Sweet Home Alabama Page #3

Synopsis: Melanie Carmichael, an up and rising fashion designer in New York, has gotten almost everything she wished for since she was little. She has a great career and the JFK-like fiancée of New York City. But when he proposes to her, she doesn't forget about her family back down South. More importantly, her husband back there, who refuses to divorce her ever since she sent divorce papers seven years ago. To set matters straight, she decides to go to the south quick and make him sign the papers. When things don't turn out the way she planned them, she realizes that what she had before in the south was far more perfect than the life she had in New York City.
Genre: Comedy, Romance
Director(s): Andy Tennant
Production: Buena Vista Distribution Compa
  3 wins & 6 nominations.
 
IMDB:
6.2
Metacritic:
45
Rotten Tomatoes:
38%
PG-13
Year:
2002
108 min
$127,214,072
Website
3,683 Views


If you are, get off my chair.|- Mama...

I'm just sittin' here, is all.

What happened to the sound?

I turned it down|so I could hear the phone ring.

Mama!|- What, are you a clairvoyant?

It was so loud,|I couldn't hear myself think.

They could have heard it|at Joe and Lurlynn's house.

Hello?|- I only get 3 minutes.

Oh, honey, you didn't need|to call, then. Just come on by.

Well, that's the thing.

I was sorta hoping|Daddy could come get me.

So, what put you in jail this time?|- Jake and his big, fat mouth.

It's just a misunderstanding,|that's all.

Yeah, kinda like that|weddin' I paid for, huh?

I would hardly call that|a wedding.

Boy was nervous.

He was still drunk|from the night before.

Can you blame him?|- Yes, I can!

I went to the reception|by myself with puke...

all down my dress while he slept|it off in the Travelodge,...

and you're still siding with that...

I'm not sidin' with anybody.

The boy's changed, is all.

Can we just|not talk about Jake, okay?

I know he's the son you never|had, but I'm your only daughter...

and maybe you want to know|what's new with me.

Okay, shoot.

I met somebody...

and he's quite a catch.

He's really a great guy.

And I'm happy... really.

Come to Mama, sugar!

Oh, good land of the livin',|you are skin and bones.

Well, don't I get a smile?

I know you got one|in there somewhere.

Come on, come on, let's not|let all the bought air out.

Well, are you hungry, sweetie?

Do you want me to reheat you|some chicken-fried steak?

Oh, no, Mama, I'm fine.

Sweetie, you look tired.

Are you tired?|Oh, you know what?

Maybe it's the way|you're wearing your hair now.

You guys have really done|a lot with the place.

Lord, would you listen|to that accent?

Why don't you sit|in my good chair?

Now, your mama got me this|Christmas before last.

Oh, you mean the one where you|were supposed to come visit me?

I told you time and time again,|it just didn't suit.

Let me... let me get|you those tickets.

Sit down in it.|Sit down.

Now, watch this.

I mean, isn't that|quite the deal?

There are hardly words.

Now, how do I get|out of this thing?

Oh, my God!

Jake tell you|he's thinkin' of gettin' one?

Oh, I see your priorities...

Jake, jail, and then home.

Mama, it was just unfinished|business, is all.

Jake's doin' all right.|Boy's goin' places.

Once upon a time,|you were goin' places, too.

Here are your tickets.

These were a gift.

I'd rather you guys|just use them.

You know what I can't understand|is how y'all will visit...

every stupid battlefield|in the continental U.S.,...

but you can't manage|to visit your only daughter.

Well, the door swings|both ways, sweetie.

Anyway, don't get me started on|the things I don't understand.

Here we go.

Your dream for me was to get out|of this place and be somebody.

You shoved me in every beauty|pageant in the state.

I'm just sayin', is all.

What?! What are you|trying to say?!

I mean, just tell me what|I can do to make you happy!

Just make yourself happy, darlin'.

Done.|We're there, all right?

You know, I've really|made something of myself.

I have a career. People|actually want to be me.

And somebody loves me,|and I love him.

Pearl, why don't you get us that|baloney cake out the icebox?

Your mama's a complex woman.

I'm going to bed.

Good night, darlin'.

But you know nothing about her.

Are you even sure who she is?

I love her, Mom.

That's nice,|but you have to be careful.

You and I are different.

We're not better, not worse...|we're just different.

We're in public life to serve,|and to serve...

to the best of our abilities,|we have to set good examples.

Do you have to control everything?

I've put a hold on the Plaza|for the second weekend in June.

That should give you|a nice, long engagement.

We were thinking Christmas in Ireland.

If you think I'm going to let some|girl talk you into getting married...

She is not "some girl."|- ...any place but New York City.

She's my fiancee, for Christ's sake.

You are just like your father.

One minute you're brilliant,|controlled, steadfast.

The next you're throwing it all away|on some young piece of ass.

Those are your issues, Mother.

Not mine.

Hold on.

You know what? Uh...

How long does|a contested divorce take?

Mr. Buford,|I don't have 18 months.

I don't have 18 days.

Okay, well, that's just|not gonna work for me.

Don't see the likes of you|around these here parts much!

Mr. Buford, that's not gonna work.

Lady, you look like|sex on a stick in that...

Frederick Montana getup!|- I have to call you back.

Listen, bubba,|why don't you just kiss my...

...ass!|Oh, my God!

Get in the truck, there, missy,...

'cause I don't do that sort|of thing on the street.

I guess your mama raised you right.

What is that?|Calvin Klein? That's very nice.

Very good.|I better back off.

Don't want to get you in trouble|with the little lady.

There is a little lady,|isn't there?

I can hardly afford me, much|less some high-maintenance babe.

What about|Cindy What's-her-name?

You guys were real hot|and heavy in high school.

She's a women's softball coach|up in Nashville.

Well, that explains some|lingering questions that I had...

about a game of post office|we played one time.

I guess we all have our little|secrets, don't we, Bobby Ray?

Yeah, we sure do.

'Course, I read about|yours on the Internet.

What?!

Oh, I know all about|the c*cks in your henhouse.

Oh, God!|Bobby Ray!

You sure do know how|to make a girl blush.

Well, I gotta get back|to the factory,...

but are you in town|for a while?

Oh, God, I hope not. No,|I'm just hitting the bank.

Well, I better scram.

Very funny.

Been really good to see you.|- Good to see you, too.

How's your leg?

Oh, it don't give me too much|trouble, Miss Melanie.

Dorothea, I'm gonna|take my lunch.

Well, look what|the cat dragged in.

Dorothea?!

Oh, my God, you've...|- Lost 110 pounds, I know.

Well... congratulations.|- Thanks.

I noticed that you|don't have an ATM.

Oh, them things.|Russ don't want to put one in...

on account of you lose personal|contact with the customers.

Yes, that would be tragic.

Wade said you and Jake|had quite the reunion.

But that's just|pillow talk talkin'.

Are you and Wade...

Goin' on three years.

'Course,|it ain't Tiffany's.

But then again, you can't believe|everything you hear on TV.

I need to make a withdraw from my...|- Joint account?

My what?

with Jake.

From what I hear,|y'all are still married.

Why, yes.

Yes, we are.

Lookin' good.|How's the family?

Cut the sh*t.|Where's my stuff?

Now, what kind of wife|would I be...

if I didn't pick up|after my husband?

The kind that don't live here.

Now, I'm gonna ask you|one last time.

Where is the Hide-A-Key?!

I had the sweetest chat with|Wade's mama about her tractor.

Nice to see you got|your accent back.

Oh, I stumbled across|a few things today.

Holy sh*t!

What happened to the stove?!

And where are them little magnets|I had over here, huh?!

Rate this script:0.0 / 0 votes

C. Jay Cox

C. Jay Cox (born 1962 in Nevada) is an American director and screenwriter. more…

All C. Jay Cox scripts | C. Jay Cox Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Sweet Home Alabama" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/sweet_home_alabama_19224>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Sweet Home Alabama

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the typical length of a feature film screenplay?
    A 150-180 pages
    B 30-60 pages
    C 200-250 pages
    D 90-120 pages