Terror in the Aisles Page #4
- R
- Year:
- 1984
- 84 min
- 63 Views
had time to finish.
Finish what?
See.
Jack.
(EXCLAlMS)
Jack!
I'll get the police.
NANCY:
Elizabeth, wake up.They get you when you sleep.
Sit up!
WOMAN:
Wait rightthere, Mr. Bennell.
How do you know my name?
Hang up, Matthew.
I didn't tell you my name!
Hang up.
I didn't tell them my name!
They're all a part of it.
They're all pods, all of them.
It's happening now.
They grow out of those pods.
HOST:
How do we fightwhat we don't understand?
How can we triumph
over the unknown?
Evil doesn't have to
come from another world
to control life here on Earth.
Our oldest fear,
the devil himself, can
take on any form.
Even that of a child.
Have no fear, little one.
I am here to protect thee.
KATHERlNE:
Damien!Damien!
Damien, look at me.
Look at me, Damien.
Lt's all for you.
(EXCLAlMS)
(YELLlNG)
(BREATHlNG DEMONlCALLY)
(GROWLlNG)
All right then,
Regan, let's see...
Regan!
Keep away! The sow is mine!
F*** me! F*** me!
Please, come in.
HOST:
More frightening, still, arethose who worship
the power of evil.
That whole bunch.
The parties with the singing and
the flute and the chanting,
those are esbats.
They're Sabbaths.
. . Honey, don't get excited.
Read what they do, Guy. They
use blood in their rituals.
And the blood that has the
most power is baby's blood.
And they don't just use the
blood, they use the flesh, too.
Rosemary, for God's sakes!
They're not setting foot in
this apartment ever again.
And they're not coming
within 50 feet of the baby.
They're old people. They
have a bunch of old friends!
Dr. Shand happens to
play the recorder!
I'm not taking any chances
with the baby's safety.
Well, you're not going.
I already said l would.
You tell that boy
you're not going
or we're gonna move from here!
No.
We'll move from here and you'll
never see that boy again.
HOST:
The potential for evil maybe hidden within all of us.
Most of us never discover it.
Please sit and talk to me!
Some of us do.
I'm going, Mama.
And you can't stop me.
And l don't wanna talk
about it anymore.
HOST:
Who are we?KARRAS:
Are you comfortable, Regan?Yes.
How old are you?
Twelve.
Is there someone inside you?
Sometimes.
Somebody in this camp
ain't what he appears to be.
Right now, that may
be one or two of us.
By spring, it could
be all of us.
So how do we know who's human?
If l was an imitation,
a perfect imitation,
how would you know
if it was really me?
I'm speaking to the person
inside of Regan now.
If you are there, you
too are hypnotized,
and must answer all my questions.
Come forward and answer me now.
HOST:
What is inside us?(GROWLlNG)
And what if that, which we held
back, suddenly were let go?
(GROWLlNG)
(YELLlNG lN PAlN)
(SCREAMlNG)
Chris!
Mrs. MacNeil.
You got to be f***ing kidding.
(CREATURE SCREECHlNG)
l cast you out!
This servant of God.
(GROWLlNG)
lt is he who commands you!
He who flung you
from the heights
of Heaven to the
depths of hell!
This is not a human child.
Make no mistake.
(YELLlNG)
(PANTlNG)
What have you done to it?
What have you done to its eyes?
He has his father's eyes.
What are you talking about?
Guy's eyes are normal.
What have you done
to him, you maniacs?
Satan is his father, not Guy.
Oh, God!
No! Please, Daddy, no!
No, Daddy. No!
God, help me!
God is dead! Satan lives!
WOMAN:
Hail, Satan!HOST:
ln a world whereevil plays without rules,
no one is beyond reach.
(GRUNTS)
Amen.
HOST:
lt's no longer aquestion... NANCY: Matthew?
Of what's to become of us.
NANCY:
Matthew.You son of a b*tch!
(GROANlNG DEMONlCALLY)
Take me! Come into me!
But rather, what
we're to become.
God damn you! Take me!
No!
HOSTESS:
Now what'sthe one thing
these films have in common?
JOHN:
My only comment wouldbe highly censorable.
People in trouble.
And what's the easiest
way to get into trouble?
FRANCES:
Give up, John.Admit who you are.
You know as well as I do,
this necklace is imitation.
HOSTESS:
Sex.She loves me man.
And it always has been.
Even in this light, l can tell
where your eyes are looking.
Ever had a better offer
in your whole life?
HOSTESS:
Even in real life,sex has its dangers.
I shouldn't have been so rude.
Thank you for picking up...
Because it makes
people take chances.
(WOMAN MOANS)
But usually, they survive.
(MOANlNG)
In a terror film, you don't
even have to take a chance.
Just take a walk alone at night,
and that may be the
last we see of you.
(EXCLAlMS)
A moonlight swim in the nude
is definitely a bad idea.
NlCKl:
Max!In the bedroom,
anything can happen.
Nicki, don't.
Now, we take Master
Charge, Visa,
American Express,
but not for tips.
Heaven help you if sex
is your profession.
Okay, that's not
really true, you
can put tips on
Visa if you want.
These films will put
an end to your career,
permanently.
(GROWLlNG) Oh, my God!
(SCREAMlNG AND PANTlNG)
My angel. My angel.
(PANTlNG AND MOANlNG)
LlZ:
He orders me to strip.I do it.
Keeping one eye on the razor.
He drops his pants.
He forces me down on my stomach.
Kneels down behind me and
rests the cold blade...
(THUNDER CLAPS)
ln terror films, sex rarely
ends with pleasure.
It ends in violence.
(SHUSHlNG)
Now, l'm gonna take my
hand off your mouth.
If you scream...
Bam!
Now let's try it.
That's good. That's real good.
Come on, take it, baby.
Don't be modest.
(GROANS)
HOSTESS:
And sinceyou're never more
vulnerable than
when you're naked,
the bathroom is the most
dangerous place of all.
(SCREAMS)
PETER:
Well, that'swhat you all do.
You make a man think
that he's accepted.
It's all just a great
big game to you.
Well, what do you think?
I'm sure it comes as no great
surprise to you when l say that
there are little
corners in everyone,
which were better
off left alone.
Hello! Hello?
I watched you today.
What?
But that's your stock in trade,
isn't it, a man's weakness?
Little sicknesses, which
should never be exposed.
Would you mind not doing that?
And l was never really
fully aware of mine
until you brought them out.
I have no idea what
l'm going to do,
and l'm so deeply puzzled.
I've done terrible things.
I've killed three people.
But yet, l don't consider
myself a terrible man.
No more than...
than others.
I know you're expecting some
kind of extravagant behavior.
So it doesn't make any difference
what l do anymore, does it?
PETER:
l will not harmyou at all physically.
ARLYN:
Why don't you...Why don't you make
yourself comfortable.
Why don't you...
l am perfectly comfortable.
Just put your head down.
You have such lovely
long blonde hair.
Turn your head. Like that.
Don't! Don't!
(SCREAMlNG)
Now!
MAN:
God damn you, b*tch!HOST:
ln the beginning, horror filmswere dominated by the classic figures.
Frankenstein, Dracula,
and The Wolf Man.
But as the years passed...
The bride of Frankenstein.
They began to lose their shock value.
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"Terror in the Aisles" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/terror_in_the_aisles_19543>.
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