Terror by Night Page #5

Synopsis: Holmes is hired by Roland Carstairs to prevent the theft of the Star of Rhodesia, an enormous diamond owned by Carstairs' mother, Lady Margaret. Believing the diamond will be stolen on a train trip from London to Edinburgh, Holmes deftly switches diamonds with Lady Margaret while in her compartment. Soon after, Roland is murdered and the fake diamond is stolen. Red herrings abound as Holmes, aided by Dr. Watson and Inspector Lestrade, discover the murderer's hiding place and deduce that long-time foe Moriarty's henchman Colonel Sebastian Moran is somehow involved in the crime.
Director(s): Roy William Neill
Production: Focus Film Entertainment
 
IMDB:
7.0
Rotten Tomatoes:
75%
APPROVED
Year:
1946
60 min
402 Views


Huh?

Telegram for you sir.

Thank you.

Sorry old man,

I'm afraid my friend

owes you an apology.

Oh that's all

right Watson.

In a case like this

naturally everyone

is suspected.

Oh we all make mistakes,

even Holmes is

not infallible

and after all

the killer is still

at large you know?

Yes he is isn't he?

Well good night.

Good night, oh

boy, don't worry.

I think I'll have

another little chat

with that

professor fellow.

Something

important Lestrade?

You have your secrets,

Mr. Holmes, I have mine.

This is Inspector

Lestrade.

Look here,

is this racket going

to continue all night?

Professor Kilbane

you told me you

were on the staff

of the University

of Edinburgh.

I said nothing

of the kind.

You most certainly

did, I heard you.

Mr. Holmes here heard you.

I merely said

that I was a professor

of mathematics

and that I was returning

to my home in Edinburgh.

Well it might

be necessary

to talk to

you again, later.

You come pounding

on this door again

and I'll have

the law on you.

I am the law.

Then stop barging in

and out of my room

like a chambermaid.

Where is everybody?

Sorry chap.

Doesn't want to open

the door probably.

This should help us.

Who shut that door?

Great Scott the guard.

The murderer came

back to the scene.

Hypodermic.

Look again old fellow.

Scratch, just a scratch.

Like the one on

Ronald Carstairs.

A small dart

apparently made with

some soluble substance.

Probably a gelatin

preparation

that melts in the wound.

That's why you couldn't

see anything on Carstairs.

The murderer was about

to get rid of the body

and heard the knock

and became frightened.

Here let me have

that will you?

Come away from that door.

Were you seen

coming in here?

No.

Sherlock Holmes

and the fat bloke

are in the

luggage van now.

How about the guard

in the corridor?

He didn't see me.

I fixed him temporarily.

Guard in the van dead.

I had to kill him.

Here you'd

better take this.

This isn't the

Star of Rhodesia.

You wouldn't be trying to

double cross me would you?

Sherlock Holmes

got the diamond

and replaced it with

this imitation.

Now that Scotland

Yard Inspector

has the real Star

of Rhodesia.

Was he with Holmes and

Watson in the luggage van?

No.

Good then he's probably

in his compartment.

But you'll have to hurry.

I don't like it.

Neither do I.

All you have to do

is to relieve him

of the diamond.

Scotland Yard

Inspector why that...

that's something

different.

Naturally it will be

more money for you,

you'd like that

wouldn't you?

Come on.

He's in there.

He's got the diamond.

You use this.

No.

No don't shoot.

No don't shoot.

Hello.

That fellow you put

on guard isn't there.

So I've observed.

Strange.

What is?

Lestrade!

Here.

Help me to get him

up on to this seat.

He's coming to.

Hand me that

water, will you?

Oh it's nothing

very serious.

I'll attend to him

properly later on.

Poisoned like the others.

It's gone.

The diamond's gone.

Gone?

Yeah.

Hadn't we better search

the murderer at once?

It's no use old fellow,

the man who killed him

has the Star

of Rhodesia.

What's this?

It's an air

pistol Lestrade

that fires a poison dart.

It's quite an

unusual design.

You were attacked because

you had the diamond.

Fortunately this

wasn't used on you.

We're coming to a stop.

Police.

Scottish police.

I don't feel up

to it Mr. Holmes,

would you be good

enough to talk to them?

Certainly.

Thank you.

You keep quiet old boy.

Be back in a minute.

Mr. Holmes, this is

Inspector Macdonald

with the Edinburgh police.

How do you do?

I happen to be in this

district on another case

and I received

this telegram

from headquarters.

You will want to talk

to Inspector Lestrade.

In due time but

I'm in charge here.

This is Scotland

you've crossed the border.

We've had a spot of

trouble here Inspector.

That's why I'm here.

And who are you

might I ask?

Mr. Sherlock Holmes.

The private

inquiry agent hey?

I've heard of you.

Heard of him?

Mr. Holmes has

practically

solved this case already.

Watson

Will you

clear the dining car

I want to ask a

few questions.

Yes sir.

And see that no one

leaves this compartment

until I need him

for questioning.

Very good sir.

Inspector Lestrade asked

me to sit in with you.

It's a bit unusual but...

Scotland Yard

thinks a great deal

of Sherlock Holmes.

They frequently

ask his advice.

Scotland Yard hey?

Where is this

Inspector Lestrade?

Now Watson will you see

if Inspector Lestrade

has sufficiently recovered

to come into

the dining car?

Right you are.

Ms. Vedder, I know

all about you

and frankly

you're in for it.

All I did was

buy a coffin

and bring it on the train.

In my opinion

this is a matter

for Scotland Yard.

Scotland Yard's

jurisdiction ended

when you crossed the

border Inspector.

So you say.

That's a

matter of opinion.

Ms. Vedder's

unquestionably

in the plot.

But you may not know

Colonel Moran however.

I don't.

Colonel Sebastian Moran?

Is he in this?

You know him?

Unfortunately I do.

You may return to

your compartment.

You said unfortunately.

I once had an encounter

with Colonel Moran.

The only time in

my entire career

I've been bestead.

The cleverest criminal

since the late

Professor Moriarity.

And that I can concur.

Where is this

Sebastian Moran?

He's traveling

on this train

under the name of

Major Duncan Bleek.

What on Earth are

you talking about?

Are you serious

Mr. Holmes?

Constable, bring

in Duncan Bleek.

Aye sir.

Duncan Bleek?

But he paid for the

gentleman at Lords.

Come in.

Duncan Bleek?

Yes.

Inspector Macdonald

would like to see you.

All right.

Colonel Sebastian

Moran hey?

It will give me great

pleasure, Mr. Holmes,

to meet up with that

scoundrel again.

You wanted to see me?

Yes Colonel Moran,

you're under arrest.

So you've managed

to convince them

that I'm the mythical

Colonel Moran?

Not mythical Colonel.

Have you forgotten

that affair at Inverness

three years ago?

I've never been to

Inverness in my life.

Do you mind if

I search you?

Go ahead.

For an innocent man,

you carry strange

things in your pockets.

A retired Army

officer, India.

But you're in

Scotland now

and there's a law against

carrying firearms.

Well you satisfied?

Not quite Colonel.

Now I'm satisfied.

This clears things

up pretty well.

You'll be coming into

Topham in a few minutes.

The train doesn't stop

at Topham I'm afraid.

I'm afraid you're

wrong this time Holmes.

This train will

stop at Topham.

You're only delaying the

inevitable Colonel Moran.

You can't get away.

Out of the way Inspector.

All right Inspector

Macdonald here's your man.

Who pulled that cord?

It's all right Conductor,

we get off here

with our prisoner.

Constable take him off.

That was quite a struggle

Inspector Macdonald.

Good work Mr. Holmes.

Perhaps I

underestimated you.

Was it you who hit me?

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Frank Gruber

Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer. He was an author of stories for pulp fiction magazines. He also wrote dozens of novels, mostly Westerns and detective stories. Gruber wrote many scripts for Hollywood movies and television shows, and was the creator of three TV series. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder. Gruber said that as a 9-year-old newsboy, he read his first book, "Luke Walton, the Chicago Newsboy" by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition at age nine or 10, to be an author. He had written his first book before age 11, using a pencil on wrapping paper. Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as forty stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips. February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents. Answering an ad in the Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had lots of money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write. In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934. There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week). In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous. Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750). January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946. Gruber—who stated that only seven types of Westerns existed—wrote more than 300 stories for over 40 pulp magazines, as well as more than sixty novels, which had sold more than ninety million copies in 24 countries, sixty five screenplays, and a hundred television scripts. Twenty five of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo, The Texan and Shotgun Slade. His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called "The Kansan", starting Richard Dix. The book has been reprinted many times with total sales of over one million copies. He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox. more…

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Submitted on August 05, 2018

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