The Comfort of Strangers Page #5
- R
- Year:
- 1990
- 107 min
- 758 Views
- Do you want to go up?
- She's seen us. Can't very well be rude.
- Just across the canal, please. Over there.
- Grazie.
- Hello.
- Hello.
How delightful to see you.
The boat brought us round this side from
the beach, so we thought we'd say hello.
We were expecting you sooner.
- You got my message?
- No. When?
I left a message at your hotel today.
We're going away, you see.
- We didn't want to miss you.
- No, we didn't get it.
But you came anyway. How wonderful.
Going away?
To Canada.
To see my family, so we wanted
to say goodbye. Have a farewell drink.
Give Mary some refreshment.
I have to go to my bar.
I have business. Very quick.
Will you come with me?
- I'll just...
- We won't be long.
- Colin, I...
- Have you been swimming?
Yes.
Good God.
- I thought you were going on holiday.
- We're selling up.
We are going on holiday, but when we get
back we'll buy a ground-floor apartment.
- That's what I need.
- Oh.
- Would you like some herb tea?
- I'd love some.
- Ciao, Robert.
- Dove andate? Venite con noi.
- Venetians are very friendly people.
This way.
Robert said he told you
about his childhood.
He exaggerates, you know. He turns
his past into stories to tell at the bar.
- No sugar for me.
- I'm just stirring in the lemon.
- Shall we take it out onto the terrace?
- May I?
What happened to your back?
S, certo. come hanno detto.
Esattamente. S, s, ho capito.
Grazie. Allora posso stare tranquillo.
Arrivederci.
L'avvocato dice che il contratto perfetto.
Did you understand what I was
telling people as we walked here?
No.
I was telling them that...
you're my lover, and that Caroline
is jealous because she likes you too.
- Why did you tell them that?
- Why "why"?
We knew you would come back.
Now, look here, Robert.
Hang on a minute.
Why did you take that picture of me?
The one you showed Mary?
- She's very quick.
- What was the point?
I'm selling the bar.
To him.
I've never told anyone this - never -
but I want to tell you.
Soon after we were married, Robert
started to hurt me when we made love.
I tried to stop him, but he went on doing it.
And after a time, I found I liked it.
Not the pain itself, but somehow...
the fact of being helpless before it.
Being reduced to nothing by it.
And of being punished,
therefore being guilty.
I felt it was right that I should be punished.
I thrilled to it.
It took us over totally.
It grew and grew. It seemed never-ending.
But there was an end to it.
We both knew what it was.
That waiter was once a fisherman.
But pollution has ruined the fish.
So fishermen become waiters.
Why did you take my picture?
What does it mean?
You see that barbershop? My grandfather
and my father used that barbershop.
And I use that barbershop.
That's Cemetery Island.
My back happened suddenly one night.
It was very bad indeed.
And there was an incompetent surgeon.
So I'm like this.
He's terribly strong, you see.
When he bent my head backwards
I blacked out with the pain,
but I remember thinking
"It's going to happen. Now."
"There's no going back on it.
"This is it. This is the end."
I'm boring you.
No, not at all. It's the...
It's the sun, I think. The long swim.
Do you and Colin do strange things?
Oh, no, I don't think so. No.
Oh, I'm sure Colin does.
In fact, I'm certain he does.
I want to show you something.
- A bit dizzy.
- I must show you something.
You haven't been in our bedroom,
have you?
My legs ache.
God!
He's so beautiful.
Robert saw you both
the first day you arrived.
That was the first picture I saw of him.
I'll never forget it.
Robert came home so excited.
And then he brought
more and more photographs home.
We became so close.
Incredibly close.
Colin brought us together.
It was my idea to put him on the wall
so we could see him as we made love.
I took that one myself. Isn't it brilliant?
- Why?
- And then Robert brought you home.
It was as if God was in on our dream.
I knew fantasy was passing into reality.
Have you ever experienced that?
It's like stepping into a mirror.
Colin.
Colin.
- Wake up. Wake up.
-
Colin and Robert are back.
Do you know where we are now?
Shall I tell you?
We are on the other side of the mirror.
Mary, what is it?
Mary?
What is it?
What's the matter?
Mary. What's the matter?
Cheers.
- It's just a mild touch of sunstroke.
- She's not hot.
What is it? Is it sunstroke?
Tell me. Try to tell me.
Tell me!
- She's just tired.
- C...
Are trying to say my name?
- Co...
- What are you trying to say?
- Co...
- Cold.
- She's cold.
- We shouldn't crowd her.
She needs a doctor.
Where's the telephone?
It's been disconnected.
- Disconnected?
- We're going away.
You must know a doctor.
Go and fetch a f***ing doctor.
She's very ill!
- No need to shout.
- She'll be fine.
Mary understands.
You understand too, don't you?
You understand.
You do understand, don't you?
Don't you know where you are? Get up!
Don't move.
You've cut my lip.
Shh!
What have you done to Mary?
I'll do anything you want.
Just get a doctor for her.
- What do you want?
- Want?
I'll show you what we want.
I'll show you.
We'll show you.
Carolina.
Roberto.
What did you want
from these people? I ask you again.
What did you want from these people?
Nothing. They were friends.
Friends?
We had dinner there.
Why did you go back with your boyfriend
to these people?
What did you want from them?
Did your boyfriend like the woman?
I liked her. I don't think that he...
Did your boyfriend like the man?
No. No, he didn't.
And you?
You liked the man?
- Did you like the man?
- No.
So, why did you go to dinner?
And why did you go back?
Why did you come to Venice?
What were you looking for?
- Nothing, we ju...
- Were you looking for... some fun?
We were...
We were going to get married.
Is this the body of Colin Mayhew?
Sign here.
- Combed his hair the wrong way.
- Sorry?
It doesn't go this way.
It goes this way.
...a tourist, but now
you plan everything in advance.
You sell your bar, you sell your apartment,
you buy drug, and so on and so on.
And then on the other hand you leave
your razor with your fingerprints,
you book a ticket under your own name
and you travel with your own passport.
We don't get it.
Listen. Let me tell you something.
My father was a very big man.
All his life he wore a black moustache.
When it turned grey
he used a little brush to keep it black,
such as ladies use for their eyes.
Mascara.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Comfort of Strangers" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_comfort_of_strangers_19955>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In