T.J. Miller: No Real Reason
- NOT RATED
- Year:
- 2011
- 67 min
- 108 Views
- I WISH I DIDN'T HAVE
TO DO THIS TO PERFORM,
BUT IT'S GOTTEN ME
THIS FAR.
all:
YOU'RE BAD. YOU'RE BAD.YOU'RE VERY, VERY BAD.
- THANKS, GUYS.
CAN YOU CLEAR ALL THIS
OUT OF HERE?
[sighs]
[indistinct chatter]
MOTHER, THANK YOU
FOR EVERYTHING.
- I HOPE YOU GET MARRIED
AND DON'T DIE ALONE.
[indistinct chatter]
- FATHER, I JUST--
I WANTED TO SAY THANK YOU.
- REALLY GREAT.
- MELODY DUGGAN,
TO YOUR BRILLIANCE AS A TEACHER.
- YOU WERE A P*SSY
IN HIGH SCHOOL.
YOU'LL BE A P*SSY FOREVER.
- WEIRD ONE.
NICK VATTEROTT, THANK YOU
FOR EVERYTHING, MAN.
- DID YOU GO UP YET?
- NO, MAN, I'M--
- RIGHT ON.
ALL RIGHT.
HAVE A GOOD SET, DUDE.
- IS THIS--OH.
ACTUALLY, I WENT THE WRONG WAY.
- GREAT SET, MAN.
- I HAVEN'T GONE UP YET.
- SUPER FUNNY.
[indistinct chatter]
- FATHER--
- T.J., I'M SO PROUD OF YOU.
YOU COULDN'T FIND THE DOOR
TO THIS ONE.
- MOM, I DON'T KNOW WHY
[upbeat hip-hop music]
- T.J. MILLER, T.J. MILLER
T-T-T-T-T-T- T.J. MILLER
T.J. MILLER, T.J. MILLER
[cheers and applause]
- WHAT THE F*** IS UP,
COLORADO, HUH?
[cheers and applause]
I THINK THAT'S A GOOD WAY
TO START THINGS OFF, YEAH?
THIS GUY, TOTALLY UNIMPRESSED.
FROM THE VERY START,
NEVER CLAPPED, NOTHING.
JUST SO HIGH.
HE JUST TURNED:
TO HIS GIRLFRIEND.
HE'S LIKE, "WHO IS THIS?
"WHY DOES THIS COMEDIAN
KEEP LOOKING DIFFEREN EACH TIME I BLINK?"
NICE.
YOU GOT YOUR OREGON HOODIE ON.
THAT'S GOOD.
ARE YOU AWARE OF THE STATE
THAT YOU'RE IN, OR NO?
READY?
I SAY, "HEY," YOU SAY, "HO."
HEY.
all:
HO!- NOT EVERYBODY.
JUST YOU.
READY?
HEY.
- HO.
- HEY.
- HO.
- HE'S GOOD.
THAT WAS GOOD.
YOU'RE A GOOD HO.
I MEAN, YOU'RE--
OH, THIS IS GREAT.
THE STREET IN WASHINGTON, D.C.
THAT'S EXCITING, RIGHT?
OUR NATION'S CAPITOL.
THAT'S NOT A BIG DEAL.
I THROW UP IN THE STREET A LOT.
I LIKE TO DRINK.
AND I GET HUNGOVER.
YOU KNOW WHEN YOU'RE HUNGOVER
AND YOU'RE LIKE,
"I AM DEFINITELY
GONNA VOMIT TODAY...
BUT I WONDER IF I CAN MAKE I TO BREAKFAST FIRST"?
SO I ROLLED THE DICE.
I WAS INCORRECT IN MY ASSERTION.
I KNOW THIS,
'CAUSE I MADE THAT SOUND
THAT YOU MAKE WHEN
YOU'RE DEFINITELY GONNA VOMIT.
YOU KNOW, WHEN THERE'S
NO DECISION LEFT?
[retching violently]
YOU KNOW?
THAT'S A REAL PROBLEM.
WHICH IS THE GREAT THING
NOT ONLY IS VOMITING
DISGUSTING,
WE GET TO LOOK LIKE A HUNGRY
BABY BIRD RIGHT BEFOREHAND.
[retching violently]
"FEED ME, MOTHER!"
IT'S A BRITISH BIRD,
PERHAPS A NIGHTINGALE.
WHAT WAS DIFFERENT ABOU THIS TIME IS,
LIKE, RIGHT AS I WAS LIKE:
[retching violently]
I TURNED, AND I MADE EYE CONTAC WITH A WOMAN
SITTING ACROSS THE STREE AT A STARBUCKS.
AND THEN I HELD EYE CONTAC AS I VOMITED.
WHICH IS TERRIBLE.
FOR HER MOSTLY.
'CAUSE I FEEL SO BAD FOR HER,
YOU KNOW,
BECAUSE HER MORNING
STARTED OFF SUCCESSFULLY.
YOU KNOW, SHE'S NOT WEARING
THE CLOTHING SHE WAS IN
THE NIGHT BEFORE.
SHE'S UP ON TIME.
SHE'S PROBABLY THINKING
TO HERSELF,
"WELL, ANOTHER
SUCCESSFUL MORNING.
"SIPPING A FRAPPE LATTE.
WHAT DO THEY ALWAYS SAY?
"EARLY TO BED, EARLY TO HAVE
"I'M NOT VERY GOOD AT CLICHES,
IMPERSONATING ME ISN'T.
"IT'S A REAL POIN OF INSECURITY FOR HIM.
"BUT AT LEAST I WON'T HAVE
AN AWKWARD INTERACTION WITH--
WHAT'S GOING ON WITH THAT BABY
BIRD OF A MAN OVER THERE?"
[retching violently]
WHEN I VOMIT.
YOU KNOW?
'CAUSE WHAT'S GOING ON
IN HER REALITY?
SHE'S GOT TO GO HOME
AND CALL HER FRIENDS, RIGHT?
SHE DOESN'T KNOW THE CONTEXT.
SHE JUST CALLS.
SHE GOES, "OH, MY GOD, YOU GUYS.
I MADE A MAN VOMIT."
I DON'T WANT HER TO THINK THAT,
YOU KNOW?
RIGHT?
WOULDN'T YOU FEEL BAD?
SORRY, I JUST MADE IT AWKWARD,
DIDN'T I?
I DO THAT A LOT.
WHEN I MAKE EYE CONTAC WITH PEOPLE IN THE AUDIENCE,
I'LL HOLD IT.
LIKE, I'LL TALK TO SOMEBODY,
AND THEN I'LL FINISH TALKING,
BUT I WON'T LOOK AWAY...
UNTIL THEN.
THAT'S WEIRD.
THAT'S A WEIRD THING,
AND NOW I MADE IT ALL--
I DIDN'T MEAN TO MAKE--
I APPRECIATE IT.
I DON'T WANT TO MAKE IT WEIRD.
IN FACT, IF I NEED
TO TALK TO YOU FROM NOW ON,
I'LL LOOK AT HER.
IS THAT OKAY?
I'M NOT TALKING TO YOU.
I'LL LOOK AT HER.
IS THAT OKAY?
[laughs]
YOU'RE CRYING,
DID YOU JUST COME FROM--
WHY ARE YOU:
EMBARRASSED ABOUT IT?
THAT'D BE SO AWFUL
IF I WAS LIKE,
"WHY ARE YOU CRYING
AT THE SHOW, HUH?
GET OUT OF HERE.
GO SMOKE POT IN HIS VAN."
[applause]
YOU GUYS ARE APPLAUDING
LIKE, "YEAH, LET'S HOPE HE DOES.
"YEAH, THEN HE HAS A PLACE
TO LIVE...
AND LURE CHILDREN."
DID YOU KNOW THAT, ACTUALLY--
THIS IS TRUE.
THIS AREA OF COLORADO
HAS THE HIGHEST CASES
OF PEDOPHILIA PER CAPITA
OF ANYWHERE ELSE
IN COLORADO.
DID YOU KNOW THAT?
THAT'S TRUE.
I MEAN, I PUT IT IN THERE,
BUT I READ I RIGHT AFTERWARDS...
AS AN OPEN-SOURCE CODING CHECK.
I DO, I CREEP PEOPLE OUT A LOT.
I REALIZED RECENTLY
THAT SOMETIMES WHEN I'M EXCITED
ABOUT SOMETHING, AFTER I SAY IT,
I'LL GO LIKE THIS...
DON'T EVER DO THAT.
THAT MAKES ANYTHING
YOU'RE SAYING SOUND,
LIKE,
MALICIOUS OR WITH MALINTENT.
WATCH, I'LL SHOW YOU.
"HEY, WHAT ARE YOU GUYS DOING
AFTER THE SHOW?"
AFTER THE SHOW, YOU KNOW?
"HEY, MAN, CAN I BORROW
A STICK OF GUM?"
EVEN NICE THINGS.
"KAREN, CONGRATULATIONS.
I HEARD YOU'RE PREGNANT."
WHAT AM I GONNA DO,
GO UP THERE AND GET IT?
AND I HAVE A FRIEND.
HE CREEPS ME OUT.
TELL ME IF YOU HAVE ANYBODY
LIKE THIS.
LIKE, TOO MUCH.
ISN'T THAT WEIRD?
'CAUSE IT'S 2011, AND THEY'RE
BUT HE'LL WINK,
AND SOMETIMES IT'LL MAKE SENSE.
AND THEN OTHER TIMES, IT WON'T.
SO IT'S VERY CONFUSING.
IT'S LIKE, "HEY, DO YOU WANT TO
HANG OUT WITH THOSE GIRLS LATER?
THEY'RE DOWN TO PARTY."
AND I'LL BE LIKE, "YEAH, SURE.
OH, YEAH.
NO, THAT SOUNDS GOOD.
YEAH. YEAH. YEAH."
"YEAH, THEN MAYBE LATER,
YOU AND ME CAN GET SOME PIZZA."
"NO, I DON'T THINK
DOES THAT INVOLVE US
HAVING SEXUAL INTERCOURSE?"
"NO."
I LIKE THAT MOVE,
WHEN A GUY GETS SCARED.
I DON'T THINK THAT THERE SHOULD
OR FOLIAGE THAT HANGS DOWN
IN AIRPORTS.
I'LL EXPLAIN WHY.
WOULDN'T THAT BE WEIRD
IF I DIDN'T?
RIGHT AFTER THAT.
'CAUSE I FEEL LIKE A LO OF TIMES I'M IN AIRPORTS,
I'LL BE TEXTING, AND I'LL MOVE
OUT OF SOMEBODY'S WAY,
AND IF A PLANT EVEN JUST--
EVEN MILDLY TOUCHES,
LIKE, GRAZES ANY--
[grunting]
LIKE, SUDDENLY I KNOW
MARTIAL ARTS, YOU KNOW?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"T.J. Miller: No Real Reason" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/t.j._miller:_no_real_reason_19280>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In