The Bourne Identity Page #10

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,586 Views


BOURNE:

No. No, I mean, I really don't

know who I am. I can't remember

anything earlier than two weeks ago.

(it's not flying)

I'm serious.

MARIE:

What? Like amnesia?

BOURNE:

Look, go ahead...put the radio on...

MARIE:

Amnesia?

(total incredulity)

You're saying you don't remember

anything that happened before two

weeks ago?

BOURNE:

That's what I'm saying.

MARIE:

(German)

(Give me a f***ing break.)

BOURNE staring at her. She's furious. She's downshifting --

she's accelerating -- pulling out to pass the truck on a

blind turn, as we --

EXT. ZURICH BANK -- DAY/DUSK

APFEL emerges from the bank. Leaving work. Turns the

corner into a quiet side street and --

Up ahead, here comes another guy in a suit. It's MANHEIM

walking toward us, deep into a cell phone conversation.

Barely noticing Apfel as they get closer and --

As they pass -- MANHEIM -- it's completely out of the

blue -- he's jabbing the cellphone down into Apfel's

shoulder and --

APFEL -- no clue -- already clutching at the coronary

exploding in his chest -- dead before his body hits the

street and --

MANHEIM -- still walking -- he's never broken stride -- and

as he goes he's fiddling with the cellphone and --

INSERT -- THE CELLPHONE -- MANHEIM'S HANDS working to

retract a syringe into the device and --

MANHEIM striding away. Disappearing into Zurich...

INT. PARIS MORGUE -- NIGHT

Not the best morgue in town. Cold tile. A wall of freezers.

Death lighting. Now add some color. Meet NYKWANA WOMBOSI

in the flesh.

Meet HIS ENTOURAGE -- eight or ten of his thirty children --

two of his wives -- three of his bodyguards -- the whole

crew spread out in this horrible basement room. THE WIVES

are chatting. THE KIDS are playing, fighting and eating candy.

THE BODYGUARDS -- three of them here -- are white. These

guys are French/Corsican mercs. Not quite the A-Team. The

guy in charge of this ugly little unit is named DEAUVAGE.

Into it. Too into it.

TWO MORGUE ATTENDANTS hanging back. THE MORGUE BOSS --

who's clearly suffering this for a bribe -- moves to one of

the freezer lockers...

MORGUE BOSS:

(French)

(Okay, Monsieur Kane...number 121...)

And he pulls open FREEZER #121. And thank God we can't see

it, because whatever's inside there is clearly horrible.

THE MORGUE BOSS barely takes a glance, standing back as

quickly as possible.

DEAUVAGE -- lead bodyguard -- moves to clear a zone for his

boss --

WOMBOSI:

Get the f*** out of my way --

(pushing Deauvage

aside--)

WOMBOSI moves to the freezer box. Stares down. As if it

were nothing. He's seen -- he's made -- much, much worse.

And now he reaches down into the box -- hands on --

literally feeling around this dead, awful corpse with his

bare hands -- feeling around for something -- feeling and

feeling and not finding --

WOMBOSI:

(turning to Deauvage--)

It's not him.

DEAUVAGE looking pale as WOMBOSI slams shut the freezer.

WOMBOSI:

(quiet hard fury)

So who's crazy now?

EXT. PARIS STREET -- NIGHT

A MINI-MOTORCADE driving towards Neuilly. Two security cars.

A van full of kids and mothers. And one big Mercedes stretch.

INT. THE MERCEDES STRETCH LIMO -- NIGHT

WOMBOSI alone in the back. Looking haunted.

INT. TRUCKSTOP CAF+ -- NIGHT

It's a weird spot. Open all night. But Euro-style. Quiet

tonight. A few Alpen-truckers chowing down. A local or two

at the bar and --

BOURNE AND MARIE at a back table. Drinking coffee. He's

got the red bag open. All the passports -- the personal

junk -- the money -- all the sh*t from the Zurich bank

box -- he's been showing it to her --

And he's got her attention now.

MARIE:

And you have no idea -- not a

clue -- what came before that?

BOURNE:

No.

MARIE:

When you think of it, before the

ship -- before you wake up on the

ship, what do you see?

BOURNE:

Nothing. It's just not there.

MARIE:

Well, this is great.

(she sits back)

I'm sick of myself and you have no

idea who you are.

BOURNE:

I kept trying things, I thought if

I could find all the things I could

do, I could --

MARIE:

-- you could put it together --

BOURNE:

-- which was okay for a while, I

was okay with it...

(hesitating now)

But then -- there's all these other

things -- all these other things I

know how to do -- and this -- this

stuff from the bank and...

(suddenly flat out--)

I think something bad happened.

MARIE:

What are you talking about?

BOURNE:

I don't know.

MARIE:

Sounds like you were in an accident

or something.

BOURNE:

I was shot twice in the back.

MARIE:

Okay, so you're a victim.

BOURNE:

There was a gun. Who has a safe

deposit box with a gun and all this

money and all these passports?

MARIE:

Lots of people have guns. You're

American. Americans love guns.

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

All Tony Gilroy scripts | Tony Gilroy Scripts

0 fans

Submitted on July 17, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Bourne Identity" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/the_bourne_identity_250>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Bourne Identity

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "B.G." stand for in a screenplay?
    A Background
    B Backstory
    C Big Goal
    D Bold Gesture