The Bourne Identity Page #9

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,582 Views


BOURNE:

I want to go home.

MARIE:

For twenty thousand dollars.

BOURNE looks back from the map.

BOURNE:

I said ten thousand.

MARIE:

You have blood on your pants.

BOURNE:

Okay.

(beat)

Twenty thousand. Ten now. Ten there.

MARIE:

No. No, that was too easy --

(pacing away--)

BOURNE:

Wait up --

(after her now--)

-- just wait up --

MARIE:

-- get the f*** out of here -- all

this money, this crazy offer, I

mean give me a f***ing break with

this, this is --

(stopping because--)

BOURNE just grabbed her. Both of them shocked that he's

done this. He immediately pulls back.

BOURNE:

Look, I want a ride to Paris.

(wide open now)

That's all I want. I swear.

MARIE:

You swear?

(cold here)

That's great. I feel so much

better now.

BOURNE:

I don't want anything but a ride.

All I want to do is go home.

Silence now. She looks back. Measuring him.

MARIE:

You could buy a car for twenty

grand. You could buy this car.

BOURNE:

I don't want to go alone. I want

you to drive me to Paris. Like

we're a couple. Like we're a

couple and we're travelling

together. That's all we're doing.

MARIE:

And I don't get hurt. I get twenty

thousand dollars and I don't get hurt.

BOURNE:

I won't hurt you.

MARIE:

What if I say no?

BOURNE:

Then I'll find another ride.

EXT. ROME STREET -- DAY

CASTEL through the streets on a motorcycle. Whipping to a

stop -- stepping off the bike in front of --

U-STORE-IT STORAGE WAREHOUSE.

INT. STORAGE WAREHOUSE ELEVATOR -- DAY

CASTEL and THE ELEVATOR OPERATOR -- rising slowly through

the dark warehouse and --

INT. CASTEL'S STORAGE UNIT -- DAY

Darkness -- a key turning -- door opening -- light goes on

to reveal CASTEL standing there and we're in --

CASTEL'S STORAGE UNIT. What's in here? Like nothing. Like

a stack of old newspapers in the corner. Some mildewed

books piled along one wall. Some shitty plastic chairs.

QUICK TIME CUTS:

CASTEL working fast. Closing the door. Moving to the pile

of books. Taking the top book off. Opening it.

INSIDE THE BOX -- a timer. A small bomb. A booby-trap.

An LED light stops flashing as CASTEL'S HANDS code in his

password and --

CASTEL moving to the newspapers stacked in the corner.

Pulling away the top pile and --

A METAL LOCK BOX. Hidden here. CASTEL pulling it out.

Opening it. An empty tray on top and --

CASTEL taking off his watch. Taking off his rings. Taking

out his wallet. His Spanish passport. Emptying his pockets.

All of this goes into the empty tray and --

CASTEL lifting away this top tray -- setting it aside and --

THE METAL LOCK BOX -- there's more -- a much larger bottom

compartment -- and it's deja-vu all over again -- we're

looking at the identical contents we saw Bourne find in the

Zurich safe-deposit box.

First of all...

MONEY. Lots of it. Ten thousand dollar stacks of hundreds.

Lots of them. A GUN. A very good gun. A dozen clips of

ammo. And FIVE MORE PASSPORTS. All clean. Brand new. All

with his photo. Five different names. Four different

countries. Each one of these pristine clipped to a piece

of card stock that says:

NAME:

NATIONALITY:

PLACE OF ISSUE:

SIGNATURE SAMPLE:

A BAR CODE:

Two Italian. Two Spanish. A Portuguese.

CASTEL going for the Portuguese passport and --

EXT. ALPS HELICOPTER SHOT -- DAY

The little red car driving through The Alps.

INT. THE RED CAR -- DUSK

BOURNE staring out the window. MARIE driving. Long silence

until --

MARIE:

Just so you know, if you're gonna

burn me on the money, you might as

well kill me.

(Bourne looks over)

I was supposed to have this car

back three days ago. It's not my car.

BOURNE:

I know that.

MARIE staring at him -- glancing back to the road -- just in

time -- almost rear-ending a slow moving truck --

MARIE:

Sh*t --

(trying to settle)

Can I tell you how much you're

freaking me out? Okay? Because

you are -- you're completely

freaking me out.

BOURNE:

I'm sorry. Really. What do you

want me to do?

MARIE:

I don't know. Smile. Sneeze.

Something. You've got a bag full

of money and a ride to Paris. F***

it, I don't know...

(the radio)

What kind of music do you like?

BOURNE:

I don't know.

MARIE:

What does that mean?

BOURNE:

Listen to what you want.

MARIE:

(out of nowhere)

Who pays twenty thousand dollars

for a ride to Paris?

There it is. And she wants an answer --

BOURNE:

I don't know. I don't know who I am.

MARIE:

Yeah, well, welcome to the club.

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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Submitted on July 17, 2016

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