Sylvia Page #4
I love you.
Do you?
A month in advance.
That'll do as a deposit.
You've got a bedroom, kitchen,
another bedroom, or study, or
whatever you want to use it for.
This is the living room,
which you've seen already.
That's it. Not much
to it, I'm afraid.
No, it's fantastic.
Why, what is it that you do?
- I'm a poet.
- Oh.
So are we.
- You're - Ted Hughes
I'll get some wine.
- I'm Sylvia Plath.
- Oh, my God. That's
I gave Assia a copy of
your book, "The Colossus."
That's amazing.
- Yes, I love your poems.
- Hmm.
They're very beautiful.
They're frightening.
They have this haunting quality.
What?
No, it's just
that's the best review
I've ever gotten.
I'm looking forward
to moving to the country.
- You don't think it will be isolating?
- Devon, I mean.
- You should come down and spend a weekend with us.
- Thank you.
- Absolutely, shouldn't they?
- Shouldn't they what?
- Come down to Devon and spend a weekend.
- Yeah, they should.
- Get out of the city. It would be nice.
I'd love to.
Do you want to go higher?
Whoo!
I'll get it.
Hello?
Hello.
No, I'm fine.
We're both fine.
How are you?
How's David?
Oh, he has.
Oh, that's good.
No, that would be
that would be great, yes.
Well, Saturday's fine.
Yes, yes.
Yes.
I'll look forward to it.
Cheerio.
Bye-bye. Bye.
That was Assia and David.
They want to come down
this Saturday.
That would be nice, no?
God, it's so inspiring up here.
It's good to see
you and Ted again.
Here, take my hand.
It's muddy.
Oh, my God.
Would you mind?
- There you go.
- Thank you.
Thank you, Ted.
Oh, this country air.
Well, this soup
is extraordinary.
Mmm.
- Have some more.
- No, I couldn't, thank you.
Please, here.
Let me help you.
There's plenty.
Just a little, please.
- There you go.
- Whoops, thanks.
Always loved my food.
Ted says you have the new
Robert Lowell recording.
What?
The new Robert Lowell
recording.
What about it?
Well, perhaps we could
listen to it later.
Fine.
Thank you.
Thank you.
Thank you.
Excuse me.
You mind telling me
what's going on?
- I see you.
- You see what?
Why do you insist
on humiliating me?
Sylvia, nobody's
humiliating you.
I mean, why bother?
You're doing such a bloody
good job of it yourself.
- Can I give you a top up?
- Please.
Oh, My God. Look at this.
You shouldn't have gone
to all this trouble.
I'm beginning to think
the same thing myself.
Oh, Jesus Christ.
Thank you.
That's enough for me.
Thank you.
Thank you.
You're not eating.
No, I'm waiting for you.
I shall be very insulted
if you don't eat.
Would you like some?
No, you you help yourself.
Thanks.
So, are you managing
to write at all with the baby?
Me? Oh, no.
No, but Ted is.
And that's really
all that matters, isn't it?
I mean, he's the real poet
in the house.
"The sea was
still breaking violently"
And night had steamed
into our North Atlantic fleet,
When the drowned sailor
touched the drag-net.
Light flashed from his
matted head and marbled feet.
He grappled at the net
with the coiled,
Hurdling muscles of his thighs.
"The corpse was bloodless,
a botch of red"
- I'm going to do the washing up.
- I'll help.
- No, I'm fine.
- No, I insist.
"Lights or cabin windows
on a stranded hulk,
Heavy with sand"
I'll wash, you dry.
Yes, yes.
"Close its eyes and heave
Where the heel-headed dogfish
barks its nose
On Ahab's void and forehead
"And the name is blocked
in yellow chalk."
What is going on?
Nothing's going on.
Assia was just telling me
about a dream she'd had.
Can I help with anything?
I'd like you and Assia to leave
first thing in the morning.
It's just that I'm tired.
I'm so tired, and I
you don't know what I've been through.
I've got two small children.
If you had children of your
own, you would understand.
I'm sorry.
Of course.
When will you be back?
I don't know.
A couple of days, maybe three.
It depends how long it takes.
What number will you be at?
I haven't decided who I'm
going to stay with yet.
I think people are getting pretty
sick of me sleeping on their floors,
so I'll probably just check
into a bed and breakfast.
You don't have to go, you know.
Yes, I do.
Sylvia?
Hello?
I know who you are.
Hello?
Get out.
"This is the light of the mind"
"If the moon smiled
"Their redness talks
to my womb"
"She would drag me,
cruelly, being barren"
"Thick, red and slipping"
"Your nakedness shadows"
"Whose is that long
white box on the grove?"
"And I,
I need feed them nothing"
"I sizzled in his blue"
"Our cheesecloth gauntlets
neat and sweet"
"Bare-handed,
I hand the combs"
"The man in white smiles"
"So I can't see
what is in there"
"Some god got hold of me"
"Lightly, through
their white swaddlings"
in a shadeless socket"
"I cannot undo myself"
"And the train is steaming"
"Upflight of the murderess"
"Never liked you."
They are dancing
and stamping on you.
They always knew it was you.
"Daddy, Daddy,
you bastard, I'm through."
It's
It's what?
What is it?
Is it any good?
Good?
God, yes.
That "Daddy" poem
the use of metaphor
the way it builds the end
out of the blackness
into an explosion of fury.
It's just stunning.
I'm thinking
of moving back to London.
I'll send you some more
as soon as I'm settled.
I'd like that.
Sylvia
I know this must have
been hard on you
No.
Really, I've never been happier.
It's as if
now he's gone, I'm free.
I can finally write.
I wake up
between 3:
00 and 4:00because that's the worst time.
And I write till dawn.
I really feel like God
And now we need
Go up here.
Put all of them on.
That seems much better.
You've got the snowflake.
All right.
Where's he going to live?
There.
Oh, oh.
She looks beautiful.
Hello?
- Hello?
- All right.
I'm I live upstairs.
My lights have gone out,
I've got no hot water.
I've got my children up there
There's been a power cut.
The moment you need heat and
light to sustain life itself,
the government cuts
the electricity.
Why?
To build the national character.
Now leave your stove on for heat,
and to boil water for washing.
Here's some spare candles
yeah, and some matches.
There you are.
Thank you.
You must think I'm
Oh, no, not at all. I
assumed you were Canadian.
- Yes, well, thank you.
- Pleasure.
- Thank you very much.
- Thank you. Bye-bye.
Hello, sweetheart.
This one's for you.
Happy Christmas, darling.
I didn't just come to see them.
I wanted to see you.
I want to see how you are.
I've missed you.
I've missed you all.
Christmas is bloody hard.
Can we can we talk?
Can we sit down?
Are you still f***ing her?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Sylvia" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/sylvia_19265>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In