The Big Red One Page #5

Synopsis: The story of a hardened army Sergeant and four of his men from their first fight at the Kasserine Pass after the invasion of North Africa through to the invasion of Sicily, D-Day, the Ardennes forest and the liberation of a concentration camp at the end of the war. As the five of them fight - and survive to fight yet again in the next battle - new recruits joining the squad are swatted down by the enemy on a regular basis. The four privates are naturally reluctant to get to know any of the new recruits joining the squad, who become just a series of nameless faces.
Genre: Drama, War
Director(s): Samuel Fuller
Production: United Artists
  2 wins & 1 nomination.
 
IMDB:
7.2
Metacritic:
77
Rotten Tomatoes:
92%
R
Year:
1980
113 min
706 Views


midnight, official.

The war's been over for four hours.

Hey, sarge, the dead

Kraut, he's still warm.

- You didn't know it was over.

- He did.

He's still alive!

Sulfa.

Come on.

- Pills?

- Right here.

Live, you son of a b*tch.

You're gonna live if I have

to blow your brains out.

Saving that Kraut was the final

joke of the whole goddamned war.

We had more in common with him...

than with all our replacements who got

killed whose names we never knew.

We'd all made it through.

We were alive.

I'm gonna dedicate my book to those

who shot but didn't get shot...

because it's about survivors.

And surviving is the only glory

in war, if you know what I mean.

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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