Targets Page #3
- R
- Year:
- 1968
- 90 min
- 445 Views
No guilt,
And full of
self-pity.
Quite a speech.
You ought to hear it
in Chinese.
( door opening )
There are one
or two of us
Who care what happens to you,
Though I can't imagine why.
Jenny, I'm...
( sighs )
Sorry.
( knock at door )
Come.
Good evening, Mr. Orlok.
Where would you like this?
Oh, anywhere.
It doesn't matter.
Uh, the dinners are
in the warmers, sir,
Under the table.
Thank you, sir.
Good night.
Enjoy your dinner.
( door closes )
Man:
They've got another one now.
Man:
Who?
Are you ready?
Who?
Joanie man.
Joanie man.
Joanie man?
Wait till you hear this.
What does she do?
Yeah.
She takes off everything
but her earphones.
( laughter )
Mm.
Well, I have to go
to work now.
Well, I think
it's just awful.
Can't you get switched
to the day shift?
Oh, it's only for
a few more weeks.
Yes.
In the fourth row?
Yes.
Do you really?
Yeah, from Lenny's.
Oh, no, no, no,
Joe, fourth row.
Fourth row,
behind him.
One, two, three, four...
I'm giving you
a memory test now.
I'm taking you back
to south Philadelphia.
Do I remember? I remember
the lady in green.
Do you?
Evidently,
that must be her daughter...
That's right.
Because I know the lady...
the lady in green...
( both humming )
Pardon me?
Man:
Lily from Philly.
Lily from Philly.
Lily from Philly!
Last week, it was Millie
from Philly and...
( television fades
into the background )
Hmm.
Don't go.
Ooh!
Bobby, Don't be silly.
What? You could
call them up,
Say you were sick.
One night, what's
the difference?
Oh, it's not right.
What should I wear?
Come on,
just tonight.
Oh, and besides,
it's too late now.
They couldn't get a substitute
For me that fast.
Oh, what do you mean?
The phone company's used
to emergencies.
Well, what if
it was an emergency.
Well, it's not
an emergency.
Should I wear
this sweater?
( television plays
in the background )
( applause on television )
Oh, it's got a run.
Oh, well.
I want to talk to you, Ilene.
Hmm. What about?
Hmm?
I Don't know
what's happening to me.
Why?
Oh, I get funny ideas.
Like what?
Oh, you mean, like
That I shouldn't go
to work tonight.
Does this run
look too bad?
You Don't think I can
do anything, do you?
What?
I think you can do
anything you want to
If you put
your mind to it.
That's what
your mother says, anyway.
How do I look?
Ooh, ooh.
Bye-bye, dear.
Oh, Don't take my car.
Hmm?
Take my mother's.
Oh, why?
Well, I've got
to change the oil.
Oh, okay. Bye.
Ilene:
to use your car tonight.
Is it okay?
Charlotte:
Why certainly, dear.
The keys are in the ignition.
Ilene:
Okay, well, bye now.
Charlotte:
Good night, dear.
Robert:
Good night.
Charlotte:
Drive carefully.
Ilene:
Uh-huh. Bye.
As a matter of fact,
She and you are my first
undiscovered talents.
That's right.
Yes.
I am probably
the first one.
Yes...
( car door closes )
I'm still waiting.
No, you're not.
You are right now
a very big personality
In the home
of every television owner.
Yeah!
( laughter and light applause on
TV )
My press agent...
for 72...
The band feels
good tonight.
Isn't it... Isn't it
great to do this
Without boo-boo jumping in?
That's right.
Uh, have we something there
you want to, uh...
We're having
something
A little bit new
I think tonight.
We ought to keep talking,
and we won't have to do it.
I just like to get
in the mood with you.
I like to feel, like
the Corsican brothers.
It's more
like a dolly sisters.
hooray for Hollywood!
Now here's a message.
Oh, yes!
Well...
Isn't he silly?
Huh?
I'm bushed.
So am I.
What did you
need your car for?
I'll be happy
when that bazaar is over.
What?
So will we all, huh?
Oh, I, uh...
Got to check
some of the hoses.
Okay. Well,
good night, son.
Come on, Charlotte.
I'll be right in.
Good night, sir.
Commercial announcer:
...And at very little expense.
You look tired, dear.
Don't tinker with that
car all night now.
I won't.
You really like that
insurance job, Bobby?
They keep you so late.
Well, sure,
it's a good job.
I spoke to your
brother today.
Oh, yeah?
Everyone's fine.
The baby has a cold.
Oh, that's too bad.
Charlotte?
Well, good night, dear.
Not too late now. Promise?
I promise.
That's a good boy.
Charlotte?
Coming.
These worries need not be yours
With the kind of protection
offered you
By Grant of Richmond,
The old line company
Pick up your phone.
The number's in the white pages.
Give us a call,
and let us do the worrying.
That's Grant of Richmond.
There's a branch near you.
Here now, ladies and gentlemen,
is the young lady
That we feel very happy
and proud
To have discovered
on our show.
We know you will enjoy her,
And we know
you'll make her feel welcome,
'cause this is her first
return visit to our show.
You know what happens?
They get so good,
we can't get them back.
Can't afford them.
Will you welcome now,
miss paid March?
( dog barking )
( dog barking )
Uh, bob, mayor get
off all right?
Yes, sir.
He told me
He wanted me
to come back
here, sir.
That's right. Sit down.
I want to talk to you
about a parole
I've been trying to get.
You know, it isn't
as easy as it sounds.
There are over 2500 men in here,
And they all want me
to do something for them.
The fight's at 2:15.
Tea, madame?
Oh! I wish you wouldn't
sneak up on me like that.
I never see you coming,
I never hear you coming.
I just look up,
and there you are.
( knocking )
( sighs )
Who is that tapping
at my chamber door?
( knocking )
Sammy, I was just
thinking about you.
Where is my script?
Come on in.
I was just watching
a relic I had a hand in.
Just-just give
me my script.
I'll give you a drink.
Well, that's different.
Hey...
The criminal code.
( all yelling at once )
Take it easy.
I've had too much already.
( growling )
I saw this at the
museum of modern art.
( chuckles )
Smith's right--
I am a museum piece.
Howard hawks
directed this.
I know.
Here.
Thanks to him, it was my first
really important part.
Have you seen Jenny?
I was supposed
to call her.
Why didn't you?
Shh!
Well?
Shh!
( yelling crescendos )
( whimpers )
TV announcer:
Yes, folks,
You're looking at the world's
largest used car dealership
On balboa boulevard,
in the City of Encino...
( sighs )
He really knows
how to tell a story.
Now look at this...
Indeed, he does.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Targets" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/targets_19401>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In