The Crying Game Page #7
- R
- Year:
- 1992
- 112 min
- 733 Views
TOMMY:
Do you now.
FERGUS:
Need to lose myself awhile.
TOMMY:
Aha.
He looks at Fergus and lights a cigarette.
He puffs.
TOMMY:
There's a man I know ships cattle to
London.
The ferry, churning into the sunset.
FADE TO BLACK.
FADE UP into an elegant, empty Georgian room, covered in
clouds of dust. A figure among the clouds of dust, hacking at
a wall with a sledgehammer. It is Fergus, dressed in
laborer's overalls, covered in dust. He is knocking the
bricks from an outer wall. He works furiously and
relentlessly, like a machine.
We see the wall, with the hammer striking it. One brick falls
away, then another. Daylight pours through the clouds of dust
and the growing hole.
34.
Fergus's face, as he works.
The hole. More bricks falling away. Through the clouds of
dust and the streams of daylight we now see a patch of green.
Fergus's face, working. His rhythm slows.
The hole. More bricks fall away. Then the hammer stops. The
dust begins to clear.
His face.
The jagged hole. The dust drifts across it, revealing a
cricket pitch, with tiny sticklike figures running on the
green.
EXT. HOSTEL - DAY
Fergus, returning from work, crosses the street, and enters
through a white door.
INT. HOSTEL - DAY
Fergus dressing. He puts on a cheap suit, like any country
boy in a big city. He takes Jody's wallet from the trousers
of his overalls. He flips it open, sees the picture of the
soldier and Dil. He puts it in the pocket of his suit.
EXT. STREET - DAY
Fergus walking down a street looking for an address. Some
distance down the street is a sign -- MILLIE'S UNISEX HAIR
SALON.
EXT. STREET - DAY
Fergus, standing as the crowds go by him, looking in the
window. He has the picture in his hand. We see Dil from his
point of view, then Fergus walks inside.
Fergus enters. The door gives a loud ping.
A GIRL:
We're closing. I'll see you tomorrow, Dil
She leaves the salon.
DIL:
You want something in particular?
35.
FERGUS:
Just a bit of a trim...
Dil checks her watch and stubs out a cigarette.
DIL:
Come on...
She gestures toward a chair. Fergus sits down. She comes
toward him and fiddles with his hair.
She pushes his head back into a basin behind him. She begins
to knead his hair in hot water and shampoo.
DIL:
Someone recommend you?
FERGUS:
In a way.
DIL:
Who?
FERGUS:
Guy I work with.
DIL:
What's his name?
Fergus can't think of an answer. The hands with the purple
nails run over his scalp.
FERGUS:
Doesn't the water get to your nails?
DIL:
What's it to you?
FERGUS:
Nothing.
Fergus, sitting up. She begins to cut.
DIL:
You American?
FERGUS:
No.
DIL:
Not English.
36.
FERGUS:
No.
DIL:
Scottish?
FERGUS:
How'd you guess?
DIL:
The accent, I suppose.
FERGUS:
And what's it like?
DIL:
Like treacle.
She imitates his accent saying it. Fergus laughs.
DIL:
Nice laugh.
Dil raises Fergus's head up, with his new-cut hair and holds
a mirror up behind his head so he can see the back. He looks
like a young London stockbroker. The hair salon around them
is empty.
DIL:
That should make her happy.
FERGUS:
Who's she?
DIL:
Don't know. Who is she?
Fergus emerges from the shop. He takes one last look through
the window where Dil is taking off her smock, touching up her
hair, etc. It is as if she has forgotten all about him. He
walks off through the crowds and then ducks into a doorway.
The doorway of the shop. Dil comes out, dressed in a pair of
high heels, a very short skirt, different, more raunchy
clothes on her than we saw inside. She locks the glass door
and walks down the street, across the road, and into a pub
called the Metro. Fergus follows.
37.
INT. METRO - EVENING.
Half full, with an after-work crowd. Dil makes her way
through it.
BARMAN:
Hi, Dil
DIL:
Hiya, hon.
She sits down at the bar. Fergus comes toward the bar and
takes a seat.
BARMAN:
What'll it be?
FERGUS:
A bottle of Guinness.
Dil, looking at Fergus.
DIL:
See that, Col?
COL:
See what, Dil?
DIL:
He gave me a look.
COL:
Did he?
Fergus blushes. He buries himself in his drink.
DIL:
Just cut his hair, you know.
COL:
Yeah?
DIL:
What you think?
COL:
Nice.
Fergus throws his eyes toward her again. She has her face
turned away, but sees him in the mirror.
DIL:
There, he did it again.
38.
COL:
Saw that one.
DIL:
What would you call it?
COL:
Now, that was a look.
She eyes Fergus in the mirror.
DIL:
Ask him to ask me what I'm drinking.
The barman, with infinite weariness, approaches Fergus.
COL:
She wants to know do you want to know
what she's drinking.
Fergus is about to talk when she pipes up.
DIL:
A margarita.
The barman mixes it. She stares at the mirror, staring at
Fergus, who is trying to avoid her eyes. The barman hands her
the drink.
DIL:
Now he can look.... Ask him does he like
his hair, Col.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Crying Game" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_crying_game_391>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In