The Bionic Woman Page #17
- TV-PG
- Year:
- 1976
- 60 min
- 746 Views
Sarah keeps talking, eyes locked on Jaime's -- but we see *
JAIME'S HAND, as she SINKS her fingers INTO THE METAL RADIATOR --*
SARAH (CONT'D)
(almost a whisper)
How do you deal with despair?
-- and Jaime SWINGS the radiator and KICKS, her foot CRACKS
into Sarah's temple as the radiator SLAMS Sarah back. *
Jaime ROLLS, comes up fast, eyes BLAZING.
JAIME:
If you're waiting for me to give up,
we're going to be here a long time.
They REGARD each other for a moment, bleeding and POISED to
attack, the apartment in RUINS around them -- and then:
SARAH:
You're hired.
(steps back)
Congratulations.
She holds out her hand -- and after a moment, Jaime TAKES
it. They shake.
SARAH (CONT'D)
Get dressed.
Jaime goes to the chair -- which has been DEMOLISHED -- and
fishes out her dust-covered clothes. As she dresses:
JAIME:
How did you know Bledsoe would lie
to me?
SARAH:
He lies like other people breathe.
When you said you were there to save
Masters -- I knew what Jonas must
have done. Because no one could
have survived those wounds. Except
maybe one of us.
(shrugging)
So I burned out the chip, to let you
see the truth.
Jaime's finished dressing, she comes up behind Sarah -
JAIME:
Thank you. For that.
83.
And lighting-fast, she SNAKES her right arm around Sarah's
NECK, CLAMPING her bionic arm TIGHT -- CHOKING her and
PRESSING on her carotid at the same time.
SARAH STRUGGLES -- JAIME holds her from behind, mouth to
Sarah's ear. *
JAIME (CONT'D)
I'm not a liar. But you people are
teaching me fast.
Sarah is GASPING, CHOKING --
JAIME (CONT'D)
So much of us is machine -- but we
still have lungs that breathe, and
hearts that beat.
Jaime RIPS open a hastily sewn seam at the bottom of her
SHIRT, pulling out a small SYRINGE -
JAIME (CONT'D)
We're human. That part of us can't
be cut away.
-- and she JAMS the syringe into Sarah's NECK, INJECTS her.
Jaime LETS GO of Sarah -- Sarah WHIRLS on her, but then
STAGGERS, uncertain. She looks at Jaime, HORRIFIED.
SARAH:
What... did you... ?
JAIME:
I tranked you, that's all. You're
coming back with us.
Sarah LURCHES toward her, SWAYING, barely able to stand.
JAIME (CONT'D) *
Just tell me -- why did you kill *
Eric? So you could be the only one *
with bionics? *
Sarah GRABS Jaime by the arm, trying to stay upright.
SARAH:
No one... should ever have been...
(tries again)
He shouldn't have done it. To me.
To anyone. I killed him... to...
stop him...
And Sarah PASSES OUT. Jaime CATCHES her as she falls,
lowering her with surprising GENTLENESS to the floor.
84.
Outside the window, the MOON shines full and cold, casting
pale light over the shabby tenement.
In the streaming moonlight, Jaime stands perfectly still -and
LISTENS.
SFX as we hear the BIONIC EAR engaged -- it's like listening
to a RADIO, tuning rapidly through different FREQUENCIES as
she listens in on different ROOMS -
MAN'S VOICE 1 (O.S.)
MAN'S VOICE 2 (O.S.)
-- your turn to get the smokes -
MAN'S VOICE 3 (O.S.)
-- give me that! -
MAN'S VOICE 4 (O.S.)
-- what we want to know, and this
can all stop -
RADCLIFFE (O.S.)
Screw --you.
JAIME freezes, tilting her head -- SFX as the VOICES and
SOUNDS become LOUDER, CRYSTAL CLEAR, as she HOMES in on them -
MAN'S VOICE 4
You could make this stop, Jae, anytime
you want -
Jaime looks UPWARDS, following the sound --
POV JAIME, VFX BIONIC EYE -- as the ear TRIANGULATES, the
heads-up display ZEROES in on an AREA, showing a rough
SCHEMATIC of distance and area --outlining a ROOM on the
top floor.
JAIME:
(to unconscious Sarah)
I'll pick you up on the way out.
And Jaime heads for THE WINDOW.
EXT. TENEMENT -- NIGHT
Jaime climbs smoothly out the window, looking UPWARDS -
VFX BIONIC EYE, as the TARGETING DISPLAY narrows to THE SAME
ROOM on the top floor.
Jaime looks upward, GAUGING the distance -- and JUMPS.
She SHOOTS up -- CATCHES herself ON THE LIP OF THE ROOF, *
bionic fingers DIGGING into the cement like it was CLAY.
85.
She's HANGING right outside the window of the room -- the
window is BOARDED UP. She SWINGS backwards like a gymnast -and
SLAMS her legs feet-first INTO THE WINDOW.
JAIME comes SAILING into the room in a HAIL of shattered
glass and splintered wood, landing in a CROUCH on the floor.
In a SPLIT SECOND she takes in the scene -
ONE THUG AND BRETT are busily SHOVING RADCLIFFE headfirst
into a filthy SINK, holding him face-down in moldy water, as
TWO OTHER THUGS look on, guns loosely in their hands, while
JAE AND THE OTHER GUYS are chained against the wall. Jae is
SHIRTLESS, cloth over his shoulder wound, soaked in BLOOD.
VFX BIONIC EYE as it TARGETS instantly, ranking THREAT
ASSESMENT for each THUG, IDENTIFYING their WEAPONS -- and
JAIME ATTACKS.
She's a BLUR of motion, SLAMMING into the first Thug before
he knows what hit him, KICKING out to catch the second across
his jaw, his gun going FLYING from his hand as he COLLAPSES.
THUG 3 AND BRETT frantically draw their guns as Jaime LEAPS
for them, PUNCHING Thug 3 so hard he SAILS across the room,
DENTING the wall. She WHIRLS to face Brett -
KERBLAMMM! Brett is THROWN BACKWARDS, SHOT right through the
heart. Jaime turns to see
JAE, shakily holding the Thug's gun in his chained hands.
Jaime strides over to Jae.
JAIME:
Time to go. Unless you still need
to work on your trust issues.
Jae looks up at her, pale from loss of blood, but still
manages a ghost of a smile.
JAE:
I'm good.
She reaches down, TEARS the chains on his arms like PAPER.
INT. STAIRWELL -- TENEMENT -- NIGHT
THE SPEC OPS GUYS move quickly and silently down the stairs,
armed with the Thugs' guns. Jaime supports Jae, who can
barely WALK. As they pass the 2nd floor, Jaime PAUSES -
*
*
*
*
*
86.
JAIME:
I have to get Sarah. Go ahead, I'll
catch up -
The GUYS look at her, all of one mind -
DANNY:
No damned way you're going alone.
INT. TENEMENT APARTMENT -- NIGHT
Flanked by the Spec Ops Guys, Jaime OPENS the door -- and
the ruined apartment is EMPTY. Sarah is GONE.
O.S. SHOUTING and FOOTSTEPS -- Jae PULLS her from the door -JAE
Let's go, Sommers. Let's go. *
EXT. TENEMENT -- NIGHT
A black van comes SCREAMING up, door open to reveal JONAS --*
The Spec Ops Guys RACE outside, Jaime half-carrying Jae, *
bullets RICOCHETING off the van as the Team PILES in --*
MAC:
Go, go, go!
RUTH is driving -- she FLOORS IT, Jonas DOGS the door shut, *
and the van CAREENS away into the darkness.
DISSOLVE TO:
EXT. JONAS' COMPLEX -- DAWN
The first light of dawn is STREAKING the sky over the peaceful
acres of Jonas' complex.
JAIME is sitting on a boulder outside the complex, watching
the sun rise. She's beaten up, grimy. JONAS comes up behind *
her, sits down beside her.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Bionic Woman" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/the_bionic_woman_14>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In