Terror Page #2
- R
- Year:
- 1978
- 84 min
- 138 Views
good to be true.
Where's my nearest branch?
Thanks, come on, Betty,
let's go down to Oxford
Fabrics and see
these incredible bargains
for ourselves.
They get worse.
Ann?
Ann?
- This morning, actress
Carol Tucker,
her parts in TV's
long-running series The Villagers,
was due to begin work on a
new film comedy
called Take It or Leave It.
But now her part is being recast
because last night Miss Tucker was
found stabbed to death
in the grounds of a
house belonging to
her film producer friend,
James Garrick,
who also owns the north
London film studio
you can see behind me.
- And cut.
- Okay?
- Not in the bath, love.
How can we do it if
you're in the bath?
- Well, you didn't tell me.
- I just told you!
I said do the back scrubbing bit,
and then get in the bath.
Oh, let's just do it, Les, can we,
hanging round here all
f***ing morning.
- And whose fault's that?
We could've had it done by now
if we didn't have to
keep heating up
the bloody bathwater!
Well, I'm not catching pneumonia
for the money you pay, me darlin'.
- Oh, f***ing A, yeah.
- Are they
still out there?
- Depends who you mean.
ITN are wrapping up, the BBC
have just arrived.
- Right, get those
wankers out of there.
- Why?
- Do you know what they're
doing in there?
- Yeah, Bath Time with Brenda or
something like that.
- Right, and what you
think the police
are gonna make of that
when they arrive?
How do you think
they're gonna react
to Bath Time with Brenda?
- You just can't chuck 'em out.
- Oh, really?
- All right, that's
about two hour more
than we need of that.
Now can we have some action?
Give him a thrill, girl.
- Without the giggling.
Thanks very much.
Okay, Curtis, can we have a
bit of reaction?
Give us your number
two expression.
~ Oh!
- Oh, Jesus, man try it over, you
look as if in pain!
- I am in pain!
- That's it.
That's it.
- You're gonna have to
wrap it up here.
- That's it, oh, yeah.
- Yeah, what the--
- I'm sorry.
- What game you playin' at?
- We've got a bit of a problem.
Philip made a mistake
with the bookings,
and I'm afraid you're gonna
have to clear out.
here till lunchtime.
- Yes, well, I'll give you a free
day, any day you want.
- Well, what's the good of that to
me, I want this now.
- Come now, Valentino,
we're not shooting.
- What?
- Eh?
commercial for this.
Bleeding cheek, I'm booked up
all bleeding week!
I'm fed up with this.
I'm a busy working actress.
- You're fed up, love,
what about me?
I got money in this, ain't I?
Booked the bleeding
studio all day.
Then they come along and
tell us it's not on.
- Wait, so you can
have a free day,
don't matter so much for you,
does it?
- Listen there, I'm
booked up already.
You're booked up, I'm booked up.
- Yep?
- I didn't leave my
knickers in here, did I?
Ah.
- I want no more calls today,
okay?
- What about your
appointment with Tiffany?
- Yes, well, you can cancel that
as well, can't you?
I've got some serious
thinking to do.
- Vis-a-vis?
- Vis-a-vis that sooner or later
we're gonna have to
tell the whole story,
not that cooked up version we told
the police last night.
- I thought you told everything.
- Really?
What about that little incident
with Ann and the sword?
- Why on Earth should they be
interested in that?
- Doesn't it interest you?
First that happens,
then we find Carol's body.
- Jesus, do you know what
you're saying?
- I'm gonna have to talk to her.
- James, what's the
matter with you?
want to kill Carol?
- Well, why on Earth should
she want to kill me?
No reason at all.
- Oh, Christ, you're not gonna
start that again.
- Check the records, Philip,
like I did.
You'll find that nearly everyone
who became involved
in that house died violently.
- What about your dear old dad?
I thought he died
peacefully in bed.
- Peacefully?
You didn't see his face.
His eyes.
Wide open and staring.
- It was heart failure, James.
Heart failure, nothing else.
- All right.
What made it fail?
Something he saw.
Something that
frightened him to death.
- Gol, look at my bloody skin.
Not casting any smallpox victims
for this show, are they?
- Come on, Viv, it's 20
minutes past five.
- It's all right, we
can get a cab.
- I can't afford any
more bloody cabs!
God Almighty, you'd think we're
auditioning for MGM.
Ann, are you coming?
- Where?
- To the audition.
- It's not important, is it?
- Only work, love.
- Look, are you coming, it's
- All right, all right.
- Bye, Ann, see you at
the club tonight.
- See you, Sue. - Bye-bye.
- Good luck. - Good luck, Sue.
- Ta, look, Viv, I'm
not getting a cab.
- You're a bloomin' miser.
- You wanna pay?
' No.
- Aren't you going?
- No.
- Why, you haven't been to an
auditions since you arrived.
- Just can't face them anymore.
- But anything's better than
working in that godawful club.
- At least I don't have to
think when I'm there.
- I got my car back from
the garage today,
so I'm going to see my parents.
Can't put it off any longer.
I can give you a lift to the club,
if you want.
- Thanks.
I may not go in tonight.
My head's splitting.
- You're still thinking
about that girl
who was killed, aren't you?
- It's more than that.
I can't explain it now.
- Is there something you haven't
told me about that murder?
- I don't know anything,
I wasn't there.
- I know, but...
But the night it happened,
you came back here late,
do you remember?
And you were in the bathroom.
You were washing something
off your hands.
It looked like blood.
- I cut my hand.
You don't think--
- Oh, no.
I just had to ask.
I'm sorry, really, I am.
I feel very stupid now.
Oh, look, I have to go
or I'll be late.
" Suzy?
You haven't told anyone else
about this, have you?
- Of course not.
Look, just forget I mentioned it.
See you later, okay?
- Suzy, my dear.
- I'm just going out, Dolores.
darling,
when is he going to
come and see me?
- Well, actually, I
haven't had the time.
- I'm so glad I've run into you,
dean
because I've just been on the
phone with Cecil.
And it's almost
certain he wants me
to do a tour at the end
of the month.
- Oh that's wonderful, Dolores,
I'm sure you'll be terrific.
- Oh, but I haven't agreed to
anything with anyone yet,
you see, because there's
also Lawrence.
He wants me to do his next film.
In fact, he's even talking
about my going back
to Hollywood, so I wouldn't
want to disappoint
your friend, you see.
- Look, Dolores,
I have to go.
- You do understand, don't you,
darling?
One has to be nice to
so many people.
- Hello?
Anybody in?
Anyone in?
Hello?
Hello, is that Roman's Garage?
- Hello?
- Hello, I can hardly hear you.
What do you want?
- My car's broken down.
Can you send somebody, please?
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"Terror" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/terror_19540>.
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