The Birds Page #8
- PASSED
- Year:
- 1963
- 119 min
- 860,663 Views
as Lydia comes to the table. Mitch and Melanie are sitting
opposite each other in the center chairs. Cathy is serving
the last bowl of soup.
LYDIA:
(as she sits)
He got a call from Dan Fawcett a
little while ago. His chickens won't
eat, either.
CATHY:
It's what you said, Mom. Mr.
Brinkmeyer's feed is no good.
LYDIA:
(slowly)
No, Cathy. He sold Mr. Fawcett a
different brand.
(extremely worried)
You don't think they're getting sick,
do you, Mitch?
CLOSE SHOT - LYDIA
her eyes troubled as she picks up her napkin.
DISSOLVE:
The meal is over. The lovebirds in their hanging cage have
been covered for the night. In the b.g. Mitch and Lydia are
carrying the stacked dishes to the kitchen. In the f.g.
Cathy and Melanie are by a small upright piano. Melanie is
playing a Debussy Arabesque: She picks up a cigarette from
the ashtray now and again to take a puff.
CATHY:
I still don't understand how you
knew I wanted lovebirds.
MELANIE:
Your brother told me.
LYDIA:
(as she goes into
kitchen)
Then you knew Mitch in San Francisco,
is that right?
MELANIE:
No, not exactly.
CATHY:
Mitch knows lots of people in San
Francisco. Of course, they're mostly
hoods.
LYDIA:
(from the kitchen)
Cathy!
CATHY:
Well, Mom, he's the first to admit
it.
(to Melanie)
He spends half his day in the
detention cells at the Hall of
Justice.
LYDIA:
(coming from kitchen)
In a democracy, Cathy, everyone is
entitled to a fair trial. Your
brother's practice...
CATHY:
Mom, please, I know all the democracy
jazz. They're still hoods.
(to Melanie)
He's got a client now who shot his
wife in the head six times. Six times,
can you imagine it?
(she starts for living
room)
I mean, even twice would be overdoing
it, don't you think?
MELANIE:
(to Mitch as he carries
load of dishes out)
Why did he shoot her?
MITCH:
He was watching a ball game on
television.
MELANIE:
What?
MITCH:
His wife changed the channel.
He GOES INTO kitchen.
Melanie interrupts her playing to take another puff at her
cigarette.
CATHY:
Is smoking fun?
MELANIE:
Oh, I suppose so.
CATHY:
Could I have a puff?
MELANIE:
I don't think your mother would like
that.
CATHY (O.S.)
Just a little one.
They both glance conspiratorially toward the kitchen.
Quickly, Melanie extends the cigarette. Quickly, Cathy takes
a small puff.
CATHY:
(delighted)
Why, it's just like air, isn't it?
(determined)
When I grow up, I'm gonna smoke like
a chimney! I'll be eleven tomorrow,
you know.
MELANIE:
I know.
CATHY:
Are you coming to my party?
MELANIE:
I don't think so.
(seeing the child's
face)
I have to get back to San Francisco.
CATHY:
Don't you like us?
MELANIE:
(touching her hair)
Darling, of course I do!
CATHY:
Don't you like Bodega Bay?
MELANIE:
I don't know yet.
CATHY:
Mitch likes it very much. He comes
up every weekend, you know, even
though he has his own apartment in
the city. He says San Francisco is
just an ant hill at the foot of a
bridge.
MELANIE:
(smiling)
I guess it does get a little hectic
at times.
CATHY:
If you do decide to come, don't say
I told you about it. It's supposed
to be a surprise party.
Melanie laughs.
CATHY:
You see, they've got this whole
complicated thing figured out where
I'm going over to Michele's for the
afternoon, and Michele's mother is
going to say she has a headache and
would I mind very much if she took
me home. Then, when we get back here,
all of the kids'll jump out!
(pause)
Won't you come? Won't you please
come?
CLOSE SHOT - MELANIE
shaking her head, glancing toward the kitchen.
MELANIE:
I don't think so, Cathy.
INT. KITCHEN - TWO SHOT - LYDIA AND MITCH
Mitch is helping her as she loads the dishwasher.
LYDIA:
She's a charming girl, isn't she,
Mitch?
MITCH:
Yes, very.
LYDIA:
And certainly pretty.
MITCH:
Yes.
LYDIA:
How long have you known her?
MITCH:
I told you. We met yesterday.
LYDIA:
In a bird shop.
MITCH:
Yes.
LYDIA:
She was selling birds.
MITCH:
No. I only led her into believing I
believed she was... Mother, it's
really very complicated.
LYDIA:
But she did buy the lovebirds and
then brought them all the way...
MITCH:
Mother, where did you go to law
school?
LYDIA:
(laughing)
Forgive me. I suppose I'm just
naturally curious about a girl like
that.
(pause)
She's very rich, isn't she?
MITCH:
I suppose so. Her father owns a big
newspaper in San Francisco.
LYDIA:
You'd think he could manage to keep
her name out of print. She's always
mentioned in the columns, Mitch.
MITCH:
I know, Mother.
LYDIA:
She is the one who jumped into that
fountain in Rome last summer, isn't
she?
MITCH:
Yes, Mother.
LYDIA:
Perhaps I'm old-fashioned.
(pause)
I know it was supposed to be very
warm there, Mitch, but... well...
actually... well, the newspaper said
she was naked.
MITCH:
I know, Mother.
LYDIA:
It's none of my business, of course,
but when you bring a girl like that
to...
MITCH:
Mother?
LYDIA:
(looking up)
Yes?
MITCH:
I think I can handle Melanie Daniels
by myself.
LYDIA:
Well...
(she sighs)
So long as you know what you want,
Mitch.
MITCH:
I know exactly what I want, Mother.
DISSOLVE:
FULL SHOT - THE BRENNER LAWN - EXTERIOR - NIGHT
as Mitch and Melanie cross it to her car. A wind is blowing
off the water, and high fast clouds are scudding across the
face of the moon.
MITCH:
You'll be able to find your way back,
won't you?
MELANIE:
Oh, yes.
MELANIE:
Will I be seeing you again?
MELANIE:
San Francisco's a long way from here.
MITCH:
I'm in San Francisco five days a
week. With a lot of time on my hands.
I'd like to see you.
(he grins)
something. Mother tells me you like
to swim.
MELANIE:
How does Mother know what I like to
do?
MITCH:
I guess she and I read the same gossip
columns.
MELANIE:
Oh. That. Rome.
MITCH:
Mmmm. I like to swim. We might get
along very...
MELANIE:
In case you're interested, I was
pushed into that fountain.
MELANIE:
Without any clothes on?
MELANIE:
With all my clothes on! The newspaper
that ran the story happens to be a
rival of my father's paper. Anything
they said...
MITCH:
You were just a poor, innocent victim
of circumstance, huh?
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"The Birds" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/the_birds_63>.
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