Terror in the Aisles Page #3

Synopsis: Donald Pleasance and Nancy Allen take us through some of Hollywood's most terrifying moments in horror history in this anthology, which features many of the finest science fiction, crime drama and horror films of the 1930s through 1980s. Included are Night of the Living Dead (1968), Psycho (1960), Rosemary's Baby (1968), The Texas Chain Saw Massacre (1974), Jaws (1975), Jaws 2 (1978), The Fog (1980), Halloween (1978) and Halloween II (1981), as well as countless others. Blood and gore abound making this movie not very much for the squeamish.
Director(s): Andrew J. Kuehn
Production: MCA Universal Home Video
 
IMDB:
6.4
Rotten Tomatoes:
57%
R
Year:
1984
84 min
63 Views


What l did to Ginger, it ain't

nothing to what l'm

gonna do to you.

Or totally deranged.

F***!

However unstable

the villains...

Why'd you kill the woman?

I wanted to.

So why don't you kill me?

In due time.

(BABY CRYlNG)

they are the ultimate

figures in power.

That hurt? No.

I should think it would.

You should take better

care of your teeth.

You have quite a cavity here.

Is it safe?

Look, l told you, l can't...

(SCREAMS)

(DlSCO MUSlC PLAYlNG)

HOST:
So no matter how much

they make us hate them,

they know how to

make us watch them.

I'll find you, b*tch!

Please...

Please stop.

Please don't worry. l'm not

going into that cavity again.

That nerve's already dying.

A live, freshly-cut nerve

is infinitely more sensitive.

(DRlLL WHlRRlNG)

So l'll just drill

into a healthy

tooth until l reach the pulp.

Unless, of course, you can

tell me that it's safe.

Wulfgar!

(GUNSHOTS)

Freeze! Hold it, motherf***er!

Son of a b*tch!

I'm coming right behind you.

Watch out by the window.

Life can be that simple.

Relief, discomfort.

Now, which of these

l next apply,

that decision is in your hands.

So, take your time

and tell me, is it safe?

HOSTESS:
We are

all born helpless.

As infants, we're dependant

on others for food,

shelter, for life itself.

We're totally vulnerable.

Slowly but surely,

we learn to be afraid.

Michael, did you

hear your father?

Out of the water now! Now!

HOSTESS:
We're taught the

difference between

right and wrong.

And yet, we're only human,

and we sometimes

take foolish risks.

Even when we know

it's dangerous.

By the time we regret

what we've done,

it may already be too late.

Get down! Get down!

But what's most

frightening of all...

(TELEPHONE RlNGlNG)

Bobby!

MAN:
Have you checked

the children?

What?

(HANGS UP) ...is that for

reasons beyond our control,

for reasons beyond

our comprehension,

(CACKLlNG)

or worst of all, for

no reason whatsoever...

The hat.

I want the hat.

(LAUGHlNG EVlLLY)

at anytime,

(LAUGHlNG EVlLLY)

at anyplace,

we may find ourselves...

a victim.

What are you?

Some kind of a**hole?

(TELEPHONE RlNGlNG)

Since vulnerability is the

key, the victim is usually

alone.

Hello?

MAN:
Why haven't you

checked the children?

And unfortunately,

in these movies,

the victim is almost

always a woman.

It's a man. l think

he's trying to scare me.

EMERGENCY OPERATOR:

An anonymous caller, ma'am?

That's right.

It's probably just some weirdo.

The city's full of them.

Wendy, let me explain

something to you.

Whenever you come in

here and interrupt

me, you're breaking

my concentration.

You're distracting me.

And it will then take me time

to get back to where l was.

Understand?

Yeah.

Now, we're gonna

make a new rule.

Whenever l'm in here,

and you hear me typing,

or whether you don't

hear me typing,

or whatever the f*** you

hear me doing in here,

when l'm in here, that

means that l am working.

That means don't come in.

Now do you think you can handle that?

Yeah.

What's wrong with the phones?

Nothing for you to worry about.

Just get some rest right now.

I'll let you know as soon as

we get ahold of your parents.

HOSTESS:
To make things worse,

she may be fully

aware of the danger,

but helpless to do

anything about it.

I need you here.

Here at the house.

Giving the villains

an edge they're

only too willing to exploit.

You've got to come

over right away.

Please, before she comes back.

(EXCLAlMS)

(GASPS lN PAlN)

(GROANS)

HOSTESS:
On the other hand,

she may be totally unaware

that she is in any

danger at all.

I have a telegram

for Dr. Potter.

Well, he's not in. I'll take it.

I may only give it to him.

Well, l'm his wife. l think

you could give it to me.

When will he return?

I don't know.

Sometime this afternoon.

Do you wanna come back later?

You can rest assured l will.

Well,

l'm very confused.

I just need a chance

to think things over.

You've had your whole f***ing

life to think things over!

What good's a few minutes

more going to do you now?

Stay away from me! Please!

Don't hurt me!

I'm not gonna hurt you.

Stay away from me!

Wendy...

Stay away!

Darling. Light of my life.

I'm not gonna hurt you.

You didn't let me

finish my sentence.

I said, "l'm not

going to hurt you."

l'm just going to

bash your brains in.

You really scared me.

If that's what you wanted.

Is that what you wanted?

MAN:
No.

What do you want?

Your blood...

all over me.

Laurie! Laurie, wait!

Wait, Laurie!

(GASPlNG)

Little pigs, little

pigs, let me come in.

Not by the hair on your

chinny, chin-chin?

Then l'll huff, and l'll puff,

and l'll blow your house in!

Please, can't you help me?

I'm all alone here.

EMERGENCY OPERATOR: Okay.

Now take it easy.

I'll tell you what.

If this guy calls you again...

He will call again!

I know he will!

All right. Now calm down.

Look, I can alert

the phone company,

so that if he calls again we

can try to trace the call.

(MUFFLED PANTlNG AND CRYlNG)

(SCREAMS)

Jack! Please!

(SCREAMS)

(GROANS)

Help!

Please!

(BANGlNG ON DOOR)

Help! Help!

(TELEPHONE RlNGlNG)

Leave me alone!

Jill, this is Sergeant Sacker!

Listen to me!

We've traced the call. lt's

coming from inside the house.

A squad car's on the way

over there right now.

Just get out of that house!

(WENDY SCREAMlNG)

Here's Johnny!

Michael, stop!

(WHlSPERlNG) Danny.

l can't get out!

Run!

Run and hide!

Come out, come out,

wherever you are.

It's time, Michael.

HOST:
You don't have to be

looking for trouble to find it.

ELlZABETH:
l have seen

these flowers all over.

They're growing like

parasites on other plants.

All of a sudden. Where

are they coming from?

Outer space?

What are you talking about?

A space flower?

ELlZABETH:
Well, why

not a space flower?

Why do we always

expect metal ships?

HOST:
Evil can come

from anywhere.

Arriving mysteriously

from outer space,

or appearing suddenly

here on Earth.

There's a fog bank out there.

On land or at sea.

(LOUD KNOCKlNG ON DOOR)

Environments once familiar,

even pleasurable,

become bewildering,

and ominous...

(GASPlNG AND PANTlNG)

concealing and

protecting the enemy.

I wanna see who it is.

No.

Can't l stay for

two more seconds?

Go to your room.

While leaving us...

Okay, okay. l'm going.

(MUFFLED STRUGGLlNG)

exposed.

Oh, God!

(SCREAMlNG)

(ALARM SOUNDlNG)

But of course, nature

is not always to blame.

I don't know what the

hell's in there,

but it's weird and pissed

off, whatever it is.

Malevolent life forms from other

worlds may jeopardize

our position

as the supreme beings

on this planet.

DR. BLAlR:
You see what

we're talking about here

is an organism that

imitates other life forms,

and it imitates them perfectly.

When this thing

attacked our dogs it

tried to digest

them, absorb them,

and in the process, shape its

own cells to imitate them.

That's not dog, its imitation.

We got to it before it

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Margery Doppelt

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