The Bourne Identity Page #16

Synopsis: The story of a man (Matt Damon), salvaged, near death, from the ocean by an Italian fishing boat. When he recuperates, the man suffers from total amnesia, without identity or background... except for a range of extraordinary talents in fighting, linguistic skills and self-defense that speak of a dangerous past. He sets out on a desperate search-assisted by the initially rebellious Marie (Franka Potente) - to discover who he really is, and why he's being lethally pursued by assassins.
Production: Universal Pictures
  3 wins & 5 nominations.
 
IMDB:
7.9
Metacritic:
68
Rotten Tomatoes:
83%
PG-13
Year:
2002
119 min
$121,500,000
Website
1,586 Views


THE WINDOW:

CASTEL hurling himself into the glass and --

EXT. THE PARIS APARTMENT BUILDING -- DAY

WINDOW SHATTERING! -- CASTEL -- in a cloud of broken

glass -- sixty feet above the street --

Falling and falling and...

IMPACT! -- landing on the roof of a parked car and --

INT. THE PARIS APARTMENT -- DAY

THE APARTMENT -- BOURNE in motion -- five things at once --

checking the window -- kicking the gun away -- grabbing the

red bag -- grabbing what he can -- no time to spare and --

THE CONCIERGE:

(still outside the

door--)

(--I'm calling the police, Mr.

Bourne -- you give me no choice --

I'm calling them right away! --)

BOURNE:

-- your shoes -- Marie! -- where? --

where are your shoes? -- Marie --

MARIE standing there in utter shock -- paralyzed -- the

picture in her hand -- the broken glass -- all of what just

happened --

MARIE:

He's dead isn't he?

BOURNE:

Marie -- look at me -- there's no

time for this --

MARIE:

He went out the window -- why? --

why would someone do that?

BOURNE:

-- we can't stay here -- I can't

stay here -- it's not safe here --

MARIE:

He came to kill us.

BOURNE:

-- we can go -- I can get us out of

here -- but we have to go now --

MARIE:

You knew he was coming.

BOURNE:

No.

MARIE:

I trusted you.

BOURNE:

You're wrong. I didn't know.

MARIE:

I don't trust anybody and I trusted

you!

BOURNE:

I didn't know this would happen.

MARIE:

He had my picture! He knew I was

here! He came here to kill us!

BOURNE:

And where is he now?

(that gets her quiet)

You believe what you want, but I'm

telling you the truth -- I never

would have brought you here if I

thought it was dangerous.

MARIE:

(totally overwhelmed)

Oh, Jesus...

BOURNE:

You stay -- if you want, you

stay -- it's okay -- it's better --

maybe it's better -- I don't

know --

(starting to back

away--)

But I can't stay here. I can't.

MARIE:

But the police --

BOURNE:

-- there's no time --

MARIE:

-- we'll explain it --

BOURNE:

-- how? --

MARIE:

-- there's two of us -- we'll tell

them -- we'll just --

BOURNE:

-- forget it --

MARIE:

-- we'll tell them what happened --

BOURNE:

I don't know what happened!

(huge here)

I don't know who he is! I don't

know what he wants! I don't even

know who I am! The only thing I

know is that if I stay here, I'm

never gonna find out!

BOURNE -- that's it -- grabbing the backpack -- pulling it

on -- just about to make his move --

She's standing there. Just utterly swamped. Lost.

BOURNE (CONT'D)

Come with me.

(she turns back, he's

waiting--)

I can get us out of here. I know

it. Then we can think. Then we

can work it out. We'll explain it

then. Once we're safe.

(rock solid)

I can protect you.

EXT. THE PARIS APARTMENT BUILDING -- DAY

A CROWD is gathered around CASTEL'S BODY. Rubberneckers and

people pointing up to the broken window -- THE CONCIERGE

running out to the street and getting the news and THE SOUND

OF SIRENS bleeding in from the distance and --

THE CAMERA PULLS BACK TO FIND

THE LITTLE RED CAR pulling out of the alley. Turning away

from the scene. Disappearing into the streets of Paris --

INT. WOMBOSI COMPOUND MAIN HALLWAY -- DAY

THRONE ROOM DOORS flying open -- WOMBOSI exploding out into

the hallway --

WOMBOSI:

-- No! -- I say, no! -- they go

this far -- out a body in the

grave -- another body! -- no! --

this isn't over -- these people are

not finished -- nothing will make

them finish until they have

Wombosi! -- the real Wombosi --

until I'm the one in the box! --

SIX KIDS -- TWO WIVES -- THREE BODYGUARDS -- all startled by

this steamrolling mass of energy and paranoia --

WOMBOSI:

-- what are you doing? --

(bearing down on

Bodyguard #2--)

-- sleeping? --

(to Deauvage--)

-- he's sleeping! -- this man is

sleeping at his post! --

(kicking the chair

out from under him--)

-- I've had men killed for this! --

(but he's still

moving--)

-- you think these people? -- these

people who come for me -- you think

they sleep? -- they never sleep! --

they spend all the day -- all the

night -- all time thinking about

how to put Wombosi in that box! --

(he's just gonna keep

going, and we're

into--)

Rate this script:3.3 / 3 votes

Tony Gilroy

Anthony Joseph "Tony" Gilroy is an American screenwriter and filmmaker. He wrote the screenplays for the Bourne series starring Matt Damon, among other successful films, and directed the fourth film of the franchise. more…

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Submitted on July 17, 2016

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