The Comedians Page #5

Synopsis: Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. Complications include his inability to sell the hotel so he can leave, a friendship with a rebel leader, some politically "charged" hotel guests, an affair with the German-born wife of a South American ambassador, and the manipulations of a British arms dealer who's in over his head.
Genre: Drama
Director(s): Peter Glenville
Production: MGM
  Nominated for 1 Golden Globe. Another 3 wins.
 
IMDB:
6.5
Rotten Tomatoes:
27%
APPROVED
Year:
1967
150 min
180 Views


- My aunt doesn't enjoy safety as I do.

She threatens to melt down

the family silver to make bullets.

She says,

"Only silver bullets can kill a devil."

If I were a military man,

I would much prefer a Bren gun.

You wouldn't know

how to use one, Philipot.

Is it more difficult than learning to paint?

Perhaps he could take lessons

from Major Jones.

- Who is Major Jones?

- A guest of mine, in prison at the moment.

- Why?

- Ask Papa Doc.

A danger to the state perhaps.

He was a commando in Burma.

Apparently won the war single-handed,

like Errol Flynn.

You don't believe him?

Old soldiers are like fishermen.

They tend to exaggerate a little.

I'm a bit of a playactor myself.

Who isn't in this place?

We all play drawing-room comedies

in the blackout.

Well, you should have seen me

in my cocked hat and gold braid

when I proudly presented my credentials.

But then, of course,

perhaps even Papa Doc is playing a part

in those shabby black tails of his.

Oh no, he's real enough.

Horror is always real.

We shouldn't be ashamed

of being comedians.

You know, it's an honorable profession.

If only we were good ones,

we could perhaps give the world a,

I don't know, sense of style.

After all, there are times when we all

play a part, even in a good marriage.

Isn't that so, Dr. Magiot?

- Dr. Magiot, anyway, is no comedian.

- You never heard of a bedside manner?

Oh, Mr. Brown,

Angelito insists on meeting you.

He likes to meet all our new friends.

So naturally, he must meet Mr. Brown.

You will come, won't you?

I warn you,

I'm not very good with children.

Did the Tontons take your name

when you came in?

Yes.

I waited for you at the pharmacy.

You never came.

I had a patient.

I have news from the north.

Things are definitely moving there.

You're a novice, Henri.

You don't know one end of a gun

from the other.

And what have we got in the north?

Twelve untrained men

with a few 1914 rifles.

Castro had only twelve men.

You are not Castro,

and he had twelve trained men.

What was that about trained men?

We have so few trained men left in Haiti,

Your Excellency.

All our best doctors have fled abroad.

- But not you.

- I suppose I am too fond of Haiti.

Sometimes, when I see the necessity

for a very long and careful treatment,

the young become impatient.

Like your Angelito.

I'm so glad you're here in my home.

- Were you happy in Rio?

- Very. Why?

He told me you were.

The first two years of my marriage.

- You can't be jealous of the past.

- Oh, yes, I can.

One day, I'll be the past.

There'll be a difference.

You'll hardly be able to say

to the next man,

"I was very happy in Haiti."

Angelito, what were you doing out of bed?

I wanted a biscuit. I'm hungry.

But you just had your supper.

Anyway, I don't keep biscuits in that desk.

Who is this man?

This man is Mr. Brown.

He's come up to say good night to you.

- How are you? How are you feeling?

- I have a temperature of 39 degrees.

I sleep here with my mother

until the fever is gone.

This is my father's side of the bed.

Darling, I don't think Mr. Brown

wants to hear about that.

- Does Mr. Brown play cards?

- Not often. Why?

My mother used to play an awful lot

of gin rummy with her friends in the town.

- Does she play any longer?

- Not often now.

Darling, say good night to Mr. Brown.

Scoot down.

You took this out of my desk.

I wanted the stamp. It's American.

It's a new American.

I always have your stamps.

Not until you ask me.

- Lf I tell your father...

- You won't, will you? Please.

Good night, then.

Good night, Mr...

Mr. Brown. Mr. Brown.

Good night, old man.

Were you ever in America?

No.

- What did he mean by that?

- He's inquisitive, like all children.

- My letter.

- He wouldn't know who it's from.

Your husband would.

He would never read a letter of mine.

I trust Manuel.

I better keep it.

Who sleeps here?

Oh, that's the guest room,

except we have no guests.

What's the matter?

Darling, I just wanted to see you.

Sometimes you fling yourself at me

like a suicide onto the pavement.

Why are you so desperate?

I've been away for three months.

Since I came back, I've seen you twice,

once in a car

and once in a men's changing room.

My husband is downstairs.

Angelito is along the corridor.

Can't you please try to understand

how a family feels? Can't you?

No.

How many adventures have you had

in your life?

- Four.

- I'm the fourth?

I hadn't counted you as an adventure.

The boy downstairs, Henri Philipot,

was he one of your adventures?

Oh, you fool.

And how many have you had?

It probably runs into the three figures.

This is the last.

I don't want another adventure.

Nor do I.

Manuel guesses.

But he says nothing.

- Let me tell him.

- I can't hurt Angelito.

You won't.

Give him a king-sized box of puzzles

and some ginger snaps.

- You told me he liked ginger snaps.

- Why do you sneer at him?

He's my child.

And Manuel's.

I saw the boy in your bed.

I can imagine the two-backed beast

that went to his making.

Perhaps in time, when he's a little older,

we could... I could...

In 10 years time, he won't need you at all.

He'll be slinking off to Mere Catherine's,

except you won't be here.

You'll be in Luxembourg or Liechtenstein.

But they probably

have brothels there, too.

Well, then I could come to you.

No, a bit too late.

You'll be middle-aged, and I'll be too old.

Too old to care.

No real feelings, have you?

I'm just the result of a seven-year itch.

You've less feeling than one of the girls

at Mere Catherine's.

Why don't you go there, then?

You used to often enough.

All right, Frau Pineda.

I will.

Mr. Brown, the others have just left,

I'm afraid. Come and have a nightcap.

No, thank you,

I have a rendezvous to keep.

Now? In Port-au-Prince?

Be careful, Mr. Brown.

Good night, Your Excellency,

and thank you very much

for asking me for a drink.

Martha.

Martha.

They've all gone.

I should have said good night to them.

Oh, they knew

that you were occupied with Angelito.

I must go to him.

He won't sleep until I come.

He's asleep.

I hope that Mr. Brown liked our son.

I think so.

Angelito wasn't very friendly.

Are you tired?

Sometimes I don't think

I can go on as we are.

I know.

The climate and then

all the unpleasantness that's here,

I never thought

we'd have to stay here for three years,

but then I suppose nobody at home

is very keen to take over my place.

Perhaps I should retire.

We have many friends.

We can't desert them.

Well, but then you weren't made

to be a deserter,

were you?

Philipot.

Good evening, Mere Catherine.

The Tontons they are here.

All the girls taken?

No, but the girl you used to like is busy.

- Are they in a dangerous mood?

- I don't think so.

They accompany someone very important.

He's out with Marie Threse.

You take another girl?

Perhaps. Anyway, I'm very thirsty.

Come. Bring me a rum and Coca Cola.

You, come here.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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