Sweet November Page #3

Synopsis: Nelson Moss (Keanu Reeves) and Sara Deever (Charlize Theron) have nothing in common except an hour spent in DMV hell. Intrigued by each other, but not quite ready to commit, they settle on a rather unconventional courtship: a one-month trial, after which they'll go their separate ways. No expectations. No pressure. No strings attached. What neither of them counts on is falling in love.
Genre: Drama, Romance
Production: Warner Bros. Pictures
  3 nominations.
 
IMDB:
6.7
Metacritic:
27
Rotten Tomatoes:
15%
PG-13
Year:
2001
119 min
$24,418,719
Website
1,880 Views


(to Nelson)

I don't think I've ever met such a

royal a**hole in my whole life.

Nelson stops in his tracks, staggered. She is off on a

toot.

(CONTINUED)

4/5/00 14.

17 CONTINUED:
17

SARA:

Does your mother know you treatwomen like hookers? Or did she

raise you to think being nicemeans patronizing the wholeworld?

Uh-oh.

MANNY:

I smell a problem.

Nelson grabs Sara by the arm, whisks her outside.

18 EXT. NELSON'S BUILDING - DUSK 18

Nelson and Sara face off in the street.

NELSON:

How did you find me?

She holds up the business card he gave her.

SARA:

I'm smart.

(pauses)

And I need a ride.

NELSON:

This is a joke, right?

(as she shakes herhead)

You want a ride -- from me?

SARA:

Yep. Face it, it's your fault Ican't drive. The least you cando is schlep me somewhere. It's

quick, painless -NELSON

I am not a schlepper.

Manny knocks on the glass from the inside and holds up ahandwritten sign that reads, "You want me call police?"

Nelson shakes his head. Turns back to Sara.

NELSON:

Been a ball, but some of us have

to work.

SARA:

Don't make me go too far.

(CONTINUED)

4/5/00 15.

18 CONTINUED:
18

He makes a gesture, cutting her off, heads toward theentrance, Sara stops a clean-cut couple entering thebuilding.

SARA:

Maybe you can help? This man -he's

your neighbor, right -- hasbeen standing naked in his windowflashing his ass at me and I wanthim to stop -NELSON

Ignore her, please.

As the flustered couple scurries inside, Sara stops ayoung woman on her way out.

SARA:

Hi, how are you? We've got a caseof vodka and a bathtub full of

fudge upstairs, would you like tojoin us?

NELSON:

Stop it or I'll call the police.

Great.

police.

SARA:

Go ahead. I love the

NELSON:

Do you have any shame at all?

(pauses)

No.

19 INT. MERCEDES - NIGHT 19

The picture of displeasure, Nelson drives. Sara checks

out the luxe car, the leather, the lights on dash. Not

impressed.

SARA:

By the way, my name's Sara Deever.

(points)

Okay, get in the right lane, putyour turn signal on -NELSON

I know how to drive!

SARA:

You want to take the 80 to

Oakland -(

CONTINUED)

4/5/00 16.

19 CONTINUED:
19

Oakland?

quick.

NELSON:

You said this would be

SARA:

I said it would be painless, too.

Then, she flashes a warm, disarming smile, full ofcharm -- completely throwing him yet again.

SARA:

It's so nice of you to do this forme, Nelson. Sorry if I went toofar, but I really did need theride.

20 EXT. OAKLAND - NIGHT 20

In the midst of an industrial district, the Mercedes

pulls up near a nondescript building.

21 INT. MERCEDES - NIGHT 21

Sara pulls a flaming red wig out of her bag and puts it

on. Nelson is not amused.

NELSON:

Ha-ha. What do you plan to dowith that?

SARA:

Commit a heinous crime.

wait, won't you?

You'll

Sara snatches the keys out of the ignition.

SARA:

Of course you will.

She climbs out.

steering wheel.

Nelson bangs his head against the

NELSON:

What am I doing?

22 EXT. OAKLAND - NIGHT 22

Sara approaches the building.

later, an ALARM BLARES.

She goes in. Moments

23

4/5/00

INT. MERCEDES - NIGHT

17.

23

The ALARM CLANGING, Nelson is frozen, completelyterrified, realizing this could be far more serious thanhe imagined.

24 EXT. OAKLAND - NIGHT 24

Carrying lumpy sacks, Sara flees the building.

25 INT. MERCEDES - NIGHT 25

Sara jumps in and jams the keys in the ignition.

SARA:

Go! Go! Go!

Nelson is so frightened, he obeys her and FIRES UP theCAR.

26 EXT. OAKLAND - NIGHT 26

Nelson's CAR SCREECHES into motion.

27 INT. MERCEDES - NIGHT 27

SARA:

Don't you feel like Bonnie andClyde?

NELSON:

They got shot. Don't open it -I

don't wanna know! This is

coercion -- entrapment!

SARA:

Will you relax? They're just...

To Nelson's amazement, Sara removes two squirming JackRussell puppies from the bag.

SARA:

... some fine furry friends.

(kisses puppies)

Somebody was gonna slice open yourlittle heads and do nasty experimentson your brains, weren't they?

She lets them go as the car stops for a light. Nelson

lashes out, furious.

(CONTINUED)

4/5/00 18.

27 CONTINUED:
27

NELSON:

Off the leather, off the leather!

(trying to compose

himself)

Let me get this straight. You

humiliated me, harassed and

exploited me -- just so -- I couldhelp you in some cute save-thepuppy

caper? Off the leather!

SARA:

Not cool enough for you? Better

if we whacked a few people whilewe were at it?

(points to trafficlight)

You can go on green in California.

27A EXT. OAKLAND STREET - NIGHT 27A

The MERCEDES swerves and SCREECHES as Nelson is assaulted

by the slobbering pups.

27B OMITTED 27B

&&

27C 27C

28 EXT. GAS STATION - NIGHT 28

The puppies tumble on the ground, Sara crouched on herknees plays with them as Nelson fills his tank with gas.

Down the street he sees a police car scanning the block,

its searchlight raking the buildings. His eyes light up.

NELSON:

Get ready to go to jail, SaraDeever.

SARA:

You're not gonna tell them.

The car is coming closer, Nelson nods, excited.

NELSON:

Oh yeah. Everything.

SARA:

(holds her ground)

Oh no, you won't, I have a hunchabout you.

(CONTINUED)

4/5/00 19.

28 CONTINUED:
28

The car reaches them; as it glides past, Nelson meeklyraises his hand to wave, furious that he has capitulatedagain.

SARA:

See? I knew you weren't as hardball

as you act.

Stone-faced, Nelson admits nothing. Keeps pumping gas.

SARA:

Hey, I have an idea. Let's take

them back to my place and givethem names -

NELSON:

Sounds like a million laughs, butI gotta work.

SARA:

What kind of work?

NELSON:

Advertising.

SARA:

Oh, you mean you convince peoplethey need something completelyinessential and blight thelandscape in the process.

NELSON:

Bingo! That's me!

SARA:

Is it fun? Do you enjoy it?

NELSON:

People tend to enjoy what they'rereally good at.

SARA:

So the answer is -- yes? You do.

But does it make you happy?

NELSON:

Everyone knows happiness is amyth, an extremely powerfulmyth -

Sara's laugh starts as a snicker, builds to a full-blownhowl.

(CONTINUED)

4/5/00 20.

28 CONTINUED:
(2) 28

SARA:

-- Created by advertisers!

NELSON:

Exactly.

SARA:

So what else makes you miserable,

besides your job?

Nelson doesn't answer.

SARA:

What do you do for fun?

He doesn't answer, but she acts as if they are conversing.

SARA:

I didn't think so. No hobbies,

diversions, kinky obsessions?

(as he doesn't

answer)

I was afraid of that. What

about -

Nelson rams the nozzle back into the pump.

NELSON:

Just get in the car.

29 EXT. SARA'S BUILDING - NIGHT 29

The Mercedes pulls up to the curb.

30 INT. MERCEDES - NIGHT 30

SARA:

Would you like to come up for acup of cocoa?

NELSON:

As scintillating as the evening'sbeen, I'm afraid not.

Sara is undeniably sincere and sexy, and even Nelson can'thelp but be tempted just a little.

SARA:

I'll make a deal with you. Come

up for one cup, and I'll neverask you for another ride for aslong as I live.

Rate this script:2.8 / 4 votes

Paul Yurick

Paul Yurick is a Creative Producer from Fort Lauderdale, Florida, now working in Los Angeles California. He attended Biola University's Cinema and Media Arts School, and soon after went on to intern at several different production companies around town such as Endgame Entertainment, Scott Free and Resolution. Paul has had the opportunity to attend festivals such SXSW and Sundance Film Festival, where he was able to learn the ins and outs of the festival world while coordinating for talent and companies. Paul interned for Pulse Films during his 3rd year at Sundance Film Festival, which soon turned into a full time position helping the LA branch get on its feet. more…

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    "Sweet November" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/sweet_november_385>.

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