The Apartment Page #9
SHELDRAKE:
And Mr. Kirkeby tells me that
several nights a week you work late
at the office -- without overtime.
BUD:
(modestly)
Well, you know how it is -- things
pile up.
SHELDRAKE:
Mr. Vanderhof, in Public Relations,
and Mr. Eichelberger, in Mortgage
and Loan -- they'd both like to
have you transferred to their
departments.
BUD:
That's very flattering.
Sheldrake puts the report down, takes off his glasses, leans
across the desk toward Bud.
SHELDRAKE:
Tell me, Baxter -- just what is it
that makes you so popular?
BUD:
I don't know.
SHELDRAKE:
Think.
Bud does so. For a moment, he is a picture of intense
concentration. Then --
BUD:
Would you mind repeating the
question?
SHELDRAKE:
Look, Baxter, I'm not stupid. I
know everything that goes on in
this building -- in every
department -- on every floor --
every day of the year.
BUD:
(in a very small voice)
You do?
SHELDRAKE:
(rises, starts pacing)
In 1957, we had an employee here,
name of Fowler. He was very popular,
too. Turned out he was running a
bookie joint right in the Actuarial
Department tying up the switchboard,
figuring the odds on our I.B.M.
machines -- so the day before the
Kentucky Derby, I called in the
thirteenth floor.
BUD:
(worried)
The Vice Squad?
SHELDRAKE:
That's right, Baxter.
BUD:
What -- what's that got to do with
me? I'm not running any bookie joint.
SHELDRAKE:
What kind of joint are you running?
BUD:
Sir?
SHELDRAKE:
There's a certain key floating
around the office -- from Kirkeby
to Vanderhof to Eichelberger to
Dobisch -- it's the key to a
certain apartment -- and you know
who that apartment belongs to?
BUD:
Who?
SHELDRAKE:
Loyal, cooperative, resourceful C.
C. Baxter.
BUD:
Oh.
SHELDRAKE:
Are you going to deny it?
BUD:
No, sir. I'm not going to deny it.
But if you'd just let me explain --
SHELDRAKE:
You better.
BUD:
(a deep breath)
Well, about six months ago -- I was
going to night school, taking this
course in Advanced Accounting --
and one of the guys in our
department -- he lives in Jersey --
he was going to a banquet at the
Biltmore -- his wife was meeting
him in town, and he needed someplace
to change into a tuxedo -- so I
gave him the key and word must
have gotten around -- because the
next thing I knew, all sorts of
guys were suddenly going to
banquets -- and when you give the
key to one guy, you can't say no to
another and the whole thing got out
of hand -- pardon me.
He whips out the nasal-spray, administers a couple of quick
squirts up each nostril.
SHELDRAKE:
Baxter, an insurance company is
founded on public trust. Any
employee who conducts himself in a
manner unbecoming --
(shifting into a new gear)
How many charter members are there
in this little club of yours?
BUD:
Just those four -- out of a total
of 31,259 -- so actually, we can be
very proud of our personnel --
percentage-wise.
SHELDRAKE:
That's not the point. Four rotten
apples in a barrel -- no matter how
large the barrel -- you realize
that if this ever leaked out --
BUD:
Oh, it won't. Believe me. And it's
not going to happen again. From now
apartment --
In his vehemence he squeezes the spray bottle, which squirts
all over the desk.
SHELDRAKE:
Where is your apartment?
BUD:
West 67th Street. You have no idea
what I've been going through --
with the neighbors and the landlady
and the liquor and the key --
SHELDRAKE:
How do you work it with the key?
BUD:
Well, usually I slip it to them in
the office and they leave it under
the mat -- but never again -- I can
promise you that --
The phone buzzer sounds, and Sheldrake picks up the phone.
SHELDRAKE:
Yes, Miss Olsen.
INT. SHELDRAKE'S ANTEROOM - DAY
Miss Olsen is on the phone.
MISS OLSEN:
Mrs. Sheldrake returning your
call -- on two --
She presses a button down, starts to hang the phone up,
glances around to see if the typists are watching, then
raises the receiver to her ear and eavesdrops on the
conversation.
INT. SHELDRAKE'S OFFICE - DAY
Sheldrake is talking into the phone.
SHELDRAKE:
Yes, dear -- I called you earlier --
where were you? Oh, you took Tommy
to the dentist --
During this, Bud has risen from his chair, started inching
toward the door.
SHELDRAKE:
(turning to him)
Where are you going, Baxter?
BUD:
Well, I don't want to intrude --
and I thought -- since it's all
straightened out anyway --
SHELDRAKE:
I'm not through with you yet.
BUD:
Yes, sir.
SHELDRAKE:
(into phone)
The reason I called is -- I won't
be home for dinner tonight. The
branch manager from Kansas City is
in town -- I'm taking him to the
theatre Music Man, what else? No,
don't wait up for me -- 'bye,
darling.
(hangs up, turns to Bud)
Tell me something, Baxter -- have
you seen Music Man?
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"The Apartment" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_apartment_287>.
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