Terror in the Aisles Page #4

Synopsis: Donald Pleasance and Nancy Allen take us through some of Hollywood's most terrifying moments in horror history in this anthology, which features many of the finest science fiction, crime drama and horror films of the 1930s through 1980s. Included are Night of the Living Dead (1968), Psycho (1960), Rosemary's Baby (1968), The Texas Chain Saw Massacre (1974), Jaws (1975), Jaws 2 (1978), The Fog (1980), Halloween (1978) and Halloween II (1981), as well as countless others. Blood and gore abound making this movie not very much for the squeamish.
Director(s): Andrew J. Kuehn
Production: MCA Universal Home Video
 
IMDB:
6.4
Rotten Tomatoes:
57%
R
Year:
1984
84 min
63 Views


had time to finish.

Finish what?

See.

Jack.

(EXCLAlMS)

Jack!

I'll get the police.

NANCY:
Elizabeth, wake up.

They get you when you sleep.

Sit up!

WOMAN:
Wait right

there, Mr. Bennell.

How do you know my name?

Hang up, Matthew.

I didn't tell you my name!

Hang up.

I didn't tell them my name!

They're all a part of it.

They're all pods, all of them.

It's happening now.

They grow out of those pods.

HOST:
How do we fight

what we don't understand?

How can we triumph

over the unknown?

Evil doesn't have to

come from another world

to control life here on Earth.

Our oldest fear,

the devil himself, can

take on any form.

Even that of a child.

Have no fear, little one.

I am here to protect thee.

KATHERlNE:
Damien!

Damien!

Damien, look at me.

Look at me, Damien.

Lt's all for you.

(EXCLAlMS)

(YELLlNG)

(BREATHlNG DEMONlCALLY)

(GROWLlNG)

All right then,

Regan, let's see...

Regan!

Keep away! The sow is mine!

F*** me! F*** me!

Please, come in.

HOST:
More frightening, still, are

those who worship

the power of evil.

That whole bunch.

The parties with the singing and

the flute and the chanting,

those are esbats.

They're Sabbaths.

. . Honey, don't get excited.

Read what they do, Guy. They

use blood in their rituals.

And the blood that has the

most power is baby's blood.

And they don't just use the

blood, they use the flesh, too.

Rosemary, for God's sakes!

They're not setting foot in

this apartment ever again.

And they're not coming

within 50 feet of the baby.

They're old people. They

have a bunch of old friends!

Dr. Shand happens to

play the recorder!

I'm not taking any chances

with the baby's safety.

Well, you're not going.

I already said l would.

You tell that boy

you're not going

or we're gonna move from here!

No.

We'll move from here and you'll

never see that boy again.

HOST:
The potential for evil may

be hidden within all of us.

Most of us never discover it.

Please sit and talk to me!

Some of us do.

I'm going, Mama.

And you can't stop me.

And l don't wanna talk

about it anymore.

HOST:
Who are we?

KARRAS:
Are you comfortable, Regan?

Yes.

How old are you?

Twelve.

Is there someone inside you?

Sometimes.

Somebody in this camp

ain't what he appears to be.

Right now, that may

be one or two of us.

By spring, it could

be all of us.

So how do we know who's human?

If l was an imitation,

a perfect imitation,

how would you know

if it was really me?

I'm speaking to the person

inside of Regan now.

If you are there, you

too are hypnotized,

and must answer all my questions.

Come forward and answer me now.

HOST:
What is inside us?

(GROWLlNG)

And what if that, which we held

back, suddenly were let go?

(GROWLlNG)

(YELLlNG lN PAlN)

(SCREAMlNG)

Chris!

Mrs. MacNeil.

You got to be f***ing kidding.

(CREATURE SCREECHlNG)

l cast you out!

This servant of God.

(GROWLlNG)

lt is he who commands you!

He who flung you

from the heights

of Heaven to the

depths of hell!

This is not a human child.

Make no mistake.

(YELLlNG)

(PANTlNG)

What have you done to it?

What have you done to its eyes?

He has his father's eyes.

What are you talking about?

Guy's eyes are normal.

What have you done

to him, you maniacs?

Satan is his father, not Guy.

Oh, God!

No! Please, Daddy, no!

No, Daddy. No!

God, help me!

God is dead! Satan lives!

WOMAN:
Hail, Satan!

HOST:
ln a world where

evil plays without rules,

no one is beyond reach.

(GRUNTS)

Amen.

HOST:
lt's no longer a

question... NANCY: Matthew?

Of what's to become of us.

NANCY:
Matthew.

You son of a b*tch!

(GROANlNG DEMONlCALLY)

Take me! Come into me!

But rather, what

we're to become.

God damn you! Take me!

No!

HOSTESS:
Now what's

the one thing

these films have in common?

JOHN:
My only comment would

be highly censorable.

People in trouble.

And what's the easiest

way to get into trouble?

FRANCES:
Give up, John.

Admit who you are.

You know as well as I do,

this necklace is imitation.

HOSTESS:
Sex.

She loves me man.

And it always has been.

Even in this light, l can tell

where your eyes are looking.

Ever had a better offer

in your whole life?

HOSTESS:
Even in real life,

sex has its dangers.

I shouldn't have been so rude.

Thank you for picking up...

Because it makes

people take chances.

(WOMAN MOANS)

But usually, they survive.

(MOANlNG)

In a terror film, you don't

even have to take a chance.

Just take a walk alone at night,

and that may be the

last we see of you.

(EXCLAlMS)

A moonlight swim in the nude

is definitely a bad idea.

NlCKl:
Max!

In the bedroom,

anything can happen.

Nicki, don't.

Now, we take Master

Charge, Visa,

American Express,

but not for tips.

Heaven help you if sex

is your profession.

Okay, that's not

really true, you

can put tips on

Visa if you want.

These films will put

an end to your career,

permanently.

(GROWLlNG) Oh, my God!

(SCREAMlNG AND PANTlNG)

My angel. My angel.

(PANTlNG AND MOANlNG)

LlZ:
He orders me to strip.

I do it.

Keeping one eye on the razor.

He drops his pants.

He forces me down on my stomach.

Kneels down behind me and

rests the cold blade...

(THUNDER CLAPS)

ln terror films, sex rarely

ends with pleasure.

It ends in violence.

(SHUSHlNG)

Now, l'm gonna take my

hand off your mouth.

If you scream...

Bam!

Now let's try it.

That's good. That's real good.

Come on, take it, baby.

Don't be modest.

(GROANS)

HOSTESS:
And since

you're never more

vulnerable than

when you're naked,

the bathroom is the most

dangerous place of all.

(SCREAMS)

PETER:
Well, that's

what you all do.

You make a man think

that he's accepted.

It's all just a great

big game to you.

Well, what do you think?

I'm sure it comes as no great

surprise to you when l say that

there are little

corners in everyone,

which were better

off left alone.

Hello! Hello?

I watched you today.

What?

But that's your stock in trade,

isn't it, a man's weakness?

Little sicknesses, which

should never be exposed.

Would you mind not doing that?

And l was never really

fully aware of mine

until you brought them out.

I have no idea what

l'm going to do,

and l'm so deeply puzzled.

I've done terrible things.

I've killed three people.

But yet, l don't consider

myself a terrible man.

No more than...

than others.

I know you're expecting some

kind of extravagant behavior.

So it doesn't make any difference

what l do anymore, does it?

PETER:
l will not harm

you at all physically.

ARLYN:
Why don't you...

Why don't you make

yourself comfortable.

Why don't you...

l am perfectly comfortable.

Just put your head down.

You have such lovely

long blonde hair.

Turn your head. Like that.

Don't! Don't!

(SCREAMlNG)

Now!

MAN:
God damn you, b*tch!

HOST:
ln the beginning, horror films

were dominated by the classic figures.

Frankenstein, Dracula,

and The Wolf Man.

But as the years passed...

The bride of Frankenstein.

They began to lose their shock value.

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Margery Doppelt

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Submitted on August 05, 2018

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