Terror by Night Page #4

Synopsis: Holmes is hired by Roland Carstairs to prevent the theft of the Star of Rhodesia, an enormous diamond owned by Carstairs' mother, Lady Margaret. Believing the diamond will be stolen on a train trip from London to Edinburgh, Holmes deftly switches diamonds with Lady Margaret while in her compartment. Soon after, Roland is murdered and the fake diamond is stolen. Red herrings abound as Holmes, aided by Dr. Watson and Inspector Lestrade, discover the murderer's hiding place and deduce that long-time foe Moriarty's henchman Colonel Sebastian Moran is somehow involved in the crime.
Director(s): Roy William Neill
Production: Focus Film Entertainment
 
IMDB:
7.0
Rotten Tomatoes:
75%
APPROVED
Year:
1946
60 min
402 Views


the Edinburgh Police

to check up on that

mathematics professor.

Interesting.

Now what?

Well just a coincidence.

What's a coincidence?

The fact that this

fellow Kilbane,

happens to be a professor

of mathematics.

Oh.

Come again Mr. Holmes.

Lestrade did you

ever hear of

Colonel Sebastian Moran?

Well of course I did.

What about him?

Well then as you know,

Colonel Sebastian Moran

was the most sinister,

ruthless and diabolic,

clever henchmen

of our late but

unlamented friend,

Professor Moriarity.

I've never seen him

but I've been conscious

of his presence

more than once.

As a matter of fact,

he was directly

responsible

for what very nearly

turned out to be

my premature death

on three

separate occasions.

Very pretty, Mr. Holmes,

what's all that got

to do with all this?

Possibly nothing.

However, his specialty

was spectacular

jewel robberies

and for relaxation

he was addicted to the

study of mathematics.

Are you referring that

this Professor Kilbane

is Colonel

Sebastian Moran?

That he murdered

young Carstairs

and stole the diamond?

Well what

about this woman,

this Vivian Vedder,

what about her?

No one's above suspicion.

And Lady Margaret,

she might have a motive

for wanting the Star

of Rhodesia stolen.

She wasn't very concerned

over the death of her son.

And this friend of

Doctor Watson's,

this Major Duncan Bleek,

might suggest it's

sensible to suspect him.

No.

As far as we know

only

four persons knew

the Star of Rhodesia

was on this train,

yourself,

Doctor Watson,

the murdered...

the dead lad

and myself.

And Lady Margaret.

And Lady Margaret.

I'll have another talk

with her ladyship.

Lady Margaret do you

mind if I come in?

Well Holmes?

You can leave it

open, will you?

Lucky beggar.

Who's a lucky beggar?

Duncan Bleek.

Been playing

cards with him.

He won all the

way across,

however the expression is.

Have you been with

him all this time?

Yeah, just left him.

He introduced me to

a new fangled game.

Gin Rummy he called it.

It's American I believe.

Sort of bookkeeping

connected with it.

You ever hear of it?

Still looking for the

murderer, Inspector?

Impossible fellow.

Vanished into thin air.

There you are.

Where on Earth

have you been?

I asked you

where'd you been.

Well

what's happened?

I've been observing

the landscape

from the dark end

of the corridor.

I just been along there,

I didn't see you.

The door was shut.

Naturally

I was on the outside.

The outside?

Yes.

You must try it sometime.

Lets go take a look

at that coffin.

Do you remember

I was interrupted

the last time?

Sorry.

I'm Sherlock Holmes.

Do you mind if I

inspect the coffin

you're taking to Scotland?

No one is allowed

in here Mr. Holmes.

I'll take the

responsibility, excuse me.

Did it ever occur

to you Watson

that this is a very

unusual coffin?

I don't know, a

trifle ornate perhaps.

I wasn't thinking of

the fittings as the...

do you mind if we open it?

It's forbidden sir.

Sorry.

Come on Watson.

But you can't do that sir.

We'll have to.

Excuse me please.

Poor old lady.

As I thought.

Swallow.

The body only comes

down to about here.

Well you think there's

a secret compartment

underneath?

There has to be.

Empty.

Yes but it's been

recently occupied.

Lets ask Lestrade

to come in here

he's with Lady Margaret.

Right back Holmes.

Have you let anyone

else in here?

No.

Mathematics hey?

Gives me something to do.

Come quick.

What is it?

It's the coffin.

Holmes found a

false bottom in it.

There's enough room for

the murderer to hide in.

What is all

this Mr. Holmes?

There's where

your murderer's

been hiding Lestrade.

Then it's just a question

of finding him isn't

it Mr. Holmes?

Not him, them.

Huh?

This affair's obviously

the work of two men.

The one who planned

and the other who

hid in the coffin

and at prearranged time

emerged to

commit the murder

and affect the robbery.

What are you

talking about?

Colonel Sebastian Moran.

You got that man on

the brain Mr. Holmes.

My dear Lestrade,

I accepted this case

because I was

virtually certain

that Colonel

Sebastian Moran

could not resist such

a tempting morsel

as the Star

of Rhodesia.

I'm convinced that

he's the brains

behind this case

and that he's

on this train.

Oh and how would you

go about finding out,

which one of

the passenger's

is this Colonel

Sebastian Moran?

If he is one of

the passengers.

Well I suggest you start

by questioning Ms. Vedder.

It might prove

interesting.

Huh?

Oh.

Who's there?

Ms. Vedder, I want to

ask you a few questions

and I must warn you,

anything you say may

be used against you.

Oh?

Now about your mother.

It isn't your mother

after all is it?

Perhaps if you explain.

That coffin,

we've examined it.

And found the

secret compartment.

Oh come on, let's have it.

Have what?

Your story.

If you insist.

A man approached me

and ask me to take a

coffin to Scotland.

He offered me a

hundred pounds.

Were you aware

that the coffin had a

secret compartment?

I was.

What story did this

person tell you

to account for a man being

concealed in the coffin?

That someone had

to leave London.

Foreign agents were

watching the trains.

Foreign agents.

All right.

Maybe I didn't believe

that foreign agent story.

You realize, of course,

this makes you

an accomplice?

What was the name of the

man who approached you?

I don't remember.

Ms. Vedder,

the man who engaged you

to take this

coffin to Scotland

was it by any chance

this man here?

I say old man aren't

you making a mistake?

My dear Watson,

just what do you know

about Major Duncan Bleek?

I've known him for years.

He's a member of my club.

I say is this a joke?

Does the name,

Colonel Moran,

mean anything to you sir?

Colonel Moran?

Yes, Colonel

Sebastian Moran.

Why I'm afraid it doesn't.

Good heavens you

don't think that I...

No no no of course not,

you have the

perfect alibi,

Doctor Watson.

Yes yes yes of course.

Good heavens gentlemen,

you are at perfect liberty

to search my compartment

or to search me.

And if you find

the diamond I...

No that won't

be necessary.

The Star of Rhodesia

has not been stolen.

What's that Mr. Holmes?

An imitation was stolen

I have the real one.

You've got it?

My dear Lestrade,

surely you didn't think

I would allow

Lady Margaret

to retain the

genuine diamond.

When I felt

reasonably certain

that an attempt would

be made to steal it

I have had it in

my possession

almost from the moment

I boarded the train.

Confound it, Mr. Holmes,

you had no

right to do that.

This is a police matter

come on let me have it.

My job was to see that

it wasn't stolen,

it wasn't.

Look I don't know what

this is all about

but I do know that

I never seen

this gentleman

before in my life.

I shall have to ask you

to remain in

your compartment

until we reach Edinburgh.

Inspector Lestrade?

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Frank Gruber

Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was an author of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows, and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Gruber said that as a 9-year-old newsboy, he read his first book, "Luke Walton, the Chicago Newsboy" by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition at age nine or 10, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as forty stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips. February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents. Answering an ad in the Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had lots of money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write. In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934. There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week). In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous. Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750). January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946. Gruber—who stated that only seven types of Westerns existed—wrote more than 300 stories for over 40 pulp magazines, as well as more than sixty novels, which had sold more than ninety million copies in 24 countries, sixty five screenplays, and a hundred television scripts. Twenty five of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo, The Texan and Shotgun Slade. His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called "The Kansan", starting Richard Dix. The book has been reprinted many times with total sales of over one million copies. He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox. more…

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Submitted on August 05, 2018

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