The Comedians Page #6

Synopsis: Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. Complications include his inability to sell the hotel so he can leave, a friendship with a rebel leader, some politically "charged" hotel guests, an affair with the German-born wife of a South American ambassador, and the manipulations of a British arms dealer who's in over his head.
Genre: Drama
Director(s): Peter Glenville
Production: MGM
  Nominated for 1 Golden Globe. Another 3 wins.
 
IMDB:
6.5
Rotten Tomatoes:
27%
APPROVED
Year:
1967
150 min
180 Views


Good evening, Captain.

- I seem to see you everywhere.

- I try not to be conspicuous.

You can sit down.

I said, sit down.

- You were stopped at the door?

- No.

It just so happened

that your man was asleep.

Michel.

- Don't you feel safe here?

- I have to take precautions.

I am here with a very important foreigner.

Doesn't he feel safe,

alone with Marie Threse?

Or do you keep a guard in the bedroom?

You have a sense of humor.

I'm in favor of jokes.

They have a political value.

A release for the cowardly

and the impotent.

"Lmportant foreigner."

I thought you didn't like foreigners.

Oh, I'm offended by the color.

Like a toad's belly.

But we accept some of you,

if you are useful to the state.

You want a woman?

I will treat you to one.

That one, with the flower in her hair.

She is shy

because she thinks I am jealous.

Jealous of a putain. What absurdity.

No, thanks,

I don't need a woman at the moment.

There's a question I've been wanting

to ask you ever since this morning.

This morning?

What happened this morning?

Well, it's a little thing.

You've probably forgotten.

You stole a dead body in a coffin. Why?

I told you, I had my orders.

The people believe

the President took poor old Philipot's body

to work in the cellars of the palace.

Zombies are cheap labor.

The people are very ignorant.

It is proper for them

to fear the authorities.

So you educate them

with bogeys and bullets.

The commandant.

Why, bless my soul and buttons,

if it isn't old Brown!

- Jones!

- Well, this is a pleasant surprise!

And talking of surprises, you ought

to meet the girlfriend, Theresa somebody.

- Oh, boy!

- Marie Threse. We know each other.

Oh, you do. Oh, good-o.

Now, what's your poison?

Apparently not much variety here.

Rum and Coke, rum and 7UP,

- rum and water.

- No, thank you, Jones. I'm off.

Not just one snifter for the road

with our friend, the Captain?

Another time,

when you keep better company.

- What's wrong, old man?

- Be careful, Jones. He' s dangerous.

Dangerous?

He's eating out of my hand, old fruit.

VIP treatment for yours truly,

a red carpet spread,

a luxury suite at the Villa Crole.

Tomorrow, I have a car, my own driver.

Jones, what are you up to?

Have you never had a dream

that suddenly came true?

No, never.

Marie Threse.

I tell them I go faire pipi.

How are you, Marie Threse?

Bien, et vous?

Bien, too.

Marie Threse,

did Jones behave nicely to you?

Yes.

I liked him. I liked him a lot.

- Why?

- He made me laugh.

A general who thought it was sound

to economize tanks on the ground

said, "A couple of planes

will blow out the brains

"for ten shillings less in the pound."

What is a pound?

$2.79, at the last rate I saw.

There are no planes on this list.

My partner, Brigadier Pike,

knows where to find three jet fighters.

Out of service, of course,

but we'll need a further deposit.

My predecessor, Colonel Biche,

has already paid $300,000

into your bank in Miami.

Where are these arms?

In Miami, of course.

In a disused beef factory

rented by Brigadier Pike.

You'll find it all there

in our correspondence with Colonel Biche.

He was perfectly satisfied.

And you know

where Colonel Biche is now?

This is an undercover operation, Colonel.

There has to be trust on both sides.

For the moment, we are only interested

in whether we can trust you.

Your consul has checked the arms

with Brigadier Pike.

You have his certificate there marked "C."

We do not trust any consul very far.

These arms are no good to us

in a beef factory in Miami.

- Tricky business getting them over here.

- That is your concern, not ours.

I am sending Captain Concasseur,

Major, to Miami

to meet Brigadier Pike

and to check these arms.

Of course, we believe all is in order

for the best of reasons,

because we have your word.

I appreciate that, Colonel.

And because you stay here with us.

The President takes a special interest

in anything to do

with new defensive weapons.

No, no, no, Joseph. No eggs.

Mr. Smith is adamant

on the subject of eggs.

What about these onions?

No, no, no, we buy them better.

Mammy Dorothe.

I think

we'll put this poor old thing out to grass.

Hello, there, you take care of that.

It's seen long service.

Young Mr. Philipot write.

He want to see you.

Urgently, he say, at the old wharf.

Come.

Hello, Philipot.

- Thank you for coming.

- What happened?

Let's talk.

Okay.

All right.

- So what happened to your arm?

- They tried to get me.

My aunt has taken refuge

in the Brazilian Embassy.

I'm on the run.

What are you up to?

You're not a politician.

I want you to go to your friend,

Major Jones.

Jones? Why?

Please talk to him.

He can help us as no one else can.

Jones is as crooked as hell, Philipot.

What do I care?

I want his experience, not his honesty.

What can any of us do against the Tontons

without proper arms or training?

I'm a painter, not a soldier.

I can't lead them.

I don't even know how to use a gun.

What are you gonna offer him,

a cave with all the modern conveniences?

We have contacts in the police.

We can get him out of prison.

He's out already on his own steam.

Then offer him money.

Too late, Philipot.

He's been bought already by Papa Doc.

He can't want to be mixed up

with murderers like that.

At least speak to him.

Philipot, I'm a foreign hotel keeper.

I don't mix with politics.

- We are risking our lives for Haiti.

- It's your country.

Haiti has given you a home.

If by home, you mean a bankrupt hotel,

my mother gave it to me, not Haiti.

- She loved Haiti.

- She loved a good deal here and there.

Are you afraid?

Yes.

Yes.

You have a hope.

You carry it everywhere, like a priest

with a sacrament in his pocket.

If I had to leave Port-au-Prince,

I would leave carrying nothing.

I have no hope, and what I love is here.

A bankrupt hotel?

No, no, I didn't mean the hotel.

- Is that your last word?

- Yes.

How many men have you got

to fight the Tontons?

A dozen?

Not even that.

You said it yourself,

you're a painter, not a soldier.

Now get into safety while you can.

You were not here for the fight, were you?

Well, you missed

something rather extraordinary.

You see this cock?

I bought it just now after the fight.

One eye had gone, and it couldn't see

with the other because of the blood.

It could hardly stand.

No one would have bet $1 on its victory,

but the owner called out

to Ogoun Feraille, our god of war,

and then this cock drove its beak

straight into the breast of the other,

home to the heart.

A brave bird.

It deserves a better end than the pot.

We are meeting tonight

to pray to our gods,

and we'll sacrifice this cock

to Ogoun Feraille.

We'll have need of him from now on.

Philipot, you don't believe

in such nonsense?

- Is there no nonsense you believe in?

- No.

You're afraid to believe in anything at all.

I'm afraid of the Tontons.

I'm afraid of torture and death

like any sane man,

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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