The Comedians Page #2

Synopsis: Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. Complications include his inability to sell the hotel so he can leave, a friendship with a rebel leader, some politically "charged" hotel guests, an affair with the German-born wife of a South American ambassador, and the manipulations of a British arms dealer who's in over his head.
Genre: Drama
Director(s): Peter Glenville
Production: MGM
  Nominated for 1 Golden Globe. Another 3 wins.
 
IMDB:
6.5
Rotten Tomatoes:
27%
APPROVED
Year:
1967
150 min
180 Views


In my way.

Don't tell me about your way.

Just be quiet. Be here.

And Angelito?

Oh, he notices everything.

Reports to his father?

Oh, my darling, children watch everything.

It's part of learning.

You wouldn't understand.

You've never had a child.

- Have you sold the Trianon?

- No.

Oh, I'm so glad.

Some day,

I'll need the money to follow you.

Follow me?

Ambassadors come and go.

Just in time for the bloody blackout.

Not very welcoming, is it?

Things were lively in your mother's time,

even though you weren't here

in those days.

Neither were the Tontons.

When shall I see you?

- I can't tomorrow.

- The day after, then?

Yes, if Angelito's better. He's not well.

I'm afraid he's caught a chill.

You see? There was no reason to fear.

Nothing has changed.

No, nothing.

I'd leave Manuel tomorrow

if it weren't for Angelito.

Yes, I know.

Angelito's here to stay.

Joseph!

Joseph!

Joseph!

Joseph!

- Monsieur Brown?

- Joseph, where the hell have you been?

I've got guests who arrive in a minute.

My luggage was left in the hall.

The Minister, Monsieur Philipot,

he came here yesterday.

- What did he want?

- Monsieur Brown, please come quick.

He's done terrible thing.

He came yesterday to hide from Tontons.

I tell him to stay here. He very sick man.

- What happened tonight?

- I hear car.

I think Tontons come.

I say, "Go away double quick."

He say,

"I am sick. Too late to go anywhere."

He run into the garden.

I follow him. Too late.

Where's everybody got to?

Where's the maid? Where's the cook?

They scared. They lock themselves in.

Anyone at home?

Oh, is that you, Mr. Brown?

The taxi left us off at the gate.

I'm sorry I wasn't able to greet you

on the steps of the hotel.

A little domestic problem.

Joseph, would you get

the John Barrymore suite ready?

And be sure there are lots of oil lamps.

- Yes, sir.

- I'm sorry about the lights.

They'll come back on again in a minute.

Your friend Monsieur Pierre

was very helpful at the customs.

- Now, did you go to the embassy?

- I left my card.

- Is that a pool you have there?

- Yes.

The one thing I like

is a swim before breakfast.

Yes, well,

I'll get it filled up during the night.

Now, that's your suite up there.

When the lights are on,

you can see the whole of Port-au-Prince.

Did John Barrymore really stay there?

Well, it's before my time,

but I can show you his liquor bills.

A great talent ruined.

Yes, well, if you'd like to go up,

Joseph will meet you.

If you need anything, just ask Joseph.

- Thank you.

- Oh, dear.

Oh, there we are.

Oh, come over here, dear.

- What a lovely view.

- Yeah.

Look at the harbor.

And that must be our ship.

Surely, that's the President's palace.

It looks just like the White House.

Oh, Mr. Brown,

- has Major Jones arrived yet?

- No, not yet.

Well, we won't wait up for him.

Mrs. Smith is a little tired.

If we could have some hot water

for our Yeastrel.

Certainly. Certainly.

- Good night.

- Good night.

You heard that, Joseph?

Some hot water

for the John Barrymore suite.

Then take the car and ask Dr. Magiot

to get here as soon as he can.

Yeah.

It was thoughtful of him

to choose this spot.

You only have to turn on the water.

Why were they after him?

Over a drink the other night,

he described the President

as a little country witch doctor.

To have a glass too many

is a reckless act in Haiti.

Why did he come here?

I was no great friend.

Too many refugees at the embassies.

The Tontons keep a close watch.

Perhaps he thought an Englishman's home

really is his castle.

We'll have to get

the body away from here.

They can't blame me for a suicide, Magiot.

They can blame you

because he picked your hotel to hide in.

A very neat incision.

We did anatomy together in Paris.

At that time, he wanted to be a doctor

and not a politician.

- Where's the knife?

- Oh, here.

Oh, yes. I forgot.

He was left-handed.

Where can we take him?

There are plenty of deserted homes now

this side of Port-au-Prince.

He was always very careful of his clothes.

What a beautiful morning.

- Has Mrs. Smith slept well?

- Like a top, sir.

Joseph, one of your rum punch specials,

je vous prie.

I have come to read

a little something about you.

About me?

Yes, it's in my column,

"Personalities in Port-au-Prince."

I will translate for you.

Of course,

it sounds more spiritual in French.

"Haiti, always ready

to welcome distinguished visitors

"to her warm bosom,

greets with special ardor Mr. Smith,

"the famous presidential candidate

"narrowly defeated

by Mr. Truman in 1948."

Oh, come, come, Monsieur Pierre.

I had no chance of winning.

It was only a gesture.

Oh, Mr. Smith, you are too modest.

May I help you?

Oh, no, no, no, it's quite all right.

It's quite all right.

I hope you mentioned Mr. Jones.

He's quite a character.

Major Jones. That is a little problem.

There has been a contretemps,

and Major Jones has been detained.

- Who by?

- The police.

There must be some mistake.

Tell me,

have you arranged my appointment

with the Minister for Social Welfare?

Surely, Monsieur Smith.

It will be at 11:00 this morning.

- Then I'll bring the matter up with him.

- That is a good idea.

You'll find Monsieur Jules Csar

a very intelligent man.

Monsieur Philipot, you mean.

Hlas, poor Monsieur Philipot

is no longer with us.

He has passed on.

Passed on?

His body was discovered this morning.

Breakdown.

Pressure of responsibilities.

The President is said to be deeply grieved.

The Minister will see you in a few minutes.

There's a great bustle today.

The Secretary of State

is leaving for New York

to make a protest at the United Nations.

What about?

Two rebels have been captured

in the mountains

in possession

of an American machine gun.

The President should be pleased.

It's probably

the first American machine gun

he's seen in a long time.

They have found it

much too rusty to work,

and some small but vital parts

are missing.

Monsieur Pineda.

Good day, Your Excellency.

Of course, you know Monsieur Brown.

Brown? No.

My wife has told me

a great deal about you.

In fact,

it's strange we've never met before.

Well, we've played

a lot of gin rummy together.

- Your wife is a very good player.

- Really?

I had hoped that she would bring you over

to the embassy one day.

Well, I've only recently come

from New York.

Tomorrow evening, we have a few friends

coming over after dinner.

- You know Dr. Magiot, of course?

- Oh, yes.

Now why don't you join us?

- Well, I'd love to. That's very kind of you.

- Yeah.

Oh, unfortunately, my small son, Angelito,

has got chicken pox.

Dr. Magiot says

it's very contagious at the moment.

- Lf you're in any way afraid...

- Oh, no, no, no, no.

I had it when I was a child. I'm not afraid.

Not afraid?

- The Minister will see you now.

- I thank you.

- Goodbye, sir.

- Brown. Tomorrow?

- Shall we go?

- Good.

I fear that Monsieur Csar,

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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