The Bourne Identity Page #15

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,586 Views


MARIE:

...what are you doing?...

BOURNE waving her to shut up -- crawl -- now -- back up --

get under the window -- go! --

MARIE -- he seems so sure -- it's weird, but she's doing

it -- she's under that frosted window -- down below the

sill -- looking back -- what the f*** is he doing now? --

BOURNE -- the lightbulb -- he's tossing it across the

room -- over her head -- into that frosted window and --

As she ducks down --

As it SHATTERS --

EVERYTHING STARTS HAPPENING AT ONCE

PHFT!-PHFT!-PHFT!-PHFT!-PHFT!-PHFT! -- silenced automatic

weapons fire -- raking into the apartment and --

THE FROSTED WINDOW peppered with holes and --

MARIE on the floor as THE WINDOW SHATTERS above her and --

CASTEL -- he's in the airshaft! -- hanging from an abseil

rope -- but off guard -- FIRING BLIND -- strafing the

apartment and --

BOURNE kicking that chair across the room and --

CASTEL reacting -- instinct -- moving target --

THE CHAIR just strafed to sh*t and --

BOURNE rolling away and --

CASTEL -- he's coming in -- last pieces of window frame

CRASHING AWAY as he swings into the apartment and --

MARIE -- right below him -- sh*t raining down as he flies in

and --

BOURNE throwing the knife and --

CASTEL -- turning -- too late -- the knife catching him in

the neck and --

BOURNE -- in motion -- attacking and --

CASTEL -- knife impaled in his neck -- clawing for it with

one hand -- trying to get off a shot and --

APARTMENT WALL -- PHFT!-PHFT!-PHFT!-PHFT!-PHFT! -- gunfire

tearing wildly around the room and --

BOURNE -- full-stop -- kicking the gun -- kicking it up --

ROUNDS TEARING ACROSS THE CEILING and --

MARIE -- SCREAMING NOW -- trying to crawl away and --

CASTEL -- no chance -- off balance -- BOURNE -- his open

palm driving up into CASTEL'S JAW -- the body wants to fall

backward, but BOURNE has the guy's arm in his free hand --

jerking it like rope -- tearing it from it's socket and --

THE GUN CLATTERING FREE across the floor and --

BOURNE -- his knee -- like a piston -- hard into CASTEL'S

GUT -- and then down -- his foot -- down into CASTEL'S KNEE,

shattering it and --

CASTEL is on the floor -- stunned -- wiped -- knife pouring

blood from his neck -- arm hanging like a rag doll -- bone

torn through his pant leg above the knee and --

MARIE:

omigod -- omigod -- what're you

doing? -- what're you doing? --

(incoherent fear and

confusion, German and

English and--)

-- what is he? -- what've you? --

omigod -- what is this? --

BOURNE ignoring her -- grabbing the guy's backpack --

MARIE (CONT'D)

-- what're you doing? -- Jason,

please, tell me what's happening!

BOURNE:

Open it --

(tossing Castel's

backpack behind him--)

-- do it -- what's he got in there?

CASTEL -- eyes wild -- tries to make his feet --

BOURNE (CONT'D)

Who are you?

(kicking him down--)

-- who are you?

CASTEL -- crablike against a wall -- bloody hands leaving a

mess as he struggles to get to his feet --

BOURNE:

-- who are you? -- tell me who you

are -- who sent you? --

(bearing down)

-- what is this about? -- YOU'VE

GOT TO TELL ME WHAT THIS IS ABOUT! --

CASTEL -- staring back -- eyes wild -- mouth shut -- his

expression -- is it terror or pure steel? --

BOURNE (CONT'D)

WHY ARE YOU TRYING TO KILL ME?

MARIE:

(suddenly from behind)

...omigod, no...

MARIE -- the guy's backpack -- something in her hand -- and

as freaked out as she was a moment ago -- this is worse --

BOURNE:

What? -- what? --

(attention split--)

-- what is it?

MARIE:

...this is my picture... he's got

my picture --

(holding it up, in

horror--)

-- this is me -- this is Zurich --

this...this...this is yesterday --

BOURNE:

-- just --

MARIE:

-- where does this come from? --

(to Castel)

How do you have my picture?

BOURNE:

Marie, just --

(waving her back--)

-- just stay there! -- just --

MARIE:

-- he's got my picture! -- this is

yesterday! -- this is me! --

(out of control now--)

-- where did you get my picture? --

BOURNE:

-- let me do this, okay? --

MARIE:

-- do what? -- what are you

doing? -- he's got my picture --

(just apoplectic--)

-- he's -- my God -- look at him --

he's bleeding to death -- my

picture -- look! -- he was trying

to kill us! -- omigod --

Now there's KNOCKING AT THE DOOR and --

THE CONCIERGE:

(muffled but urgent)

(Mister Bourne! Mister Bourne!

What's going on? Is everything all

right in there? --)

(and she keeps

banging and--)

MARIE is past the point of rationality and CASTEL is

bleeding and shaking and BOURNE is trying to think and it's

just impossible and --

Suddenly -- CASTEL is moving! -- and fast -- it's

superhuman -- unbelievable -- just enough spring in his good

leg and --

BOURNE bracing himself but --

CASTEL isn't attacking! -- he's running away -- he's

crossing the living room -- but there's nowhere to go --

absolutely nowhere -- except --

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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Submitted on July 17, 2016

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