Jake's gone off with his posh bird.

F***ing off, wanker.

No one knew who he was anyway.

IRISH PIERRE:
Hold on, big lad, we need

a wee deposit before you go.

Would you look at this?

Lovely little piece there.

No. Not my watch, boys.

Take it off, you little prick!

Most kind, most kind.

Teddy, noisette?

Caf au lait.

(GREETING IN FRENCH)

TOMMY:
I like your tits.

(ALL LAUGHING)

TOMMY:
I wanna see both bits.

- What do you reckon? Is that all right?

-(ALL CHEERING)

Dixie! What you saying, brother?

How are you, man?

WOMAN:
Dixie!

Dixie!

Come here, girls!

Honestly, this f***ing bloke, he's on fire...

Oh!

I want everybody out of my flat now.

Everybody get out the flat, now.

- DIXIE:
Hang on.

- I'm not...

Dixie, I want everybody out the flat, now.

F***ing move! What is wrong

with you people? Are you deaf?

-(DOOR OPENS)

- Get out of the flat. Get out.

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Jonny Owen

Jonathan Tudor "Jonny" Owen (born 4 July 1971 in Merthyr Tydfil, Mid Glamorgan) is a Welsh producer, actor and writer who has appeared TV shows including Shameless, Murphy's Law and My Family. Owen won a Welsh BAFTA in 2007 for the documentary The Aberfan Disaster which he co-produced with Judith Davies.As a teenager he was a Welsh Boys Club Boxing champion. In his later teens he was in the 1990s indie band The Pocket Devils as bass player and lead singer/songwriter. Signed to Sanctuary Records in the UK and Pop Music Records in the US they finally split after Owen landed the part of Richey in the Welsh drama series Nuts and Bolts in 1999. From Nuts and Bolts he landed parts in UK Network series including Murphy's Law with James Nesbitt and Dirty Work with Neil Pearson. His meeting with Irvine Welsh when filming the Gene video "Is it over?" proved pivotal in Owen's career. He has since worked with Welsh (and his writing partner Dean Cavanagh) on several dramas including Dose for the BBC, Wedding Belles for C4 and Good Arrows for ITV (which Owen also produced). His 2006 film Little White Lies won several film festival awards and was featured at the Moscow Film Festival. He played a BNP thug, receiving positive reviews. In 2007 he appeared as Banana Boat in Russell T Davies's Torchwood. Owen has also worked extensively as a writer and producer for ITV Wales, including winning the Gwyn Alf Williams Award at the Welsh BAFTAs for the 40th anniversary documentary of the Aberfan disaster. It was revealed during shooting that Owen's father had been one of the first Welsh miners on the scene in the recovery operation. Owen also did a piece for Cardiff City's appearance in the FA Cup final for Match of the Day in 2008. It received positive reviews in the media (The Guardian said it was the best part of the day's coverage) and from football fans across the country.In 2009 Owen appeared as regular character Ady in Channel 4's Shameless, and continued in the role in 2010. 2009 also saw the release of the independent film A Bit of Tom Jones?, with Owen in the lead role. The film spread from a limited release in Wales to being shown in selected markets throughout the UK by Vue. He is the writer and creator of Svengali, a cult internet series which the Evening Standard and NME called 'the best series on the net'. He plays the manager of an up-and-coming band. It is based on his own experiences in the music industry to the point that he named the character 'Dixie' after the manager of his own band. The female lead is played by Smack the Pony's Sally Phillips. Former Creation Records head Alan McGee plays the Svengali whom 'Dixie' pursues in an effort to get the band he manages signed. In 2013 Svengali was turned into a feature-length film, directed by John Hardwick and written by Jonny Owen. The film stars Owen, Martin Freeman, Vicky McClure, Matt Berry, Michael Socha, Michael Smiley and Natasha O'Keeffe, and is the debut release from Root Films. It was selected to show at the 67th Edinburgh International Film Festival. It was also nominated for the Michael Powell Award, a prize which honours the best British feature film. Owen has written for The Guardian, Telegraph, Metro and Western Mail. He also was the voice for ITV Wales's Soccer Sunday programme from 2002–2008 and did weekly reports from France for ITV during the 2007 Rugby World Cup.In 2014 he played in the new Jack Thornes' series Glue on E4. On 10 March 2018, Owen was appointed as a director at Nottingham Forest to control the club's media output and video production. more…

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Submitted on August 05, 2018

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